Deleuze S Political Vision

French philosopher Gilles Deleuze and the psychiatrist-activist Félix Guattari’s 1980 book A Thousand Plateaus is widely recognized as a masterpiece of twentieth-century Continental philosophy. Until now, however, few scholars have dared to explain the book’s political importance. Deleuze’s Political Vision reconstructs Deleuze’s conception of pluralism, human nature, the social contract, liberalism, democracy, socialism, feminism, and comparative political theory. Unlike scholars who read Deleuze as a Marxist, author Nicholas Tampio argues that Deleuze was a cutting-edge liberal, concerned about protecting difference from what John Stuart Mill called the tyranny of the majority. The book brings Deleuze into conversation with other contemporary political theorists such as Hannah Arendt, William E. Connolly, Jürgen Habermas, Bruno Latour, Charles Mills, Martha Nussbaum, Carole Pateman, Abdolkarim Soroush, Leo Strauss, and Charles Taylor. Deleuze’s Political Vision translates Deleuze’s ideas into popular vernaculars to realize his political vision and reveal his work as essential to modern discussions of political theory and philosophy.

This is an in-depth analysis of dramatization as method in the work of Deleuze and Guattari. It provides an account of the value of this method for the study of the political with particular emphasis on the relationship between politics and art.

With clarity, precision and economy, Paul Patton synthesizes the full range of Deleuze's work. He interweaves with great dexterity motifs that extend from his early works, such as Nietzsche and Philosophy, to the more recent What is Philosophy? and his key works such as Anti-Oedipus and Difference and Repetition. Throughout, Deleuze and the Political demonstrates Deleuze's relevance to theoretical and practical concerns in a number of disciplines including philosophy, political theory, sociology, history, and cultural studies. Paul Patton also presents an outstandingly clear treatment of fundamental concepts in Deleuze's work, such as difference, power, desire, multiplicities, nomadism and the war machine and sets out the importance of Deleuze to poststructuralist political thought. It will be essential reading for anyone studying Deleuze and students of philosophy, politics, sociology, literature and cultural studies.

The central argument of this book is that the univocal ontology and corresponding immanent metaphysics of the French philosopher Gilles Deleuze (1925-1995) can provide a theoretical perspective capable of accounting for the complex nature of world politics. Drawing on a wide variety of Deleuze’s writings, it develops a thorough investigation of his ontology and metaphysics as they pertain to core questions of world politics such as power, identity, hierarchy, space, time, territory and the state. The book explores the dynamics of contemporary world politics and issues by focusing on the ‘anti’ or ‘alter-globalization movement’ (AGM). It analyses several approaches to social and political theory which deal explicitly with the AGM including global governance theory, international relations, social movement theory, Marxism, and post-Marxism. These are contrasted with a larger Deleuzian theory which can be of use when addressing the diffuse, and often paradoxical aspects of world politics. Deleuze’s work poses a major challenge to traditional understanding of global politics and this book will be of considerable interest to those with an interest in social and political theory, critical international relations and globalization studies.

This volume in the Deleuze Connections series debates and extends Deleuze's political thought through engagement with contemporary political events and concepts. Against recent critique of Deleuze as a non-political thinker, this book explores the specific innovations and interventions that Deleuze's profoundly political concepts bring to political thought and practice. The contributors use Deleuze's dynamic theoretical apparatus to engage with contemporary political problems, themes and possibilities, including micropolitics, cynicism, war, democracy, ethnicity, friendship, revolution, power, fascism, militancy, and fabulation.

This accessible book examines critically the writings of Deleuze and Guattari, clarifying the ideas of these two notoriously difficult thinkers without over-simplifying them. Divided into three sections - Knowledge, Power, and Liberation of Desire - the book provides a systematic account of the intellectual context as well as an exhaustive analysis of the key themes informing Deleuze and Guattari′s work. It provides the framework for reading the important and influential study Capitalism and Schizophrenia and, with the needs of students in mind, explains the key concepts in Deleuze and Guattari′s discussion of philosophy, art and politics. Definitive and incisive, the book will be invaluable in situating the philosophy of these two major figures within the perspective of the social and human sciences.

This book examines the relationship between aesthetics and politics based on the philosophies of Gilles Deleuze (1925 - 1995) and Pierre-Felix Guattari (1930 - 1992), most famous for their collabarative works Anti-Oedipus (1972) and A Thousand Plateaus (1980).Porter analyses the relationship between art and social-political life and considers in what ways the aesthetic and political connect to each other. Deleuze and Guattari believed that political theory can have aesthetic form and that vice versa, the arts can be thought to be forms of political theory. Deleuze and Guattari force us to confront the idea that 'art', the things we call language, literature, painting and architecture, always has the potential to be political because naming, or language-use, implies a shaping or ordering of the 'political' as such, rather than its re-presentation.

This book addresses the philosophies of Alain Badiou, Gilles Deleuze, and Alfred North Whitehead in relation to the concepts of event, ontology and politics. For Whitehead, the event is the realization of becoming, the actualization of the “groundless ontological ground” of creativity, the process of self-decision on possibilities yet undecided, the aesthetic and ethical impulse of existence. For Deleuze it is the expression of life without possession, bodies without organs, the virtual or actual reality of singularity and novelty. For Badiou, the event breaks from the situation, in which we always count (reality) as one and multiplicity as united. For all three thinkers, the event necessitates a radical politics that critiques traditional ontologies of social bodies, cultures, and art. The perspective that emerges from the book is of humanity constituted by, but also constituting a multiplicious event cycle: each person and thing bringing their own personal event into their experience of an event outside of themselves. The convergence of this multiplicity creates our complex world—a complexity not defined as aporia or impossibility, but rather infinity—that is always already still creating. Event and Decision offers the reader a live experience of this evental theory, an experience that mirrors the event of three philosophers themselves. And if the mirror you peer into shows you something foreign, something different than what you know as yourself, then this difference makes reading the book easy. The only impossibility is to lose your way.