Dress And Ideology

Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological orthodoxy as well as revolt. With contributions from a wide range of international scholars, this work presents the first scholarly analysis of dress and ideology through accessible case studies.

Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological orthodoxy as well as revolt. With contributions from a wide range of international scholars, this book presents the first scholarly analysis of dress and ideology through accessible case studies. Chapters are organized thematically and explore dress in relation to topics including nation, identity, religion, politics and utopias, across an impressive chronological reach from antiquity to the present day. Dress & Ideology will appeal to students and scholars of fashion, history, sociology, cultural studies, politics and gender studies.

This text examines what the donning of uniforms says about the cultural psychology and the expression of economic nationalism in Japan. Drawing on specific examples, the book focuses particularly upon student uniforms.

In Revelations of Ideology, G. Anthony Keddie critically investigates the social motivations and implications of apocalyptic class rhetoric in late Second Temple Judaism, including the Jesus movement.

Ready-Made Democracy explores the history of men's dress in America to consider how capitalism and democracy emerged at the center of American life during the century between the Revolution and the Civil War. Michael Zakim demonstrates how clothing initially attained a significant place in the American political imagination on the eve of Independence. At a time when household production was a popular expression of civic virtue, homespun clothing was widely regarded as a reflection of America's most cherished republican values: simplicity, industriousness, frugality, and independence. By the early nineteenth century, homespun began to disappear from the American material landscape. Exhortations of industry and modesty, however, remained a common fixture of public life. In fact, they found expression in the form of the business suit. Here, Zakim traces the evolution of homespun clothing into its ostensible opposite—the woolen coats, vests, and pantaloons that were "ready-made" for sale and wear across the country. In doing so, he demonstrates how traditional notions of work and property actually helped give birth to the modern industrial order. For Zakim, the history of men's dress in America mirrored this transformation of the nation's social and material landscape: profit-seeking in newly expanded markets, organizing a waged labor system in the city, shopping at "single-prices," and standardizing a business persona. In illuminating the critical links between politics, economics, and fashion in antebellum America, Ready-Made Democracy will prove essential to anyone interested in the history of the United States and in the creation of modern culture in general.

A historical and critical view of wearable technologies that considers them as acts of communication in a social landscape. Wearable technology—whether a Walkman in the 1970s, an LED-illuminated gown in the 2000s, or Google Glass today—makes the wearer visible in a technologically literate environment. Twenty years ago, wearable technology reflected cultural preoccupations with cyborgs and augmented reality; today, it reflects our newer needs for mobility and connectedness. In this book, Susan Elizabeth Ryan examines wearable technology as an evolving set of ideas and their contexts, always with an eye on actual wearables—on clothing, dress, and the histories and social relations they represent. She proposes that wearable technologies comprise a pragmatics of enhanced communication in a social landscape. “Garments of paradise” is a reference to wearable technology's promise of physical and mental enhancements. Ryan defines “dress acts”—hybrid acts of communication in which the behavior of wearing is bound up with the materiality of garments and devices—and focuses on the use of digital technology as part of such systems of meaning. She connects the ideas of dress and technology historically, in terms of major discourses of art and culture, and in terms of mass media and media culture, citing such thinkers as Giorgio Agamben, Manuel De Landa, and Gilles Deleuze and Félix Guattari. She examines the early history of wearable technology as it emerged in research labs; the impact of ubiquitous and affective approaches to computing; interaction design and the idea of wearable technology as a language of embodied technology; and the influence of open source ideology. Finally, she considers the future, as wearing technologies becomes an increasingly naturalized aspect of our social behavior.

The economic success of Singapore has established the country as a model for other nations. Yet until now the ideas behind this accomplishment have not been critically examined. Communitarian Ideology and Democracy in Singapore fills this gap. The book outlines the policies the ruling party has adopted over the past three decades. It charts the government's move away from Western concepts towards the evolution of 'Asian democracy'. The author analyses this anti-liberal democracy and the government's motives for repackaging cultural heritage into a national ideology of Asian communitarianism. This book avoids the polarization that has tended to characterise texts on Asian governments. It neither concentrates on a history of authoritarian repression nor unequivocally praises the regime but critically examines its political success. As such it provides a new and balanced account to the student of Singapore politics.

Hamas is typically portrayed in the West as nothing more than a terrorist organisation. Yet as Michael Irving Jensen discovers, it also provides medical clinics, kindergartens, schools, elderly care and football training to the population of the West Bank and Gaza. Using a combination of interviews and participant observation, Jensen examines how these forms of social engagement relate to the organisation's official ideology, which is still characterised by extremism and violence. "The Political Ideology of Hamas" is the first attempt to provide a multidimensional picture of this organisation by looking at how it is perceived by the leadership, the rank-and-file, and the ordinary Palestinians who come into contact with it. By comparing the rhetoric of the leadership with the social reality, Jensen opens up new ways of understanding Islamist movements in general.