Doctor Fate Vol 2 Prisoners Of The Past

RENDER UNTO CAESAR... Gifted with the power of Nabu, armed with the Helmet of Fate, Egyptian-American medical student Khalid Nassour is getting a crash course in the ways of the world beyond. Unfortunately, our world’s a big enough mess as it is. As Khalid struggles to reconcile everything he thought he knew about life and faith with the angels, demons, gods and monsters facing him at every turn, the people of his ancestral homeland face monsters of their own. So when protests against the police state turn violent outside the Egyptian consulate in New York, it’s Khalid’s fate to investigate. What he discovers is a dictatorship much older—and potentially deadlier—than the one the protesters face. The spirit of none other than Julius Caesar himself has risen again, and he’s determined to finish what he started and conquer Egypt for good. Stopping Caesar will take everything the new Doctor Fate knows about space and time, magic and history. And it may bring a former Fate out of retirement in the bargain... Comics legend Paul Levitz (LEGION OF SUPER-HEROES, JSA) and acclaimed artist Sonny Liew (THE SHADOW HERO, THE ART OF CHARLIE CHAN HOCK CHYE) continue their rollicking reimagining of DC’s premiere superhero sorcerer in DOCTOR FATE VOL. 2: PRISONERS OF THE PAST! Collects issues #8-12.

American culture has long represented mixed-race identity in paradoxical terms. On the one hand, it has been associated with weakness, abnormality, impurity, transgression, shame, and various pathologies; however, it can also connote genetic superiority, exceptional beauty, and special potentiality. This ambivalence has found its way into superhero media, which runs the gamut from Ant-Man and the Wasp’s tragic mulatta villain Ghost to the cinematic depiction of Aquaman as a heroic “half-breed.” The essays in this collection contend with the multitude of ways that racial mixedness has been presented in superhero comics, films, television, and literature. They explore how superhero media positions mixed-race characters within a genre that has historically privileged racial purity and propagated images of white supremacy. The book considers such iconic heroes as Superman, Spider-Man, and The Hulk, alongside such lesser-studied characters as Valkyrie, Dr. Fate, and Steven Universe. Examining both literal and symbolic representations of racial mixing, this study interrogates how we might challenge and rewrite stereotypical narratives about mixed-race identity, both in superhero media and beyond.

"Being a twenty-something medical student has its own share of problems, but throw a new, unexpected identity as a superhero powered by an ancient mystic force on top of it? Things get pretty hairy quickly. Egyptian-American Brooklynite Khalid "Kent" Nassor stumbles upon the helmet of Fate, which transforms him into the all-new Doctor Fate! An overwhelmed Kent finds himself tackling a strange set of magical powers, all without an instruction manual. But he'll need to master his new tricks fast, as Anubis, the Egyptian Lord of the Dead, is preparing the flood to wash the world away. Legendary writer Paul Levitz and sensational newcomer Sonny Liew deliver a hero for the next generation in Doctor Fate Vol. 1! Collects issues #1-6"--

In Brooklyn, a serial killer is on the loose--and when strange clues lead down a paranormal path, a detective confronts his inner demons to solve the case. After returning from a tour in Afghanistan, detective Billy O'Connor returns home to a Brooklyn he doesn't recognize. As he tries to return to his normal routines, his PTSD is easily triggered and he suffers severe hallucinations. Once he begins to work a gruesome homicide case, however, O'Connor has difficulty sorting out what's real--and after he uncovers some strange clues, he'll have to face the unthinkable to bring the killer to justice. From New York Times Bestselling authors Paul Levitz (75 Years of DC Comics: The Art of Modern Myth-Making) and Tim Hamilton (Ray Bradbury's Farenheit 451: The Authorized Adaptation), this volume collects all sixteen chapters originally serialized in Dark Horse Presents Volume 3 #17-#22 and #24-#33!

Written by Steve Gerber and others Art by Justiniano, Walden Wong andothers Cover by Justiniano The Dr. Fate story from COUNTDOWN TO MYSTERY #1-8 iscollected in this sequel to the hit miniseries DAY OF VENGEANCE. The new Dr.Fate must master his strange new powers in time to battle the dread Devourer ofSouls!

The great Russian 20th-century novel from the Sunday Times bestselling author of Stalingrad. Life and Fate is an epic tale of a country told through the fate of a single family, the Shaposhnikovs. As the battle of Stalingrad looms, Grossman's characters must work out their destinies in a world torn by ideological tyranny and war. Completed in 1960 and then confiscated by the KGB, this sweeping panorama of Soviet Society remained unpublished until it was smuggled into the West in 1980, where it was hailed as a masterpiece. 'A literary genius. His Life and Fate is rated by many as the finest Russian novel of the 20th Century' Mail on Sunday VINTAGE CLASSICS RUSSIAN SERIES - sumptuous editions of the greatest books to come out of Russia during the most tumultuous period in its history.

With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration", and argues for the transformation of the society as a whole.