Dubuffet And The City

Dubuffet and the City. People, Place and Urban Space,? written and edited by renowned scholar Dr. Sophie Berrebi (University of Amsterdam), is the first in-depth study to address the work of Jean Dubuffet (1901-1984) in relation to the theme of the city. The book examines how the city plays a role in the formation and unfolding of Dubuffet?s practice and imagination as a material, a source, and a vehicle for ideas. It analyses works in which the artist depicts city dwellers, sites and urban spaces, and discusses his architectural projects from the 1960s and 1970s against the background of heated debates in the field of urbanism. The book accompanies and extends an exhibition at Hauser & Wirth Zurich (June?Sept 2018). Along with full color reproductions of art works the book reproduces little-known archival material from the archives of the Fondation Dubuffet. It also includes several texts by Dubuffet that are translated here in English for the first time.00Exhibition: Hauser & Wirth, Zürich, Switzerland (10.06.-01.09.2018).

Featuring newly commissioned essays and photography of rarely exhibited works, this book highlights the radicalism of Jean Dubuffet, who was one of the most provocative voices of the postwar avant-garde. In 1940s occupied Paris, Jean Dubuffet began to champion a progressive vision for art; one that rejected classical notions of beauty in favor of a more visceral aesthetic. Taking a pioneering approach to materiality and technique, the artist variously blended paint with sand, glass, tar, coal dust, and string. At the same time, he began to assemble a collection of Art Brut--work that was made outside the academic tradition of fine art--even visiting psychiatric wards from 1945 to collect work by patients. This book features texts from leading scholars and is accompanied by images that illuminate Dubuffet's attempts to move beyond the artistic expectations of his time. The works are grouped into six thematic sections that focus on specific series, from his graffiti-inspired "Walls" and his notorious portrait series, "People are Much More Beautiful Than They Think" to the "Corps de dames," a controversial series of "female" landscapes, and his anthropomorphic sculptures, "Little Statues of Precarious Life." Exquisitely produced, this celebration of Dubuffet's work embraces his world view that art is for everyone, not just the elite.

With his pioneering visual language, not least inspired by children and the mentally ill, Jean Dubuffet (1901-1985) succeeded in disengaging himself from traditions and reinventing art, so to speak. Dubuffet's influence can also still be felt in contemporary art and Street Art, for example in work by David Hockney, Jean-Michel Basquiat, and Keith Haring.The point of departure for this presentation of the artist's multilayered oeuvre is Dubuffet's fascinating notion of landscape, which can also change into a body, a face, an object. He experimented with new techniques and materials, such as sand, butterfly wings, sponges, and slag, creating a unique pictorial universe. Besides important paintings and sculptures from all of the artist's creative phases, the volume also features Dubuffet's spectacular Coucou Bazar, a synthesis of the arts in which painting, sculpture, theater, dance, and music converge. (English edition ISBN 978-3-7757-4099-9)Exhibition: Fondation Beyeler, Riehen/Basel 31.1.-8.4.2016

How artists created an aesthetic of “positive barbarism” in a world devastated by World War II, the Holocaust, and the atomic bomb In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a “brutal aesthetics” adequate to the destruction around them. With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates a manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux? How does Dubuffet imagine an art brut, an art unscathed by culture? Why does Jorn populate his paintings with “human animals”? What does Paolozzi see in his monstrous figures assembled from industrial debris? And why does Oldenburg remake everyday products from urban scrap? A study of artistic practices made desperate by a world in crisis, Brutal Aesthetics is an intriguing account of a difficult era in twentieth-century culture, one that has important implications for our own. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.

The first book to examine the monumental architectural works of the pioneering artist Jean Dubuffet

One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet he remains one of the most misunderstood-and least interrogated-postwar French artists. Celebrating Art Brut (the art of ostensible outsiders) while posing as an outsider himself, Dubuffet mingled with many great artists, writers, and theorists, developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe postwar anticultural discourses. This book reexamines Dubuffet's art through the lens of these portraits (a veritable who's who of the Parisian art and intellectual scene) in tandem with his writings and the art and writings of his Surrealist sitters. Investigating Dubuffet's painting as bricolage, this book reveals his reliance upon an anticulture culture and the appropriation of motifs from Surrealism to the South Pacific to explore the themes of multivalence, performativity, and multifaceted identity in his portraits.