Degas And His Model

There are many myths about the artist Edgar Degas—from Degas the misanthrope to Degas the deviant, to Degas the obsessive. But there is no single text that better stokes the fire than Degas and His Model, a short memoir published by Alice Michel, who purportedly modeled for Degas. Never before translated into English, the text’s original publication in Mercure de France in 1919, shortly after the artist’s death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery—to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot-on to discount; even the dialogue captures the artist’s tone and mannerisms. What is found in these pages is at times a woman’s flirtatious recollection of a bizarre “artistic type” and at others a moving attempt to connect with a great, often tragic man. The descriptions are limpid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world-historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the other artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model’s innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great artist’s life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscathed.

This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.

#1 National Bestseller and New York Times Bestseller Paris, 1878. Following her father’s sudden death, Marie van Goethem is dispatched to the Paris Opéra, where for a scant wage she is trained to enter the famous Ballet. Her older sister, Antoinette, finds work—and the love of a dangerous young man—as an extra on the stage. Marie is soon modeling in the studio of renowned artist Edgar Degas, who will immortalize her image forever, while Antoinette must make the choice between a life of honest labor and the more profitable avenues open to a willing young woman—that is, unless her perilous love derails her completely. Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of civilized society. Praise for THE PAINTED GIRLS #1 NATIONAL BESTSELLER NEW YORK TIMES BESTSELLER NPR BEST BOOK GOOD HOUSEKEEPING BEST BOOK GOODREADS CHOICE AWARD FINALIST ONTARIO PUBLIC LIBRARY EVERGREEN AWARD WINNER CHATELAINE BOOK CLUB PICK PEOPLE MAGAZINE PICK ENTERTAINMENT WEEKLY MUST LIST PICK VANITY FAIR HOT TYPE PICK VOGUE BOOKS PEOPLE ARE TALKING ABOUT PICK HARPER’S BAZAAR WHAT WE’RE READING NOW PICK USA TODAY NEW & NOTEWORTHY PICK CHRISTIAN SCIENCE MONITOR SMART NEW HISTORICAL NOVELS PICK SAN FRANCISO CHRONICLE BOOK RECOMMENDATION BOSTON GLOBE WORD ON THE STREET PICK INDIE NEXT PICK GOOD MORNING TEXAS BUY THE BOOK PICK ASPEN DAILY NEWS BOOKSELLERS STAFF PICK ZOOMER BOOKMARK PICK SCHOOL LIBRARY JOURNAL BEST BOOK SAFEWAY BOOK OF THE MONTH

Paris, 1878. Ballet dancer Marie van Goethem is chosen by the unknown artist Edgar Degas to model for his new sculpture: Little Dancer, aged fourteen years. But Marie is much more than she seems. By day she’s a 'little rat' of the opera, contorting her starving body to entertain the bourgeoisie. By night she’s plotting to overthrow the government and reinstate the Paris Commune, to keep a promise she made to her father, a leading Communard who died in the street massacres of 1871. As Marie watches the troubling sculpture of herself come to life in Degas’ hands, she falls further into the intoxicating world of bohemian, Impressionist Paris, a world at odds with the socialist principles she has vowed to uphold. With the fifth Impressionist Exhibition looming, a devastating family secret is uncovered which changes everything for both Marie and Degas. As Degas struggles to finish his sculpture and the police close in on Marie, she must decide where her loyalties lie and act to save herself, her family and the Little Dancer.

A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.

The first reference work devoted to their lives and roles, this book provides information on some 200 artists' models from the Renaissance to the present day. Most entries are illustrated and consist of a brief biography, selected works in which the model appears (with location), a list of further reading. This will prove an invaluable reference work for art historians, librarians, museum and gallery curators, as well as students and researchers.

In the City of Lights, at the dawn of a new age, begins an unforgettable story of great love, great art—and the most painful choices of the heart. With this fresh and vibrantly imagined portrait of the Impressionist artist Edgar Degas, readers are transported through the eyes of a young Parisian ballerina to an era of light and movement. An ambitious and enterprising farm girl, Alexandrie joins the prestigious Paris Opera ballet with hopes of securing not only her place in society but her family’s financial future. Her plan is soon derailed, however, when she falls in love with the enigmatic artist whose paintings of the offstage lives of the ballerinas scandalized society and revolutionized the art world. As Alexandrie is drawn deeper into Degas’s art and Paris’s secrets, will she risk everything for her dreams of love and of becoming the ballet’s star dancer?

Monsieur Degas likes to paint the students while they practice in ballet class. But one day he mistakenly leaves his paints in the dance studio and instead takes a young ballerina's bag, which contains her new tutu. And so the ballerina begins a great chase to find Degas before her recital. Full color.