Eighteen Books Of The Secrets Of Art And Nature

The first full edition and English translation of the RA I.34 Firework Book. Produced from the early fifteenth century onwards, Firework Books are, broadly speaking, manuals on how to use gunpowder, witnessing a major development in warfare. Surviving in a corpus of some 65, each text has different content and components, but core elements are present throughout. An important example is a manuscript in the collection of the Royal Armouries (RA I.34), written in Early New High German, and (unlike many other manuscripts) still in what appears to be its original format and binding; it also, unusually, contains a number of illustrations. This volume provides the first full edition and English translation of the material, with a detailed analysis of its content and context. It positions the Firework Books at a crucial stage in the development of gunpowder artillery, offering an unparalleled insight into fifteenth-century gunpowder technology at a critical juncture of military and technological change at the end of the Middle Ages.

This is Volume VII of nine in a collection on Historical Sociology. Originally published in 1951, this is a study of educational institutions and movements, social and economic conditions and developments in a period that is seen as the actual realisation of modern education.

Belief in spirits, demons and the occult was commonplace in the early modern period, as was the view that these forces could be used to manipulate nature and produce new knowledge. In this groundbreaking study, Mary Floyd-Wilson explores these beliefs in relation to women and scientific knowledge, arguing that the early modern English understood their emotions and behavior to be influenced by hidden sympathies and antipathies in the natural world. Focusing on Twelfth Night, Arden of Faversham, A Warning for Fair Women, All's Well That Ends Well, The Changeling and The Duchess of Malfi, she demonstrates how these plays stage questions about whether women have privileged access to nature's secrets and whether their bodies possess hidden occult qualities. Discussing the relationship between scientific discourse and the occult, she goes on to argue that as experiential evidence gained scientific ground, women's presumed intimacy with nature's secrets was either diminished or demonized.