Dustship Glory

Set in the Dirty Thirties, this prairie classic novel concerns Tom Sukanen's wild scheme to build an ship in the middle of a Ssaskatchewan wheatfield.

Dustship Glory tells the story of Damanus 'Tom' Sukanen, a Finnish immigrant farmer who responded to the economic slump and drought conditions that laid waste to the Canadian prairies in the 1930s by building a full-sized ship in his farmyard, hundreds of miles from the sea.

As long as there have been people willing to believe the unbelievable, people have been duped. In the best storytelling tradition, readers can follow the tales of: • How the Nazis planned to destroy the British economy during World War II by flooding the world with millions of fake British banknotes • How an infamous radio broadcast had American citizens convinced that Martians were invading the country • How one of the 20th century’s most elaborate scams — conducting tours to the lost Tasaday tribe in the Philippines — fooled the world’s media and top scientists for nearly a decade. The author’s fascination with the boldness and inventiveness of the swindlers, as well as their motives, makes for a compelling read. The stories instill a sense of disbelief, amusement and even grudging admiration for these ingenious scam artists who often (but not always) meet a bad end. Accompanied by graphic-style artwork, each tale offers a great escape for readers drawn to true stories presented in a lively fashion.

Deep in rural Suffolk, England, during the reign of Queen Elizabeth I, terror strikes at the hearts of pious Christians on a hot August night, when they are attacked by a beast known only as Black Shuck. In this reimagining of one of rural England's most famous folkloric tales, readers will be taken through the terrifying and mysterious story of Black Shuck, a mythic beast that would act as inspiration for Arthur Conan Doyle's classic story, The Hound of the Baskervilles.

Mennonite literature has long been viewed as an expression of community identity. However, scholars in Mennonite literary studies have urged a reconsideration of the field’s past and a reconceptualization of its future. This is exactly what Reading Mennonite Writing does. Drawing on the transnational turn in literary studies, Robert Zacharias positions Mennonite literature in North America as “a mode of circulation and reading” rather than an expression of a distinct community. He tests this reframing with a series of methodological experiments that open new avenues of critical engagement with the field’s unique configuration of faith-based intercultural difference. These include cross-sectional readings in nonnarrative literary history; archival readings of transatlantic life writing; Canadian rewritings of Mexican film’s deployment of Mennonite theology as fantasy; an examination of the fetishistic structure of ethnicity as a “thing” that has enabled Mennonite identity to function in a post-identity age; and, finally, a tentative reinvestment in ideals of Mennonite community via the surprising routes of queerness and speculative fiction. In so doing, Zacharias reads Mennonite writing in North America as a useful case study in the shifting position of minor literatures in the wake of the transnational turn. Theoretically sophisticated, this study of minor transnationalism will appeal to specialists in Mennonite literature and to scholars working in the broader field of transnational literary studies.

Ten stories that explore some of the most outrageous swindlers and tricksters of all time. Scams! reveals 10 true tales of trickery that will mesmerize young readers. They will discover how the Germans planned to destroy the British economy during World War II by flooding the world with millions of fake British bank-notes. Scams! also includes: • The Tasady: Stone Age cavemen of the Philippines • The Shakespearean forgery of William Ireland • P.T. Barnum and his greatest show on earth • The creation of the Bibliotheca Phillipica • Le Grand Theresa • John Keely’s engine • Karl May’s extraordinary fiction Readers of any age will be enthralled by these stories of trickery exposed, where the strange twists and turns truly test the limits of credulity.

Willie Sutton was casing a bank when he noticed that the manager looked a lot like Sutton himself, so he walked into the vault, loaded up with banknotes, and calmly walked out. D.B. Cooper hijacked a plane, demanded $200,000 in payment, and parachuted from the aircraft. He was never captured. Other criminals in this book were no less brazen: - Arthur Barry, the greatest jewel thief in American criminal history - Vincente Perugia, who boldly stole one of the world’s greatest art treasures - Amil Dinsio, one of the most accomplished bank vault robbers in the U.S. - Victor Desmarais and Leo Martial, a hapless duo who bungled their getaway - James Landis, who stole two bricks of freshly printed banknotes from his employer—the U.S. Treasury - Adam Worth, the Napoleon of Crime - the Great Train Robbers, who planned one of the largest heists of all time - the five heisters of the Great Purolator Caper, whose ineptitude ensured capture Be prepared for some high-stakes action in THIEVES! While many ended their careers broke and disillusioned, these impresarios of crime make for great reading.

"We lose and find all the time. We can forget, apprehend or comprehend our surroundings several times each day. Both losing and finding, forgetting and rediscovering the natural and human traces on the prairies might seem like an impossibility. Have we not recorded our impressions and images of prairie life faithfully? Are we not standing on the shoulders of (prairie) giants? One kind of prairie, grain elevators, have been disappearing from the North American prairies for about a generation, and yet they have become (I would argue even more vividly than in the days before they started to disappear) an iconic symbol of a place which is less and less like its imagined past. Our memories (both individual and collective) adjust to such absences by canonizing vanishing saints before it really is too late. We lose the thing and find – we like to think – its essence. We remember artistic renderings of prairie people, landscapes and stories, reading Margaret Laurence’s novels or W. L. Morton’s history, but we cannot reproduce the pictures and words at will. We know the countours of their labours just the same. We forget, or at least under-advertise, the fast that the Prairie (however it might be divided by provincial or international borders) is also an urban place. We think less often of the fact that we have a transantional prairies, in which an awareness of divergent national pasts and presents is necessary. To acknowledge these complexities is to know, to reclaim and indeed to find the prairies."--BOOK JACKET.