Digital Art Through The Looking Glass

Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators—to preserve this contemporary art is a transdisciplinary task. This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.

Step into a world where fire dances with sand, where history, science, and art fuse into an enchanting journey spanning centuries, waiting to engulf your senses – this is "Through the Looking Glass." Prepare to embark on an intellectual odyssey that begins with the alchemical wonders of ancient civilizations. Witness their hidden truths and legends, as glittering artifacts emerge from the sands of time. Transform your understanding of an art that has defined empires and sparked revolutions. Your guide a kaleidoscope of stories laid out in meticulously crafted chapters, unveiling the mystique behind one of humanity's most mesmerizing crafts glass blowing. "Through the Looking Glass" paints a vivid tableau of stained glass windows, whose every piece tells a spiritual tale from a bygone medieval era. Trailblaze through the Renaissance, as innovative glass techniques shatter the limits of creativity. Marvel at Venetian artisans, whose mastery turns molten glass into unrivaled beauty. Your journey is not just about looking—it's about truly seeing. Venture into the courts of royalty and discover how, through a delicate alchemy, glass transcended mere utility to become a symbol of power and prestige. Feel the heat of the scientific revolution – glasses not just for seeing through, but for seeing beyond, becoming a vital tool in humanity's relentless quest for knowledge. You'll encounter modern alchemists who wield fire and air to mold the glass canvas into contemporary masterpieces. Tools and techniques that have withstood the test of time make their secrets known, as the roles of kilns and glassblower's instruments are revealed. Explore the elusive dance of light as it plays with glass to create breathtaking architectural spectacles. Discover sustainable practices breathing new life into this ancient art. Dive deep into the microcosm of economics, where art collides with commerce, and investment whispers through the galleries. Feel the restorative power of glass as it transitions into a therapeutic medium, and uncover the mentorship and apprenticeship models that preserve the flames of tradition. As you approach the book's culmination, consider the environmental implications, restoration challenges, and look ahead to the digital innovations poised to redefine glass artistry's future. Embark upon a literary adventure with "Through the Looking Glass," where every chapter is a looking glass of its own, reflecting a world where art and science, the physical and metaphysical, tradition and innovation converge. This isn't just a book. It's your passport to a realm shimmering with ingenuity, inviting you to a rendezvous with beauty, history, and the endless possibilities within the heart of every shard of glass.

Through the Looking Glass examines John Cage's interactions and collaborations with avant-garde and experimental filmmakers, and in turn seeks out the implications of the audiovisual experience for the overall aesthetic surrounding Cage's career. As the commercially dominant media form in the twentieth century, cinema transformed the way listeners were introduced to and consumed music. Cage's quest to redefine music, intentionality, and expression reflect the similar transformation of music within the larger audiovisual experience of sound film. This volume examines key moments in Cage's career where cinema either informed or transformed his position on the nature of sound, music, expression, and the ontology of the musical artwork. The examples point to moments of rupture within Cage's own consideration of the musical artwork, pointing to newfound collision points that have a significant and heretofore unacknowledged role in Cage's notions of the audiovisual experience and the medium-specific ontology of a work of art.

Digital art challenges archiving, collecting and preserving methods within and outside of gallery, library, archive and museum (GLAM) institutions. By its media, art in the digital sphere is processual, contextual, modular and ephemeral, and its creative process is collaborative. From artists, scholars, technicians and conservators-to preserve this contemporary art is a transdisciplinary task. This book brings together leading international experts from digital art theory and preservation, digital humanities, collection management, conservation and media art histories. In a transdisciplinary approach, theoretic and practice-based research from these stakeholders in art, research, education and exhibition are presented to create an overview of present preservation methods and discuss demands and opportunities for the future. Finally, the need for a new appropriate museum and archive infrastructure is shown to preserve the art of our time.

Documentation as Art presents documentation as an expanded practice that is radically changing the ways in which to look at, participate in, and generate art. Bringing together expertise from different disciplines, the book provides an in-depth investigation of the development of documentation as a set of production, circulation, and preservation strategies. Illustrating how these are often led by artists, audiences, and museums, the contributions offer new insights into digital art and its history, curation, and preservation, through documentation. Considering documentation as the main method of preserving these art forms, the book analyses how it can address the inherent challenges of capturing live events, visitor experiences, and evolving artworks. Showing how documentation itself can become (part of) an original artwork, the book discusses ways in which these expanded practices can impact the value and experience of the documented event or artwork, giving consideration to how this might affect the traditional authority of the museum as creator of documentation used for future reference, historical relevance, or cultural memory. Documentation as Art demonstrates how the curation and preservation of documentation and the introduction of audience-generated documentation are radically changing exhibition and visiting practices in which documentation is becoming a significant and emergent cultural form in its own right. The book will appeal to researchers and students engaged in the study of museums and curation, art and art history, performance, new media and digital art, library and information science, and conservation.

Wer sind die wichtigen Künstler/-innen der 1980er-Jahre? Dieses Buch fordert eine Revision dieser Frage angesichts der Bedeutung des Digitalen in der Gegenwart. Die betrachteten Künstler/-innen nahmen in ihrem Umgang mit neuer Technologie Vieles vorweg, was uns heute beschäftigt. Joseph Nechvatal schuf ausdrucksstarke digitale Bilder und setzte diese Computerviren aus. Lynn Hershman Leeson stellte mit ersten interaktiven Arbeiten für Bildplatte eine Verbindung zwischen Kunst und Gaming her. Nancy Burson sah das multikulturelle Amerika voraus, als sie Fotografien diverser Personen digital überlagerte. George Legrady war einer der Ersten, die Presse-Bilder digital manipulierten und dies als Kunst präsentierten. Gretchen Benders Einsatz digitaler Bildsprache wurde bislang nie hinreichend erörtert. Wenn das Digitale eine Rolle spielt, dann auch diese Künstler/-innen.

This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.

This is an open access book.The Faculty of Creative Multimedia (FCM), Multimedia University will hold the 2nd International Conference on Creative Multimedia 2022 (ICCM2022) on 25-27 July 2022 (Virtual Conference). ICCM2022 invites prospective authors to take part by submitting research papers in pursuing the vibrant discourse of creative multimedia. ICCM2022 aims to bring together related research scholars, educators, practitioners, policymakers, enthusiasts, fellow students, and design entrepreneurs from various perspectives, disciplines, and fields to share and exchange their research experiences and results on all aspects of arts, design, and creative media technologies. ICCM2022 embraces possibilities, provides an interdisciplinary forum for all stakeholders to present and discuss current trends, innovations, and concerns, as well as practical issues and solutions in the field of creative multimedia. We welcome high-quality research contributions dealing with original and unpublished results on fundamental, conceptual, empirical and experimental work in all areas of arts, design and creative media technologies.