Dragons Pagodas

A gorgeously illustrated survey of chinoiserie from the 18th century to today Chinoiserie is a term for Western art and design inspired by a largely invented vision of China. Marco Polo's sensational account of his visit to the exotic East in the 13th century sparked a fascination with China that reached a fever pitch in the 18th century and continues to this day. Art historian and artist Aldous Bertram has long been captivated by chinoiserie. Dragons & Pagodas is organized by theme, including porcelain, color and pattern, flora, fauna, and architecture. Each chapter is bursting with images ranging from grand European summer palaces and whimsical pagoda follies to charming details of screens, porcelain figurines, and ornate plasterwork. Complete with Bertram's own chinoiserie-inspired watercolors and collages, Dragons & Pagodas is an irresistible confection and an example of chinoiserie in its own right. -Cloth bound with edge stain

A Study of Korean Pagodas, a monumental work of research in which Korean pagodas are described by focusing on their stylistic history, is considered as the archetype of this field. In Buddhist art history this work is a classic that set the stylistic standard for studying stone pagodas, the periods of classification, and the basic framework of analysis. The theories first presented in this book have exerted a great influence to the present day. The author Go Yuseop 高裕燮 (1905–1944), a representative scholar in the field of Korean art history, studied at Gyeongseong Jedae 京城帝大, the only university during the colonial period, and served as director of Gaeseong Museum and professor at Yeonhui Professional School and Ewha Womans Professional School. His research was based on the direct exploration of scenic spots, historical remains, and Buddhist temples. In addition to A Study of Korean Pagodas, Go Yuseop left Songdo gojeok 松都古蹟 (Historical Remains at Songdo), Joseon misulsa nonchong 朝鮮美術史論叢 (A Collection of Studies on History of Korean Art), and other writings. A Study of Korean Pagodas explains that Korean pagodas originated from wooden and brick pagodas of the Three Kingdoms period; their size was reduced during the early period of the Unified Silla dynasty, in which the typical style was established; during the middle to the end of the Unified Silla dynasty, the atypical pagoda appeared. Go Yuseop explains the arrangement of buildings in temples in the Three Kingdoms period and its variations on the basis of the relationship between the main hall, Geumdang金堂, and pagodas. Although criticism and alternative theories have been advanced, his explanation is still valid to understand the emergence of the monastery arrangement with twin pagodas. The base text for this translation is the published edition by Eulyoo Munhwasa (1948), but references are made to other editions, including those of Donghwa Chulpan (1975), Tongmungwan (1993), and Yeolhwadang (2010).

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

From jagged cliffs and towering redwoods, to mysterious sea caves and legendary surf breaks, explore the best of California's golden coast with Moon Coastal California. Travel writer and longtime California resident Stuart Thornton covers the best of coastal California, from hiking through redwoods in Big Sur to surfing the waves at Black's Beach in San Diego. Moon Coastal California is the perfect tour guide, offering unique trip ideas for a wide variety of travelers, whether you're craving a romantic getaway or embarking on a Pacific Coast Road Trip. Packed with expert advice on everything from choosing the best beaches, to whale-watching, to planning a fun side trip to Disneyland, Moon Coastal California gives travelers the tools they need to create a more personal and memorable experience. Coverage includes: San Francisco and the Bay Area Wine Country North Coast Monterey Bay Big Sur and the Central Coast Santa Barbara and Ventura Los Angeles and Orange County San Diego

In The Culturally Customized Web Site, Nitish Singh and Arun Pereira focus on cultural aspects of international website design, honing in on three objectives: * First, to present a review and survey results on standardization/localization issues on the web * Second, to present a scientifically tested framework to design culturally adapted international websites, and provide marketers and web designers with practical web localization tools * Third, to show readers the power and effectiveness of culturally customized websites This is the first book to address the issue of website standardization, localization—or what the authors refer to as “cultural customization”. Little evidence has been accumulated to show whether international consumers prefer to browse and buy from standardized global websites or websites adapted to local cultures. The Culturally Customized Web Site provides insights into whether the web is a culturally neutral medium of communication or a medium impregnated with cultural values. Also presented is empirical evidence as to whether local consumers prefer standardized websites or websites adapted to their culture. Visit www.theculturallycustomizedwebsite.com

During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.