Degas Drawings Of Dancers

Forty-one full-page, six half-page drawings depict dancers on stage, in the classroom, and at rehearsals. Charming, spirited views of dancers pirouetting, executing grand battements and ports de bras, practicing at the barre, and more.

Carefully reproduced from a rare 1923 limited edition, most of these magnificent drawings are unavailable elsewhere in published form. Dancers, nudes, portraits, travel scenes, and more. 100 drawings, including 8 in full color.

Through Edgar Degas’s beloved paintings, drawings, and sculptures, Susan Goldman Rubin conveys the wonder and excitement of the ballet world. Degas is one of the most celebrated painters of the impressionist movement, and his ballerina paintings are among the most favorite of his fans. In his artwork, Degas captures every moment, from the relentless hours of practice to the glamour of appearing on stage, revealing a dancer’s journey from novice to prima ballerina. Observing young students, Degas drew their poses again and again, determined to achieve perfection. The book includes a brief biography of his entire life, endnotes, bibliography, where to see his paintings, and an index.

This beautiful Journal cover with a copy of Edgar Degas's masterpiece - A study of a Dancer. This book will be a joy to write in, draw in or dot down those special moments you wish to record. This book will make a lovely gift for women, art teachers, fine art enthusiasts, dancers and people who love all things beautiful. Cream paper, 60 sheets 120 pages 6 inches x 9 inches (handy size to fit in a handbag) Cover is a matte finish

He addressed the routine of the practice room, the drabness of backstage life, the moment of transformation as performers left or entered the stage, and the squalid, amorous adventures between the ballerinas and the black-suited, top-hatted, and often sinister gentlemen who sought their favors after a performance.

Edgar Degas (18341917) is best known for his luminous studies of dancers. Illustrated with drawings, pastels, paintings, prints and sculpture, as well as photographs taken by the artist and his contemporaries, and samples of film from the period, this text follows the development of Degas's ballet imagery.

Like the Impressionists, Degas sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plain air landscapes, favoring scenes in theaters and cafes illuminated by artificial light, which he used to clarify the contours of his figures, adhering to his Academic training. He is especially identified with the subject of dance; more than half of his works depict dancers. He also was a superb draftsman, and particularly masterful in depicting movement, as can be seen in his interpretations of dancers and female nudes. His portraits are notable for their psychological complexity and for their portrayal of human isolation.