Divine Enterprise

Through shrewd marketing and publicity, Hindu spiritual leaders can play powerful roles in contemporary India as businessmen and government officials. Focusing on the organizations and activities of Hindu ascetics and gurus, Lise McKean explores the complex interrelations among religion, the political economy of India, and global capitalism. In this close look at the business of religion, McKean traces the ideological and organizational antecedents to the Hindu nationalist movement. The Indian state's increasing patronage of Hindu institutions makes competition for its support greater than ever. Using materials from guru's publications, the press, and extensive field research, McKean examines how participation by upper-caste ruling class groups in the Divine Life Society and other Hindu organizations further legitimates their own authority. With a remarkable selection of photographs and advertisements showing icons of spirituality used to sell commodities from textiles to cement to comic books, McKean illustrates the pervasive presence of Hindu imagery in India's burgeoning market economy. She shows how gurus popularize Hindu nationalism through imagery such as the goddess, Mother India, and her martyred sons and daughters.

For centuries mankind has been taught to view the divine from an established point of view to the extent that any attempt to explore the Divine from a totally different angle could be regarded as blasphemous. This book attempts to position the reader at an unusual angle to enable him to see the Divine from an unusual perspective. Viewing the Divine from such an unusual perspective, the reader would be able to see the errors in mankind's beliefs about the Divine as well as the hidden identities of such Divine personalities like the Prophet Elijah, John the Baptist and Jesus Christ; including secular personalities like Abraham Lincoln and John F. Kennedy. The errors in our beliefs about the Divine are expressed in satire and are meant to elicit humor, particularly for those who falsely claim Christhood. The book also attempts to bring out the common denominators between human and Divine endeavors.

Volume 4: In the final of four volumes, the author seeks an account of God as agent. Systematic theology raises deep metaphysical questions about the central concepts we use in our thinking about God. Abraham illumines the concept of God as agent by attending to various traditional problems in Christina doctrine like the relation of freedom and grace, divine action in liberation theology, the presence of God in the Eucharist, divine providence, the relationship of Chrisitanity and Islam, the relation of the natural science to theology and apparent design, and the realm of the demonic. Divine action is the point of departure for reflection on these topics.

Recovering the African Feminine Divine in Literature, the Arts, and Performing Arts: Yemonja Awakening provides context to the myriad ways in which the African feminine divine is being reclaimed by scholars, practitioners and cultural scholars worldwide. This volume addresses the complex ways in which the reclamation of and recognition of Yemonja facilitates cultural survival and the formation of African -centric identity. These cultural practices are symbolically represented by Yemonja, the African female deity who is the mother of the entire world of the Orisha. Also known as Yemaya, Iemanya and Yemaya-Olokun, Yemonja is the deity whose province is the ocean and, given that the Middle Passage was the cultural and spatial crossroad to Africa’s numerous diasporas, this deity links the shared histories of African and African –descent cultural praxis worldwide. Since Yemonja also references sexual, creative, spatial and spiritual energies, the editors and contributors see her as pivotal to this project as an expansive and original cartography of impact of the African feminine divine globally. This work provides the context for understanding how the spiritual conceptualizations of the African feminine divine underpin critical cultural forms, even when it has been previously unacknowledged and despite the cultural encounters with European and Western models of being. Scholars of African diaspora studies and the arts will find this book particularly interesting.

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