Soviet Space Graphics

A wonderful, whimsical journey through the pioneering space-race graphics of the former Soviet Union This otherworldly collection of Soviet space-race graphics takes readers on a cosmic adventure through Cold War-era Russia. Created against a backdrop of geopolitical uncertainty, the extraordinary images featured, taken from the period's hugely successful popular-science magazines, were a vital tool for the promotion of state ideology. Presenting more than 250 illustrations - depicting daring discoveries, scientific innovations, futuristic visions, and extraterrestrial encounters - Soviet Space Graphics unlocks the door to the creative inner workings of the USSR.

Tells the true stories of Laika, Belka, Strelka, and the other space dogs who were sent on experimental space flight explorations by the Soviet Union between 1951 and 1956.

Building the Collective showcases over 100 posters and other graphic works, representing the talents of a wide variety of artists, from the acclaimed to the anonymous. Color reproductions of works by Gustav Klutsis, Aleksandr Rodchenko, El Lissitzky, and the Stenberg brothers - as well as those of lesser-know but important designers such as Aleksandr Deineka, Viktor Deni, and Elena Semenova - are shown alongside posters created by "brigades" of designers who worked collectively and anonymously in the spirit of the times.

From the start, the Soviet human space program had an identity crisis. Were cosmonauts heroic pilots steering their craft through the dangers of space, or were they mere passengers riding safely aboard fully automated machines? Tensions between Soviet cosmonauts and space engineers were reflected not only in the internal development of the space program but also in Soviet propaganda that wavered between praising daring heroes and flawless technologies. Soviet Space Mythologies explores the history of the Soviet human space program within a political and cultural context, giving particular attention to the two professional groups—space engineers and cosmonauts—who secretly built and publicly represented the program. Drawing on recent scholarship on memory and identity formation, this book shows how both the myths of Soviet official history and privately circulating counter-myths have served as instruments of collective memory and professional identity. These practices shaped the evolving cultural image of the space age in popular Soviet imagination. Soviet Space Mythologies provides a valuable resource for scholars and students of space history, history of technology, and Soviet (and post-Soviet) history.

How One Man Masterminded the Soviet Drive Beat America to the Moon. "Fascinating . . . packed with technical and historical detail for the space expert and enthusiast alike . . . Great stuff!"-New Scientist "In this exceptional book, James Harford pieces together a most compelling and well-written tale. . . . Must reading."-Space News. "Through masterful research and an engaging narrative style, James Harford gives the world its first in-depth look at the man who should rightly be called the father of the Soviet space program."-Norman R. Augustine, CEO, Lockheed Martin. "In Korolev, James Harford has written a masterly biography of this enigmatic 'Chief Designer' whose role the Soviets kept secret for fear that Western agents might 'get at' him."-Daily Telegraph. "Harford's fluency in Russian and his intimate knowledge of space technology give us insights that few, if any, Americans and Russians have had into this dark history of Soviet space."-Dr. Herbert Friedman, Chief Scientist, Hulburt Center for Space Research Naval Research Laboratory. "Reveals the complex, driven personality of a man who, despite unjust imprisonment in the Gulag, toiled tirelessly for the Soviet military industrial complex. . . . More than just a biography, this is also a history of the Soviet space program at the height of the Cold War. . . . Highly recommended."-Library Journal. "For decades the identity of the Russian Chief Designer who shocked the world with the launching of the first Sputnik was one of the Soviet Union's best-kept secrets. This book tells vividly the story of that man, Sergei Korolev, in remarkable detail, with many facts and anecdotes previously unavailable to the West."-Sergei Khrushchev, Visiting Senior Fellow, Center for Foreign Policy Development.

Book of Ideas series Vol.1 - suitable for art and design students, freelancers, art directors, graphic designers and all other creatives looking to grow their careers. Book of Ideas is just that: an outpouring of what one creative director and designer has discovered from many years working in the strange and endlessly fascinating world of the creative industry. Sharing advice on everything from inspiration to inbox control, facing your fears, finding happiness in your work, the art of self-promotion and beating creative block. It is also illustrated with some of the most important and resonant portfolio projects. Book of Ideas is an invaluable tool to any creative at any stage in their career.

A fascinating glimpse into design behind the Iron Curtain, revealed through the products and graphics of everyday Soviet life This captivating survey of Soviet design from 1950 to 1989 features more than 350 items from the Moscow Design Museum's unique collection. From children's toys, homewares, and fashion to posters, electronics, and space-race ephemera, each object reveals something of life in a planned economy during a fascinating time in Russia's history. Organized into three chapters - Citizen, State, and World - the book is a micro-to-macro tour of the functional, kitsch, politicized, and often avant-garde designs from this largely undocumented period.

"Opening the High Frontier" is about how to make spaceflight affordable to everyone.