Dr Sam Sheppard On Trial

The new prosecutor faces an old controversy -- An unlikely setting for murder -- Did Sam murder Marilyn? -- Putting the pieces of the puzzle together -- Final trial preparation : the emergence of the prosecutor's strategy -- Opening statements : setting the stage -- The Sheppard team presents its case -- The prosecutors speak -- Closing arguments and a verdict : the end of a legal era.

This Edgar Award finalist—one of Ann Rule’s top five true-crime picks—is a “gripping” definitive account of the Dr. Sam Sheppard murder case (The New York Times Book Review). “My God . . . I think they’ve killed Marilyn!” At 5:40 a.m. on July 4, 1954, the mayor of Bay Village, a small suburb of Cleveland, Ohio, received a frantic phone call from his neighbor Dr. Sam Sheppard. The news was too terrible to comprehend: Marilyn, Sam’s lovely wife, was dead, her face and torso beaten beyond recognition by an unknown assailant who had knocked Sam unconscious and escaped just before dawn. In the adjacent bedroom, Chip, the Sheppards’ seven-year-old son, had slept through the entire ordeal. Almost immediately, the police began to suspect Sam Sheppard. The local press rushed to cast judgment on the handsome, prosperous doctor. After a misguided investigation, Sheppard was arrested and charged with murder. Sentenced to life in prison, he served for nearly a decade before he was acquitted in a retrial. Until his death, he maintained his innocence. Culled from DNA evidence, testimony that was never heard in court, prison diaries, and interviews with the Sheppard family and other key players, The Wrong Man makes a convincing case for Sheppard’s innocence and reveals the identity of the real killer. This ebook contains ten photographs not included in previous editions.

Account by the accused about the events surrounding the slaying of his wife, Marilyn Reese Sheppard in Ohio in 1954 and resulting trials in and out of court.

The Definitive Account of the O.J. Simpson Trial, by Legendary Defense Attorney F. Lee Bailey It was called “The Trial of the Century.” Beloved football sensation, O.J. Simpson was famous for his prowess on the field, his good looks, and his charm. But all that changed the night his ex-wife Nicole Brown Simpson and her friend Ron Goldman were brutally slaughtered in her front yard late at night on June 12, 1994. The media circus that consumed the news cycle for the next eighteen months would forever change the world's opinion of O.J. Simpson, despite the fact that the jury, after nearly a year of sequestration, came to their decision in just a few hours: Not Guilty. Although at least a dozen books have been written about the O.J. Simpson trial, from every possible perspective from provocative to sensationalistic, The Truth About the O.J. Simpson Trial is the most revealing because the writer was the Architect of the Defense. Bailey, shows definitively why the jury was correct in finding that the timeline of the evening made Simpson’s presence at the murder scene impossible, which eclipses the question “Did he do it?” and establishes that he simply could not have done it. This book reveals shocking evidence of police corruption, mishandling of blood samples and other materials that formed the basis of the prosecution's case. Bailey includes convincing evidence that was not presented at the trial—including interviews, forensic results, and revelations about the case that have since come to light. Scathing, controversial, and, yes, entertaining, The Truth About the O.J. Simpson Trial will be read and studied by anyone interested in defending the innocent, the history of law enforcement in America, students of the Law, and all those who are still obsessed with “The Trial of the Century.”

The crime was unthinkable: a respected doctor is convicted of brutally murdering his pregnant wife. The trial that followed was a media circus--one often compared to the O.J. Simpson trial. The popularity of the case would go on to be one of the alleged inspirations of the TV show "The Fugitive" (and later the Harrison Ford movie of the same name)—something the creators deny, but fans insist is true.This book proves that truth is always more interesting than fiction. It looks at the murder, the suspects, and the ultimate outcome of one of the most notorious murders of all time.

A “marvelous history”* of medieval Europe, from the bubonic plague and the Papal Schism to the Hundred Years’ War, by the Pulitzer Prize–winning author of The Guns of August *Lawrence Wright, author of The End of October, in The Wall Street Journal The fourteenth century reflects two contradictory images: on the one hand, a glittering age of crusades, cathedrals, and chivalry; on the other, a world plunged into chaos and spiritual agony. In this revelatory work, Barbara W. Tuchman examines not only the great rhythms of history but the grain and texture of domestic life: what childhood was like; what marriage meant; how money, taxes, and war dominated the lives of serf, noble, and clergy alike. Granting her subjects their loyalties, treacheries, and guilty passions, Tuchman re-creates the lives of proud cardinals, university scholars, grocers and clerks, saints and mystics, lawyers and mercenaries, and, dominating all, the knight—in all his valor and “furious follies,” a “terrible worm in an iron cocoon.” Praise for A Distant Mirror “Beautifully written, careful and thorough in its scholarship . . . What Ms. Tuchman does superbly is to tell how it was. . . . No one has ever done this better.”—The New York Review of Books “A beautiful, extraordinary book . . . Tuchman at the top of her powers . . . She has done nothing finer.”—The Wall Street Journal “Wise, witty, and wonderful . . . a great book, in a great historical tradition.”—Commentary

Academy Award-winning filmmaker and former private detective Errol Morris examines the nature of evidence and proof in the infamous Jeffrey MacDonald murder case Early on the morning of February 17, 1970, in Fort Bragg, North Carolina, Jeffrey MacDonald, a Green Beret doctor, called the police for help. When the officers arrived at his home they found the bloody and battered bodies of MacDonald’s pregnant wife and two young daughters. The word “pig” was written in blood on the headboard in the master bedroom. As MacDonald was being loaded into the ambulance, he accused a band of drug-crazed hippies of the crime. So began one of the most notorious and mysterious murder cases of the twentieth century. Jeffrey MacDonald was finally convicted in 1979 and remains in prison today. Since then a number of bestselling books—including Joe McGinniss’s Fatal Vision and Janet Malcolm’s The Journalist and the Murderer—and a blockbuster television miniseries have told their versions of the MacDonald case and what it all means. Errol Morris has been investigating the MacDonald case for over twenty years. A Wilderness of Error is the culmination of his efforts. It is a shocking book, because it shows us that almost everything we have been told about the case is deeply unreliable, and crucial elements of the case against MacDonald simply are not true. It is a masterful reinvention of the true-crime thriller, a book that pierces the haze of myth surrounding these murders with the sort of brilliant light that can only be produced by years of dogged and careful investigation and hard, lucid thinking. By this book’s end, we know several things: that there are two very different narratives we can create about what happened at 544 Castle Drive, and that the one that led to the conviction and imprisonment for life of this man for butchering his wife and two young daughters is almost certainly wrong. Along the way Morris poses bracing questions about the nature of proof, criminal justice, and the media, showing us how MacDonald has been condemned, not only to prison, but to the stories that have been created around him. In this profoundly original meditation on truth and justice, Errol Morris reopens one of America’s most famous cases and forces us to confront the unimaginable. Morris has spent his career unsettling our complacent assumptions that we know what we’re looking at, that the stories we tell ourselves are true. This book is his finest and most important achievement to date.