Doing Time Writing Lives

Doing Time, Writing Lives offers a much-needed analysis of the teaching of college writing in U.S. prisons. Through the examination of a college-in-prison program, Berry exposes not only incarcerated students' hopes and dreams for their futures but also their anxieties about whether education will help them.

This is the first comprehensive guide to in-prison and post-release horticultural training programs. James Jiler combines an engaging personal account of running a highly successful horticultural vocation program at the largest jail complex in the United States with a practical guide to starting and managing prison and re-entry gardening programs. James Jiler directs the Greenhouse Project for male and female inmates at New York City's Rikers Island jail system. He also directs the GreenTeam of ex-offenders, who work on landscape-related projects throughout New York State. Jiler's humor and heartfelt stories about prison community and clear explanations of what works broaden this book's appeal to social activists, educators, and those involved with at-risk populations and community gardens.

“Doing time.” For prison writers, it means more than serving a sentence; it means staying alive and sane, preserving dignity, reinventing oneself, and somehow retaining one’s humanity. For the last quarter century the prestigious writers’ organization PEN has sponsored a contest for writers behind bars to help prisoners face these challenges. Bell Chevigny, a former prison teacher, has selected the best of these submissions from over the last 25 years to create Doing Time: 25 Years of Prison Writing—a vital work, demonstrating that prison writing is a vibrant part of American literature. This new edition will contain updated biographies of all contributors. The 51 original prisoners contributing to this volume deliver surprising tales, lyrics, and dispatches from an alien world covering the life span of imprisonment, from terrifying initiations to poignant friendships, from confrontations with family to death row, and sometimes share extraordinary breakthroughs. With 1.8 million men and women—roughly the population of Houston—In American jails and prisons, we must listen to “this small country of throwaway people,” in Prejean’s words. Doing Time frees them from their sentence of silence. We owe it to ourselves to listen to their voices.

Arguing that composition should renew its interest in reading pedagogy and research, Chasing Literacy offers writing instructors and literacy scholars a framework for understanding and responding to the challenges posed by the proliferation of interactive and multimodal communication technologies in the twenty-first century. Employing case-study research of student reading practices, Keller explores reading-writing connections in new media contexts. He identifies a culture of acceleration—a gathering of social, educational, economic, and technological forces that reinforce the values of speed, efficiency, and change—and challenges educators to balance new “faster” literacies with traditional “slower” literacies. In addition, Keller details four significant features of contemporary literacy that emerged from his research: accumulation and curricular choices; literacy perceptions; speeds of rhetoric; and speeds of reading. Chasing Literacy outlines a new reading pedagogy that will help students gain versatile, dexterous approaches to both reading and writing and makes a significant contribution to this emerging area of interest in composition theory and practice.

Prison Life Writing is the first full-length study of one of the most controversial genres in American literature. By exploring the complicated relationship between life writing and institutional power, this book reveals the overlooked aesthetic innovations of incarcerated people and the surprising literary roots of the U.S. prison system. Simon Rolston observes that the autobiographical work of incarcerated people is based on a conversion narrative, a story arc that underpins the concept of prison rehabilitation and that sometimes serves the interests of the prison system, rather than those on the inside. Yet many imprisoned people rework the conversion narrative the way they repurpose other objects in prison. Like a radio motor retooled into a tattoo gun, the conversion narrative has been redefined by some authors for subversive purposes, including questioning the ostensible emancipatory role of prison writing, critiquing white supremacy, and broadly reimagining autobiographical discourse. An interdisciplinary work that brings life writing scholarship into conversation with prison studies and law and literature studies, Prison Life Writing theorizes how life writing works in prison, explains literature’s complicated entanglements with institutional power, and demonstrates the political and aesthetic innovations of one of America’s most fascinating literary genres.

"One last look at Europe" - that was the idea behind a 3-month trip in 2006. The weather was always good and that 3 months led to a life of unanchored travels, for years moving among countries and continents. In Local Time: a memoir of cities, friendships and the writing life New York, London, Bristol, Amsterdam, Berlin, Prague, Barcelona all have a chapter devoted to them, and Rome has more. Other chapters explore themes like sexuality, Europe, identity among hybrids and hyphens, family secrets, the self fiction creates, ageing, beginnings, the history of friendships, and a life in which writing has been the centre. Known for her stylish provocative work the author has once more gone in new directions in this memoir.

As founding editor of Creative Nonfiction and architect of the genre, Lee Gutkind played a crucial role in establishing literary, narrative nonfiction in the marketplace and in the academy. A longstanding advocate of New Journalism, he has reported on a wide range of issues—robots and artificial intelligence, mental illness, organ transplants, veterinarians and animals, baseball, motorcycle enthusiasts—and explored them all with his unique voice and approach. In My Last Eight Thousand Days, Gutkind turns his notepad and tape recorder inward, using his skills as an immersion journalist to perform a deep dive on himself. Here, he offers a memoir of his life as a journalist, editor, husband, father, and Pittsburgh native, not only recounting his many triumphs, but also exposing his missteps and challenges. The overarching concern that frames these brave, often confessional stories, is his obsession and fascination with aging: how aging provoked anxieties and unearthed long-rooted tensions, and how he came to accept, even enjoy, his mental and physical decline. Gutkind documents the realities of aging with the characteristically blunt, melancholic wit and authenticity that drive the quiet force of all his work.