Drawing The Global Colour Line

At last a history of Australia in its dynamic global context. In the late nineteenth and early twentieth centuries, in response to the mobilisation and mobility of colonial and coloured peoples around the world, self-styled 'white men's countries' in South Africa, North America and Australasia worked in solidarity to exclude those peoples they defined as not-white--including Africans, Chinese, Indians, Japanese and Pacific Islanders. Their policies provoked in turn a long international struggle for racial equality. Through a rich cast of characters that includes Alfred Deakin, WEB Du Bois, Mahatma Gandhi, Lowe Kong Meng, Tokutomi Soho, Jan Smuts and Theodore Roosevelt, leading Australian historians Marilyn Lake and Henry Reynolds tell a gripping story about the circulation of emotions and ideas, books and people in which Australia emerged as a pace-setter in the modern global politics of whiteness. The legacy of the White Australia policy still cases a shadow over relations with the peoples of Africa and Asia, but campaigns for racial equality have created new possibilities for a more just future. Remarkable for the breadth of its research and its engaging narrative, Drawing the Global Colour Line offers a new perspective on the history of human rights and provides compelling and original insight into the international political movements that shaped the twentieth century.

In 1900 W. E. B. DuBois prophesied that the colour line would be the key problem of the twentieth-century and he later identified one of its key dynamics: the new religion of whiteness that was sweeping the world. Whereas most historians have confined their studies of race-relations to a national framework, this book studies the transnational circulation of people and ideas, racial knowledge and technologies that under-pinned the construction of self-styled white men's countries from South Africa, to North America and Australasia. Marilyn Lake and Henry Reynolds show how in the late nineteenth century and early twentieth century these countries worked in solidarity to exclude those they defined as not-white, actions that provoked a long international struggle for racial equality. Their findings make clear the centrality of struggles around mobility and sovereignty to modern formulations of both race and human rights.

International Relations, as a discipline, does not grant race and racism explanatory agency in its conventional analyses, despite such issues being integral to the birth of the discipline. Race and Racism in International Relations seeks to remedy this oversight by acting as a catalyst for remembering, exposing and critically re-articulating the central importance of race and racism in International Relations. Focusing especially on the theoretical and political legacy of W.E.B. Du Bois’s concept of the "colour line", the cutting edge contributions in this text provide an accessible entry point for both International Relations students and scholars into the literature and debates on race and racism by borrowing insights from disciplines such as history, anthropology and sociology where race and race theory figures more prominently; yet they also suggest that the field of IR is itself an intellectually and strategic field through which to further confront the global colour line. Drawing together a wide range of contributors, this much-needed text will be essential reading for students and scholars in a range of areas including Postcolonial studies, race/racism in world politics and international relations theory.

In a bold argument, Marilyn Lake shows that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism at the turn of the 20th century. She points to exchanges between American and Australasian reformers who shared racial sensibilities, along with a commitment to forging an ideal social order.

North of the Color Line examines life in Canada for the estimated 5,000 blacks, both African Americans and West Indians, who immigrated to Canada after the end of Reconstruction in the United States. Through the experiences of black railway workers and their union, the Order of Sleeping Car Porters, Sarah-Jane Mathieu connects social, political, labor, immigration, and black diaspora history during the Jim Crow era. By World War I, sleeping car portering had become the exclusive province of black men. White railwaymen protested the presence of the black workers and insisted on a segregated workforce. Using the firsthand accounts of former sleeping car porters, Mathieu shows that porters often found themselves leading racial uplift organizations, galvanizing their communities, and becoming the bedrock of civil rights activism. Examining the spread of segregation laws and practices in Canada, whose citizens often imagined themselves as devoid of racism, Mathieu historicizes Canadian racial attitudes, and explores how black migrants brought their own sensibilities about race to Canada, participating in and changing political discourse there.

Glen Scouller's paintings are full of vibrant colour and light. In Colour and Line in Watercolour – his first book – he explains how he achieves these effects. He combines traditional watercolour techniques with adding pen and ink, pastels and crayons to create paintings brimming with colour and spontaneity. Using step-by-step demonstration paintings, Scouller shows how he builds up his paintings, working first in watercolour and adding other media to create his original style. He gives advice on his methods and techniques and encourages the reader to experiment with mixed media. He believes that keeping a sketchbook is very important, especially when travelling and shares tips on how to start and use one. There are also sections on painting outdoors and in the studio. The subjects covered are boats and boatyards, landscapes, still life, animals and figures and portraits. Colour and Line in Watercolour encourages all watercolourists, whatever their level, to experiment with the medium and produce exciting and challenging work of their own by adding line in various mixed media to their watercolours.

"Examining a century of twists and turns in anti-cancer campaigns, this path-breaking study shows how American cancer awareness, prevention, treatment, and survival have been refracted through the lens of race. As cancer went from being a white woman's nemesis to a "democratic disease" to a fearsome threat in communities of color, experts and the lay public interpreted these trends as lessons about women, men, and the color line. Drawing on film and fiction, on medical and epidemiological evidence, and on patients' accounts, Keith Wailoo tracks cancer's transformation--how theories of risk evolved with changes in women's roles and African-American and new immigrant migration trends, with the growth of federal cancer surveillance, economic depression and world war, and with diagnostic advances, racial protest, and contemporary health activism. A pioneering study of health communication in America, the book skillfully documents how race and gender became central motifs in the birth of cancer awareness, how patterns and perceptions changed, and how the "war on cancer" continues to be waged along the color line"--Provided by publisher.