Don T Kill Me

Jason Schmidt wasn't surprised when he came home one day during his junior year of high school and found his father, Mark, crawling around in a giant pool of blood. Things like that had been happening a lot since Mark had been diagnosed with HIV, three years earlier. Jason's life with Mark was full of secrets—about drugs, crime, and sex. If the straights—people with normal lives—ever found out any of those secrets, the police would come. Jason's home would be torn apart. So the rule, since Jason had been in preschool, was never to tell the straights anything. A List of Things That Didn't Kill Me is a funny, disturbing memoir full of brutal insights and unexpected wit that explores the question: How do you find your moral center in a world that doesn't seem to have one?

Making moonshine, working blue-collar jobs, picking fights in bars, chasing women, and living hardscrabble lives . . . Clayton and Saford Hall were born in the backwoods of Virginia in 1919, in a place known as The Hollow. Incredibly, they became legends in their day, rising from mountain-bred poverty to pickin’ and yodelin’ all over the airwaves of the South in the 1930s and 1940s, opening shows for the Carter Family, Roy Rogers, the Sons of the Pioneers, and even playing the most coveted stage of all: the Grand Ole Opry. They accomplished a lifetime’s worth of achievements in less than five years—and left behind only a few records to document their existence. Fortunately, Ralph Berrier, Jr., the grandson of Clayton Hall and a reporter for the Roanoke Times, brings us their full story for the first time in IF TROUBLE DON'T KILL ME. He documents how the twins’ music spread like wildfire when they moved from The Hollow to Roanoke at age twenty, and how their popularity was inflamed by their onstage zaniness, their roguish offstage shenanigans, and, above all, their ability to play old-time country music. But just as they arrived on the brink of major fame, World War II dashed their dreams. Berrier follows the Hall twins as they travel overseas, leaving behind their beloved music, and are thrust into the cauldron of a war that reshaped their lives and destinies. Through the brothers’ experiences, the story of World War II unfolds—Saford fought from the shores of North Africa to Sicily and Europe and finally into Germany; Clayton fought the Japanese in the brutal Pacific theater until the savage, final battle on Okinawa. They returned home after the war to find that the world had changed, music had changed . . . and they had, too. IF TROUBLE DON'T KILL ME paints a loving portrait of a vanishing yet exalted southern culture, shows us the devastating consequences of war, and allows us to experience the mountain voices that not only influenced the history of music but that also shaped the landscape of America.

Don’t Kill Me contains adventures of life-risking confrontations with animals. Stories of how the young generation, during their school and college period, take revenge on people for a very small incident and how that small incident escalates to a big-bloody episode with many losing their lives. In some instances, young people tried dangerous and life-risking activities to prove their potential. There are untold stories of birds and how they bond with human beings, how one lovely couple is being separated by society in the name of caste, how people are so cruel to animals, and how they are slowly, gradually yet prominently killing them. An account of how ancient people lived in miserable conditions – the experience of life in bullock carts and wooden boats. Stories that narrate how the bonds between people and animals are just like with our families – the tale of why crocodiles do not attack wooden boats, how houses were built and completely ruined after fires and how people came together to help one another during calamities.

"I don't care who you hire, or what the company has to pay him … so long as he's the best there is." This anguished cry from the wife of murder victim Dean Milo would draw private investigator Bill Dear into one of the most frustrating and ultimately triumphant cases of his career. Dean Milo was a phenomenally successful businessman who had built a tiny family business into a $50 million-a-year corporation. Along the way he had established a lengthy list of enemies that began with his immediate family and stretched throughout the social and business community. His fast-track ride to the top came to a violent halt on August 11, 1980, when Milo was found dead in his luxurious Ohio home, shot twice in the head. A blank telegram form lay nearby. Four months after his death, the investigation remained a confusing collection of non sequiturs. Clues pointed toward Milo's involvement with the Mafia, the drug world, and the gay community. His own family refused to cooperate with the author¬ities. And time was ticking by … In desperation, Maggie Milo turned to Texas private eye Bill Dear. This is the gripping story of the remarkable collaboration between Dear and the police detectives of Akron, Ohio, that led to eleven convictions, an Ohio record. It is also a tale of the human weakness, desperation, and overwhelming greed that led to a sudden death.

A deeply personal collection of poetry and art by the award-winning actor, comedian, and composer. With a poetic voice that is by turns lyrical and plainspoken, Charlyne Yi writes about the uncertainty of relationships, the absurdity of societal expectations, family trauma, and identity. In this intimate collection, you’ll find poems and accompanying line illustrations that are playful and profound, sometimes darkly funny, and often acutely moving. “Direct, personal and attention holding. It’s Yi as you may not have seen or heard her before . . . In short bursts that barely fill a page, often accompanied by line illustrations to underscore them, the poetic voice in Yi’s first book of poetry can be alternately angry, playful, blunt, and lyrical.” —The MetroWest Daily News “It’s clear that the reader is about to embark on a literary journey marked by an acceptance—and worship—of all things tender, open, sensitive, authentic, and human. It also offers ideas on kindness, race, culture . . . a testimony to being alive—it’s powerful in its quietness, its exactness. It’s soft, real, and to the point.” —Little Infinite

“...Babe, your mother made me a little nervous.” she said with a straight face. I rubbed her arms, “Why? I thought everybody was happy. What’s wrong? I’m here. You can always talk to me. We said we would stay honest and open with each other a long time ago, right?” She nodded, “But she told me to tell you that you need to tell me everything. What was she talking about?” I exhaled as a million thoughts ran through my mind. Where do I start? Let me think... Derek Greene finally had the woman of his dreams, Ciara. Now all he has to do is pray that he’s strong enough to prove that she can move on from being “Damaged Goods,” all while letting her into his life and what ultimately lead him back to her. They say, “What don’t kill you, makes you stronger,” but how strong can one person’s heart be?

Karl and Ada love each other. Karl, however, is married to Maya, with whom he has a little daughter, Lilly. Ada thinks she has her feelings under control, until one morning she senses a powerful force slumbering inside her. She longs for the carefree lightness of simply being again and is now even willing to push her own boundaries to attain it. "An emotional story about love. Wild as a thunderstorm, tender as a feather" Calvin Burke, actor and screenwriter

Mirabelle's past is shrouded in secrecy, from her parents' tragic deaths to her guardians' half-truths about why she can't return to her birthplace, Beau Rivage. Desperate to see the town, Mira runs away—and discovers a world she never could have imagined. In Beau Rivage, nothing is what it seems—the strangely pale girl with a morbid interest in apples, the obnoxious playboy who's a beast to everyone he meets, and the chivalrous guy who has a thing for damsels in distress. Here, fairy tales come to life, curses are awakened, and ancient stories are played out again and again. But fairy tales aren't pretty things, and they don't always end in happily ever after. Mira has a role to play, a fairy tale destiny to embrace or resist. As she struggles to take control of her fate, Mira is drawn into the lives of two brothers with fairy tale curses of their own...brothers who share a dark secret. And she'll find that love, just like fairy tales, can have sharp edges and hidden thorns.