Elizabeth S Bedfellows

Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay Elizabeth's bedchamber, closely guarded by the favoured women who helped her dress, looked after her jewels and shared her bed. Elizabeth's private life was of public, political concern. Her bedfellows were witnesses to the face and body beneath the make-up and elaborate clothes, as well as to rumoured illicit dalliances with such figures as Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic subterfuge. For such was the significance of the queen's body: it represented the very state itself. This riveting, revealing history of the politics of intimacy uncovers the feminized world of the Elizabethan court. Between the scandal and intrigue the women who attended the queen were the guardians of the truth about her health, chastity and fertility. Their stories offer extraordinary insight into the daily life of the Elizabethans, the fragility of royal favour and the price of disloyalty.

A “riotously readable…tender and affectionate” (Daily Mail, London) exploration of five hundred years of British history—from King Henry VIII to Queen Elizabeth II—as seen through the doorways of the exquisite Hampton Court Palace. Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time. An engaging and charming history book that is perfect for fans of Alison Weir, Philippa Gregory, and Andrew Lownie, The Palace makes you feel as if you were in the room as history was made.

Banned History is all the juicy bits of History which were excluded from your lessons at school. It unashamedly probes into the darker side of some of Britain's most admired leaders, as well as exploring the hateful and depraved nature of humanity across the last 5000 years. Banned History answers questions which are deliberately avoided by the school curriculum due to the negative light Britain may be portrayed such as the real reason why Britain didn't bomb Auschwitz and how the Transatlantic Slave Trade came into being. Topical issues such as whether Churchill was a racist and how homophobia developed and spread across the world are explored in depth. Concepts which are too horrific to ever feature in the school curriculum are investigated to reveal how many years it takes for incest to wipe out a family; what the most effective method of torture is; and what kind of person tastes best. Written in a bright and breezy tone, Banned History is full of fascinating facts such as who discovered dolphins (and who fell in love with one); why America got involved in the Vietnam war; why Russia turned communist; how Martin Luther King got his name; how many people Europe killed with their colonisation of the Americas; and when and why the British government legalised men hitting their wives. Welcome to the sort of History you definitely didn't get taught at school.

COSTA AWARD FINALIST ECONOMIST BOOK OF THE YEAR FINANCIAL TIMES BOOK OF THE YEAR Film rights acquired by Gold Circle Films, the team behind My Big Fat Greek Wedding “A fresh, thrilling portrait… Guy’s Elizabeth is deliciously human.” –Stacy Schiff, The New York Times Book Review A groundbreaking reconsideration of our favorite Tudor queen, Elizabeth is an intimate and surprising biography that shows her at the height of her power. Elizabeth was crowned queen at twenty-five, but it was only when she reached fifty and all hopes of a royal marriage were behind her that she began to wield power in her own right. For twenty-five years she had struggled to assert her authority over advisers, who pressed her to marry and settle the succession; now, she was determined not only to reign but to rule. In this magisterial biography, John Guy introduces us to a woman who is refreshingly unfamiliar: at once powerful and vulnerable, willful and afraid. We see her confronting challenges at home and abroad: war against France and Spain, revolt in Ireland, an economic crisis that triggers riots in the streets of London, and a conspiracy to place her cousin Mary Queen of Scots on her throne. For a while she is smitten by a much younger man, but can she allow herself to act on that passion and still keep her throne? For the better part of a decade John Guy mined long-overlooked archives, scouring handwritten letters and court documents to sweep away myths and rumors. This prodigious historical detective work has enabled him to reveal, for the first time, the woman behind the polished veneer: determined, prone to fits of jealous rage, wracked by insecurity, often too anxious to sleep alone. At last we hear her in her own voice expressing her own distinctive and surprisingly resonant concerns. Guy writes like a dream, and this combination of groundbreaking research and propulsive narrative puts him in a class of his own. "Significant, forensic and myth-busting, John Guy inspires total confidence in a narrative which is at once pacey and rich in detail." -- Anna Whitelock, TLS “Most historians focus on the early decades, with Elizabeth’s last years acting as a postscript to the beheading of Mary Queen of Scots and the defeat of the Spanish Armada. Guy argues that this period is crucial to understanding a more human side of the smart redhead.” – The Economist, Book of the Year

From the private world of a beloved English queen, a story of intimacy, royalty, espionage, rumor, and subterfuge Queen Elizabeth I acceded to the throne in 1558, restoring the Protestant faith to England. At the heart of the new queen's court lay her bedchamber, closely guarded by the favored women who helped her dress, looked after her jewels, and shared her bed. Elizabeth's private life was of public concern. Her bedfellows were witnesses to the face and body beneath the makeup and raiment, as well as to rumored dalliances with such figures as Earl Robert Dudley. Their presence was for security as well as propriety, as the kingdom was haunted by fears of assassination plots and other Catholic stratagems. Such was the significance of the queen's body: it represented the very British state itself. In The Queen's Bed, the historian Anna Whitelock offers a revealing look at the Elizabethan court and the politics of intimacy. She dramatically reconstructs, for the first time, the queen's quarters and the women who patrolled them. It is a story of sex, gossip, conspiracy, and intrigue brought to life amid the colors, textures, smells, and routines of the royal court. The women who attended the queen held the truth about her health, chastity, and fertility. They were her friends, confidantes, and spies—nobody knew her better. And until now, historians have overlooked them. The Queen's Bed is a revelatory, insightful look into their daily lives—the untold story of the queen laid bare.

The first biography of Lettice Knollys, one of the most prominent women of the Elizabethan era. Cousin to Elizabeth I - and very likely also Henry VIII's illegitimate granddaughter - Lettice Knollys had a life of dizzying highs and pitiful lows. Darling of the court, entangled in a love triangle with Robert Dudley and Elizabeth I, banished from court, plagued by scandals of affairs and murder, embroiled in treason, Lettice would go on to lose a husband and beloved son to the executioner's axe. Living to the astonishing age of ninety-one, Lettice's tale gives us a remarkable, personal lens on to the grand sweep of the Tudor Age, with those closest to her often at the heart of the events that defined it. In the first ever biography of this extraordinary woman, Nicola Tallis's dramatic narrative takes us through those events, including the religious turmoil, plots and intrigues of Mary, Queen of Scots, attempted coups, and bloody Irish conflicts, among others. Surviving well into the reign of Charles I, Lettice truly was the last of the great Elizabethans.

Katie Roiphe’s stimulating work has made her one of the most talked about cultural critics of her generation. Now this bracing young writer delves deeply into one of the most layered of subjects: marriage. Drawn in part from the private memoirs, personal correspondence, and long-forgotten journals of the British literary community from 1910 to the Second World War, here are seven “marriages à la mode”—each rising to the challenge of intimate relations in more or less creative ways. Jane Wells, the wife of H.G., remained his rock, despite his decade-long relationship with Rebecca West (among others). Katherine Mansfield had an irresponsible, childlike romance with her husband, John Middleton Murry, that collapsed under the strain of real-life problems. Vera Brittain and George Gordon Catlin spent years in a “semidetached” marriage (he in America, she in England). Vanessa Bell maintained a complicated harmony with the painter Duncan Grant, whom she loved, and her husband, Clive. And her sister Virginia Woolf, herself no stranger to marital particularities, sustained a brilliant running commentary on the most intimate details of those around her. Every chapter revolves around a crisis that occurred in each of these marriages—as serious as life-threatening illness or as seemingly innocuous as a slightly tipsy dinner table conversation—and how it was resolved…or not resolved. In these portraits, Roiphe brilliantly evokes what are, as she says, “the fluctuations and shifts in attraction, the mysteries of lasting affection, the endurance and changes in love, and the role of friendship in marriage.” The deeper mysteries at stake in all relationships.

This surprising portrait of the Tudor queen offers an “ambitious re-examination of the intersection of gender and monarchy” (The New York Times Book Review). Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “‘weak and feeble’ woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft. Elizabeth depicts a sovereign less constrained by her femininity than most accounts claim, challenging readers to reassess Elizabeth’s reign and the colorful drama and intrigue to which it is always linked. It’s a fascinating journey that shows how a marginalized newly crowned monarch, whose European contemporaries considered her to be the illegitimate ruler of a pariah nation, ultimately adapted to become England’s first recognizably modern head of state.