Dilip Kumar

An authentic, heartfelt and compelling narrative – straight from the horse’s mouth – that reveals for the first time numerous unknown aspects of the life and times of one of the greatest legends of all time who stands out as a symbol of secular India. Dilip Kumar (born as Yousuf Khan), who began as a diffident novice in Hindi cinema in the early 1940s, went on to attain the pinnacle of stardom within a short time. He came up with spellbinding performances in one hit film after another – in his almost six-decade-long career – on the basis of his innovative capability, determination, hard work and never-say-die attitude. In this unique volume, Dilip Kumar traces his journey right from his birth to the present. In the process, he candidly recounts his interactions and relationships with a wide variety of people not only from his family and the film fraternity but also from other walks of life, including politicians. While seeking to set the record straight, as he feels that a lot of what has been written about him so far is ‘full of distortions and misinformation’, he narrates, in graphic detail, how he got married to Saira Banu, which reads like a fairy tale! Dilip Kumar relates, matter-of-factly, the event that changed his life: his meeting with Devika Rani, the boss of Bombay Talkies, when she offered him an acting job. His first film was Jwar Bhata (1944). He details how he had to learn everything from scratch and how he had to develop his own distinct histrionics and style, which would set him apart from his contemporaries. After that, he soon soared to great heights with movies such as Jugnu, Shaheed, Mela, Andaz, Deedar, Daag and Devdas. In these movies he played the tragedian with such intensity that his psyche was adversely affected. He consulted a British psychiatrist, who advised him to switch over to comedy. The result was spectacular performances in laugh riots such as Azaad and Kohinoor, apart from a scintillating portrayal as a gritty tonga driver in Naya Daur. After a five-year break he started his ‘second innings’ with Kranti (1981), after which he appeared in a series of hits such as Vidhaata, Shakti, Mashaal, Karma, Saudagar and Qila.

Known variously as the last emperor in the Indian film world, a living legend, the thespian, few would contest that Dilip Kumar has been a dominant figure for over five decades in an industry where actors spring up like mushrooms and are wiped out quickly. This book attempts to flesh out the person behind the star and how Kumar's cultured dignity and grace have given him a credibility which transcends the silver screen, making him a public figure who is both widely admired and respected. The book also contains his complete filmography and an array of photographs that chronicle his life and films. Lovingly and film-by-film, this book traces Dilip Kumar’s legendary career which started by pure chance when he was barely twenty-two and with no interest in films to speak of. Dilip Kumar achieved his undisputed status as India’s outstanding film actor through sheer hard work and astonishing dedication. Acting in only fifty-four films in nearly as many years, Dilip helped create landmark films from the 1940s to the 1980s, including Shaheed, Jogan, Devdas, Naya Daur, Mughal-e-Azam, Gunga Jumna, Sagina Mahato and Shakti, to name a few. Intensely interested in all aspects of the films he worked in, Dilip also directed several of them. Dilip Kumar is a very private man in a very public industry. Thus, while so much has been written about him in the media there remains an aura of mystery about him. This book attempts to flesh out the person behind the star and how Dilip Kumar’s cultured dignity and grace have given him a credibility which transcends the silver screen, making him a public figure who is both widely admired and respected. The book also contains a complete filmography of Dilip Kumar and an array of photographs that chronicle his life and films.

World-famous economist, Lord Meghnad Desai writes on his film idol, Dilip Kumar, with insights into the socio-economic changes in India that mirror the actor's career.

I have always felt that Indira Gandhi is the exceptional and foremost example of the dynastic politics of independent India. She is a perfect example of dynastic rule, on one hand, she is called the 'Iron Lady', on the other hand, people pay tribute to her dictatorship for imposing emergency in the country. Where on one hand Indira Gandhi carved her name in golden letters in Indian history by dividing Pakistan into two, on the contrary, she has also endured the slogans like Sanjay ki mummy, badi nikammi for blindly loving her son like Gandhari loved Duryodhana. Nonetheless, we cannot forget that it was Indira Gandhi who gave wings to India's strength and courage by conducting the Nuclear Test; however, she was also the Prime Minister for whom the High Court issued orders to be removed from her office. In fact, Indira Gandhi is merely a symbol of dynasty politics. The point here is to remind the young people that they cannot strive for ideal politics by idolising those who have flourished through family inheritance of post or position. In today's scenario, there are numerous political parties that operate under a single family's control. Although I hold great admiration for Indira Gandhi, however, her darker side is perhaps more prominent. Hence, I believe that young aspirants who are interested in politics can learn valuable lessons from this book on what not to do!

Dilip Kumar was born Mohammad Yusuf Khan-to Ayesha Begum and Lala Ghulam Sarwar Ali Khan in a Muslim Hindko-speaking Awan family. For most of his childhood, he lived in Peshawar, North West Frontier Province. His father was a landlord and a fruit merchant, and he owned orchards in Peshawar and Deolali. He moved to Bombay when his father came back after a brief stint in the upcoming city and realizing it offered a lot of opportunities. After finishing his college education, Yusuf left his home in a huff after a disagreement with his father. He arrived at Poona (now Pune) and that was his first tryst with earning his own keep. He recalls having left his house with just forty rupees in his pocket! His coming into what we now know as Bollywood was quite accidental. He just happened to be at the right place at the right time and Devika Rani saw what Yusuf had never seen in himself-untapped potential. Since the pay was quite good, he decided to go ahead and give this profession a shot. It was his movie Jugnu with its huge hoardings that gave him the first taste of stardom. The movie posters were hung all around the town, and clued his father in about what he had been secretly indulging in. His affair with Madhubala was widely publicized and there have been many accounts of their breakup-with each party holding onto their side of the story. The fact remains Dilip Kumar married Saira Banu and they have been an indomitable team for years to come. Dilip Kumar had ruled Bollywood during his days by adopting a screen name because he didn't want to associate his family name in this business as his father wasn't too happy about his decision to join the nautanki business.

From Being Dismissed As A Non-Actor In His Debut Film To Creating An Aura That Is Admired By Critics And Repeatedly Studied By Actors To This Day, Dilip Kumar Has Become A Legend In His Own Lifetime. This Book Chronicles His Life.

A rare compilation of hand-printed as well as digitalized landmark Hindi film posters from the 1930s to the present - both tracing the journey of an art form and the evolution of cinema in India. The text accompanying each poster carries a synopsis, banner, details of cast and technical crew, date of release, famous songs, awards won, and some lesser-known anecdotes about the film. The posters are from young Hindi film buff, S M M Ausaja's personal collection of posters, lobby cards, record album covers and other memorabilia.