Dragons In Persian Mughal And Turkish Art

This volume puts together a first-of-a-kind handbook, and contains the most important termini technici, expressions, and techniques connected to the traditional art of Persian calligraphy, calligraphy as well as related arts, like illumination, historiated painting, book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries.

From the fire-breathing beasts of North European myth and legend to the Book of Revelation’s Great Red Dragon of Hell, from those supernatural agencies of imperial authority in ancient China to the so-called dragon-women who threaten male authority, dragons are a global phenomenon, one that has troubled humanity for thousands of years. These often scaly beasts take a wide variety of forms and meanings, but there is one thing they all have in common: our fear of their formidable power and, as a consequence, our need either to overcome, appease, or in some way assume that power as our own. In this fiery cultural history, Martin Arnold asks how these unifying impulses can be explained. Are they owed to our need to impose order on chaos in the form of a dragon-slaying hero? Is it our terror of nature, writ large, unleashed in its most destructive form? Or is the dragon nothing less than an expression of that greatest and most disturbing mystery of all: our mortality? Tracing the history of ideas about dragons from the earliest of times to Game of Thrones, Arnold explores exactly what it might be that calls forth such creatures from the darkest corners of our collective imagination.

All About Chinese Dragons attempts to foster a wider understanding about the Chinese dragon and the many forms it took, in art, legend, and folklore. It is dedicated to the dragon, and its many offshoots and variations, and gives not only details of what a Chinese dragon was, where it was used, and what it was called, but also a few of the hundreds of legends about it that have arisen. The reader will become more acquainted with the dragon, and will gain a greater understanding of this magnificent beast. This book will interest and please the serious student and the enthusiastic tourist alike.

The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

Introduction / Judith Pfeiffer & Sholeh A. Quinn -- |t The Mongol world empire. -- |t World-conquest and local accomodation: threat and blandishment in Mongol diplomacy / |r Peter Jackson -- |t "Stuck in the throat of Chingīz Khān:" envisioning the Mongol conquests in some Sufi accounts from the 14th to 17th centuries / |r Devin de Weese -- |t The Qongrat in history / |r İsenbike Togan -- |t References to economic and cultural life in Anatolia in the letters of Rashīd al-Dīn / |r Zeki Velidi Togan, trans. Gery Leiser -- |t Autonomous enclaves in Islamic states: temlîks, soyurghals, yurdluḳ-ocaḳlıḳs, mâlikâne-muḳâṭaʿas and awqāf / |r Halil İnalcık -- |t The early Persian historiography of Anatolia / |r Charles Melville -- |t Aḥmad Tegüder's second letter to Qalāʼūn (682/1283) / |r Judith Pfeiffer -- |t The age of Timur. -- |t A note on the life and works of Ibn ʿArabshāh / |r R.D. McChesney -- |t On the Persian original Vālidiyya of Khvāja Aḥrār / |r Eiji Mano.