Don T Stand Where The Comet Is Assumed To Strike Oil

Why is Dilbert such a phenomenon? People see their own dreary, monotonous lives brought to comedic life in the ubiquitous strip. In the 23rd collection of Scott Adams¿ tremendously popular series, Don¿t Stand Where the Comet Is Assumed to Strike Oil, suppressed and repressed workers everywhere can follow the latest developments in the so-called careers of Dilbert, power-hungry Dogbert, Catbert, Ratbert, the pointy-haired boss, and other supporting¿but don¿t you dare call them supportive¿characters. Each ¿funny because it¿s true¿ scenario bears an uncanny, hysterical, sometimes uncomfortable similarity to cubicle-filled corporate America. But the United States clearly hasn¿t cornered the market when it comes to drone-filled offices: Dilbert appears in 65 countries in 25 languages and in 2,000 newspapers. The strip has 150 million fans worldwide.

Gallows humor is a survival skill for Dilbert and his coworkers in the series that makes “the dronelike world of Kafka seem congenial” (The New York Times). Why is Dilbert such a phenomenon? People see their own dreary, monotonous lives brought to comedic life in the ubiquitous strip. In the twenty-third collection of Scott Adams’ tremendously popular series, Don’t Stand Where the Comet Is Assumed to Strike Oil, suppressed and repressed workers everywhere can follow the latest developments in the so-called careers of Dilbert, power-hungry Dogbert, Catbert, Ratbert, the pointy-haired boss, and other supporting—but don’t you dare call them supportive—characters. Each “funny because it’s true” scenario bears an uncanny, hysterical, and sometimes uncomfortable similarity to cubicle-filled corporate America. “Once every decade, America is gifted with an angst-ridden anti-hero, a Nietzschean nebbish, an us-against-the-universe everyperson around whom our insecurities collect like iron shavings to a magnet. Charlie Chaplin. Dagwood Bumstead. Charlie Brown. Cathy. Now, Dilbert.” —The Miami Herald

Why is Dilbert such a phenomenon' People see their own dreary, monotonous lives brought to comedic life in the ubiquitous strip. In the 23rd collection of Scott Adams" tremendously popular series, Don"t Stand Where the Comet Is Assumed to Strike Oil, suppressed and repressed workers everywhere can follow the latest developments in the so-called careers of Dilbert, power-hungry Dogbert, Catbert, Ratbert, the pointy-haired boss, and other supporting"but don"t you dare call them supportive"characters. Each "funny because it"s true" scenario bears an uncanny, hysterical, sometimes uncomfortable similarity to cubicle-filled corporate America. But the United States clearly hasn"t cornered the market when it comes to drone-filled offices: Dilbert appears in 65 countries in 25 languages and in 2,000 newspapers. The strip has 150 million fans worldwide.

Dilbert and the gang are back for this 26th collection, another take-off of office life that will appeal to cubicle dwellers across the globe.

The twenty-fifth collection of comics about the work-place antics of Dilbert, his dog Dogbert, and their co-workers.

A collection of Dilbert comics featuring white collar workers and clueless management.

A collection that riffs on the fodder of everyday office life and features the irrepressible clueless Boss, the acerbic Dogbert, and the evil Human Resources director, Catbert.

Jargon-spewing corporate zombies. The sociopath who checks voice mail on his speaker phone. The fascist information systems guy. The sadistic human resources director. The technophobic vice president. The power-mad executive assistant. The pursed-lip sycophant. The big stubborn dumb guy. They're Dilbert's coworkers, and chances are they're yours, too. If you know them, work with them, or dialogue with them about leveraging synergies to maximize shareholder value, then you'll recognize this comic strip as a day at the office, only funnier.