Deja Views Of An Aging Orphan

To quote from E.M. Nathanson (author of THE DIRTY DOZEN and numerous other works and fellow alumnus of the HNOH) who wrote the FOREWORD to the book: The title of the book - DEJA VIEWS... - is itself a meaningful play on the French phrase deja vu - meaning, roughly, the startling feeling that strikes you that what you have just experienced you have experienced before. To anyone who shared those times, DEJA VIEWS OF AN AGING ORPHAN will be an exciting time travel adventure, comprehensive, varied, textured and evocative. To those who lived in those times but had no knowledge then of the milieu of the books real life characters and stories - and to those in the generations that followed, such as the children and grandchildren of the Home boys - the book will be a voyage of discovery. Many of the anecdotes and people profiles in the book, though not all of them, were written as columns that appeared over the years in THE ALUMNUS, the monthly publication of the Alumni Association of the Hebrew National Orphan Home and its successor institutions, Homecrest and Hartman-Homecrest. They are word pictures that have ripened and matured and been revised over the years by more acute memory and input from others. Some of these stories and brief biographies have even achieved the status of myths and legends. In addition, sowed amidst these pages of real persons and event, as a sort of literary seasoning and entertainment, are some short stories, identified as fiction, but which illuminate with their own truths. The index alone is a cornucopia of memories. The variety of people and themes that are remembered and summoned into the book is impressive. Some evoke nostalgia for a time that we didnt know was that good when we were living it; some bring a laugh - or a tear. And the focus is always on the boys - and the adults they became. In addition to the foregoing, I believe the best description of my book is contained in my INTRODUCTION, which is therefore reproduced here in its entirety. My older brother Al, myself and my younger sister Henny all became half-orphans upon the death of our mother in February 1929. Our father had to place us in orphanages when he found himself unable to provide the care required by a 9 year old boy, his 7year old brother and 2 year old sister. A1 and I were placed in the Hebrew National Orphan Home on Tuckahoe Road in the outskirts of Yonkers, NY while Henrietta was put into the Israel Orphan Asylum on East Second Street NYC. This separation was necessary because the HNOH accepted only boys, ages 6 to 16 (later HS graduation) whereas the IOA accepted boys and girls, ages 2 to 5. It was while I was in the HNOH that I became a "full-fledged" orphan, when my father died in 1938. And Ive been a "full-fledged orphan" ever since--although I didnt start "aging" until just a few months ago when I turned 78. But some years before that, my then new daughter-in-law, Susan was describing my wife and myself to her mother, including the fact that we were orphans (my wife having been raised in the Pride of Judea Childrens Home on Dumont Ave in Brooklyn where I worked after I had left the HNOH). To which Susans mother replied, matter-of-factly: "Well, so am I. And so is your father!" Momentarily surprised, Susan then elaborated: "No mom. I mean they were orphaned as children and raised in orphanages." Her mother hesitated and then said: "Oh". This anecdote illustrates the fact that ultimately we all become "orphans". But that is not the focus of this work. Its focus is the child who lost one or both parents at a young, tender age and subsequently was placed in an institution--the orphanage. So when I titled this work "...OF AN AGING ORPHAN. I wasnt focusing on an older person who had been orphaned as an adult, but on an orphaned child who, fortunately, has been aging nicely. I say "fortunately" because I

All of the stories in this volume are free-standing short stories. Stories I through VIII, however, can be regarded as sequels to the authors previous work, DEJA VIEWS OF AN AGING ORPHAN since they pick up on many characters and themes first introduced in that book and deal with the trials and tribulations of the Arcus/Erkes family, both in the "Old Country" and in America. The central plot and theme involving Nochem, Bashya and her children, Nochems sister Sonia, Mollie and her children, is told from various perspectives and points of view--not unlike the famous Japanes story RASHOMON. The remaining stories are rooted in the United States, albeit in different cities as the author and his family move from one community to another as he climbs the ladder of greater responsibilities and rewards within the social work and communal service field. While all of the stories are based on actual events and real people, some fiction was required to fill gaps and round out the stories. For example, details surrounding Nochems sustaining two life-threatening wounds during the Russo-Japanese War of 1905 and Bashya and her childrens eleven months odyssey from Odessa, Ukraine to Nesvizh, Poland! Wars (civil and world), pogroms, Displaced Persons Camps, bigamy, suicide and institutionalization are some of the events experienced by the books characters--not too dissimilar to those in DR. ZHIVAGO. In any event, each story can be perceived as a "Journey"--actual or figurative--with some of the "Journeys" in America providing some rare insights into the eleemosynary world of community centers and capital fund-raising.

"This book contains ideas to develop interdisciplinary and transdisciplinary views on economy and society. It aims to disseminate heterodox ideas on various subjects related to economics and global society. The book is organised in six parts. Part 1 contains the key lectures of Backhaus on the concept of state sciences and of Klamer on the importance of culture for economics. Parts 2- 6 contain successively contributions in the areas of economic paradigms and theories, population and society, corporate issues, environment, and international relations. Examples of the content are: - the changes of family life cycles due to the rise of non-traditional households; - subjective and objective inflation rates after the introduction of the Euro; - the economics of genetic engineering; - the contribution of foreign direct investment to the economic development of host countries; - the inaccuracy of economic models applied in places characterized by extreme income disparities; - the improvement of political and corporate governance; - evolutionary thinking and emission trading; - freedom and order in the European Union; - the reform of social policy in Europe. The book provides interesting creative multi-disciplinary ideas with respect to various topical issues concerning the contemporary global society. It is highly recommended for economists and social scientists in search of broad views on social science and society."

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Traces the economic, political, and social evolution of New York State’s fourth largest city during the twentieth century. Yonkers in the Twentieth Century chronicles the decline and rebirth of the fourth largest city in New York State, once known as “the Queen City of the Hudson” and “the City of Gracious Living.” Previously an industrial powerhouse, the city’s factories turned out essential items that helped the United States win two world wars. Following World War II, the industrial base of Yonkers eroded as companies moved away, contributing to an increase in poverty. To address the housing needs of its low-income residents, Yonkers built public housing, resulting in a nearly thirty-year court case that, for the first time in United States history, linked school and housing segregation. The case was finally settled in the early years of the twenty-first century, a time that also witnessed the continuation of the city’s economic redevelopment efforts along the Hudson River and contiguous downtown area. Striving to once again become “the Queen City of the Hudson,” Yonkers is being rebuilt beginning at its historic waterfront. Marilyn E. Weigold is Professor of History at Pace University and the author of several books, including The Long Island Sound: A History of Its People, Places, and Environment. The Yonkers Historical Society is dedicated to saving the rich, diverse history of Yonkers. The Society maintains Sherwood House museum, advocates for the preservation of historic landmarks and neighborhoods, and promotes an appreciation of the city’s unique heritage through its many programs, publications, and social media.