Designed In The Ussr 1950 1989

A fascinating glimpse into design behind the Iron Curtain, revealed through the products and graphics of everyday Soviet life This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.

A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.

This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.

Documents the collapse of the Soviet Union's European empire (East Germany, Poland, Czechoslvakia, Hungary, Romania, and Bulgaria) and the transition of each to independent states, drawing on interviews and newly uncovered archival material to offer insight into 1989's rapid changes and the USSR's minimal resistance.

This fascinating book tells the story of the soviet space dogs, illustrated with legendary photographer Martin Parr's vintage space-dog memorabilia. In the 1950s the space race between the USA and the USSR was well and truly on, and was for both a matter of pride and propaganda. But before man ventured into the cosmos, his four-legged friends would pave the way for space exploration. The first canine cosmonaut was Laika, meaning 'barker'. The little stray could never have anticipated that she would one day float 200 miles above the Moscow streets. She would be canonized as a proletarian hero, appearing on stamps, postcards and souvenirs. Her successors were Belka and Strelka, the first dogs to successfully return safely to Earth, and with them, the cult of the space dog was born. In a regime that eschewed celebrating individual achievement, the space dogs became Soviet superstars, with a vast array of merchandise, books and films in their honor. A must for read for fans of Soviet Space Dogs by Olesya Turkina and Designed in the USSR: 1950-1989 by Moscow Design Museum..

An authoritative history of Russia from early Rus' to the reign of Peter the Great.

Winner of the Pulitzer Prize One of the Best Books of the Year: The New York Times From the editor of The New Yorker: a riveting account of the collapse of the Soviet Union, which has become the standard book on the subject. Lenin’s Tomb combines the global vision of the best historical scholarship with the immediacy of eyewitness journalism. Remnick takes us through the tumultuous 75-year period of Communist rule leading up to the collapse and gives us the voices of those who lived through it, from democratic activists to Party members, from anti-Semites to Holocaust survivors, from Gorbachev to Yeltsin to Sakharov. An extraordinary history of an empire undone, Lenin’s Tomb stands as essential reading for our times.

The author discusses the traditional system of management of the economy as it existed in the early 1950s in the USSR and goes on to deal with the reforms of the 1960s and of the 1980s, country by country. He shows that the focus of the reforms is on finding a proper combination of planning and the market mechanism, and their success will be judged by their ability to solve acute economic problems.