Departure Stories

"We weren't religious per se. The most frequent mention of God in our house was my mother yelling 'Goddammit!'" Elisa Bernick grew up "different" (i.e., Jewish) in the white, Christian suburb of New Hope, Minnesota during the 1960s and early 1970s. At the center of her world was her mother, Arlene, who was a foul-mouthed, red-headed, suburban Samson who ultimately shook the walls of their family until it collapsed. Poignant and provocative, Departure Stories peers through the broader lens of Minnesota's recent history to reveal an intergenerational journey through trauma that unraveled the Bernick family and many others. Deftly interweaving reporting, archival material, memoir, jokes, scrapbook fragments, personal commentary, and one very special Waikiki Meatballs recipe, Bernick explores how the invisible baggage of place and memory, Minnesota's uniquely antisemitic history, and the cultural shifts of feminism and changing marital expectations contributed to her family's eventual implosion. Departure Stories: Betty Crocker Made Matzoh Balls (and other lies) is a personal exploration of erasure, immigrants, and exiles that examines the ways departures—from places, families and memory—have far-reaching effects.

Departure Story is a coming-of-age novel about a young Guyanese girl named Celestine who wins a scholarship to study at a small liberal arts school in middle America, leaving her broken, dysfunctional family behind. In the midst of an awkward adjustment period, she receives news that her uncle, a notable Guyanese politician, has been shot dead in an act of political violence. Feeling lost in a state of grief, Celestine decides to join the Student Council Diversity Committee, hoping to learn more about the democratic values that her home country's government has been modeled after. She takes up the cause of trying to save an African dance group on campus that is soon to lose its instructor. Tired of going by the book and being ignored, Celestine takes matters into her own hands, ruffling the feathers of the powers that be on campus and alienating so-called friends in the process, all while dealing with her first love, her first heartbreak, and investigating a family secret that she might not actually want to know.

Winner of the Flannery O'Connor Award for Short Fiction. Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider's world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. Fully aware of the dangers that await us all — loneliness, commitment, heartbreak, love — the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.

Departure Time is the amazing journey of a girl in two stories. The girl in the hotel with the fox and the rat, and the girl whose father travels a lot, who suggests they write a story together, a story about talking animals. She doesn't want to. She is angry with him, because he can't make it home in time for her birthday. Again. Still, the two stories start to intertwine and come together in a surprising ending.

" Twenty-six alphabets, twenty-six names, and twenty-six short stories. Each exploring one unique emotion, taking you into the dark recess of the mind. Some frothy and most of them dark. Most standing alone and some facing a mirror, where the same story comes alive in two different ways, through two different protagonist . Meet myriad characters - from the single-minded prostitute to the man on the railways station bereft of any memory; a woman desperate for a biological child to a dead man's trial. Meet a jealous lover with a twisted brain and a gay man's memory of a one-night encounter. Meet twenty-six such characters arrested and sentenced for life inside the pages of a book. Each one leaving an indelible mark on your soul.. "

Friends Kit and Liza have been looking forward to this trip forever. Five girls, five tickets overseas. It's exactly what they all need after the final slog of high school. But when Kit is suddenly forced to drop out, Liza's left with three girls she barely knows. There's Mai, committed only to partying. There's Tam, who already has her doubts about leaving her sick father behind. And there's Olivia, so miserable about screwing up exams she's not even sure she wants to get out of bed, let alone on a plane. All Liza wants from this trip is to discover a new version of herself. She just hadn't planned on doing it without Kit by her side. And they're all learning that travel isn't just about the places you go, but about who you're with at the time.

Point of Departure offers a practical metacognitive and transformational learning strategy for human surviving and thriving. Using five foundational and interactive Indigenous worldview beliefs that contrast sharply with our dominant worldview ones, everyone can reclaim the original instructions for living on Earth. Without the resulting change in consciousness that can emerge from this learning approach, no modern technologies can save us. The five foundational Indigenous precepts relate to a radically different understanding about: (1) Trance?based learning (2) Courage and Fearlessness (3) Community Oriented Self?Authorship (4) Sacred Communications (5) Nature as Ultimate Teacher Praise for Point of Departure: Four Arrows provides a quintessential critique of how the collective human departure of modern society from “Indigenous Consciousness” has led to the current wholesale exploitation and destruction of “Indigenous Nature” ... while providing the impetus for the urgency of a return to the “Indigenous Mind” as one of the true pathways for our future survival. ~ Greg Cajete Director of Native American Studies, University of New Mexico. Author of Native Science and Look to the Mountain Recognizing the disastrous consequences of the dominant worldview pervading global society, Four Arrows teaches metacognitive strategies to help shift us back toward the Indigenous worldview—the only worldview that can restore balance amidst planetary crisis. With his characteristic insight, he reminds us that interconnectedness with all of creation is the basis of courage that will help each of us, Indigenous and non?Indigenous alike, rise to action in defense of Mother Earth. ~ Waziyatawin Dakota author and activist from Pezihutazizi K’api Makoce (Land Where They Dig for Yellow Medicine) in southwestern Minnesota Four Arrows continues to open our eyes to the possibility of a new society, one founded on the empirical data of thousands of years and within the paradigms of traditional wisdom and the people connected to all of life—theirs, ours, animal brethren and Mother Earth. Point of Departure is a MUST read for anyone who wants to be part of the solution. ~ Rebecca Adamson Founder/President First Peoples Worldwide Anyone who is even slightly Indigenous will nod in recognition all the way through Point of Departure. Using the four sacred directions as cognitive bridges into the circle of all, Four Arrows walks the reader through trance?based, Transformative learning; courage, Indian?style, as connection - not fear-based; and the Indigenous grammar of communication and truth-telling, with neither restricted to humans. Then, binding the hoop together for “all our relations,” Four Arrows recommends re-acquaintance with Nature. The handy “take?away” discussions and “how?to” manuals concluding each discussion draw the reader into the circle, if only the reader is willing. ~ Barbara Alice Mann Associate Professor of Humanities, University of Toledo. Author of Spirits of Blood, Spirits of Breath: The Twinned Cosmos of Indigenous America

Winner of the Philip K. Dick Award: Nineteen stories of power and humanity from a science fiction master with otherworldly talent In a small house in the desert, a chimp named Rachel watches Tarzan on TV. Although her body is an ape’s, her mind is something different—a hybrid between those of a chimpanzee and a young girl. When his wife and child died, the doctor who created Rachel implanted his daughter’s brain into that of the chimp. Rachel remembers the jungle; she remembers high school. And when her father passes away, she will embark on the adventure of a lifetime. The Nebula Award–winning novella “Rachel in Love” anchors this haunting collection of stories, along with nominees “Bones” and “Dead Men on TV.” Pat Murphy, whose electric imagination is a testament to how wonderful science fiction can be, writes characters who struggle with alien lovers, vegetative wives, and the burden of seeing into the future. And always, like Rachel, they search for something more: not just what it means to be human, but what it is to be alive.