Elton

In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time. The Sunday Times bestseller with a new chapter bringing the story up to date. 'The rock memoir of the decade' – Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' – Sunday Times ______________ Christened Reginald Dwight was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed of becoming a pop star. By the age of twenty-three, he was performing his first gig in America, facing an astonished audience in his bright yellow dungarees, a star-spangled T-shirt and boots with wings. Elton John had arrived and the music world would never be the same again. His life has been full of drama, from the early rejection of his work with songwriting partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade. In Me Elton also writes powerfully about getting clean and changing his life, about finding love with David Furnish and becoming a father. In a voice that is warm, humble and open, this is Elton on his music and his relationships, his passions and his mistakes. This is a story that will stay with you, by a living legend. ______________ 'Self-deprecating, funny . . . You cannot help but enjoy his company throughout, temper tantrums and all' – The Times 'Racy, pacy and crammed with scurrilous anecdotes - what more could you ask from the rocket man' – Guardian (Book of the Week) 'Chatty, gossipy, amusing and at times brutally candid' – Telegraph

And out of the Darkwood Mr Toppit comes, and he comes not for you, or for me, but for all of us. When The Hayseed Chronicles, an obscure series of children's books, become world-famous millions of readers debate the significance of that enigmatic last line and the shadowy figure of Mr Toppit who dominates the books. The author, Arthur Hayman, an unsuccessful screenwriter mown down by a concrete truck in Soho, never reaps the benefits of the books' success. The legacy passes to his widow, Martha, and her children - the fragile Rachel, and Luke, reluctantly immortalised as Luke Hayseed, the central character of his father's books. But others want their share, particularly Laurie, the overweight stranger from California, who comforts Arthur as he lies dying, and has a mysterious aganda of her own that changes all their lives. For buried deep in the books lie secrets which threaten to be revealed as the family begins to crumble under the heavy burden of their inheritance. Spanning several decades, from the heyday of the British film industry after the war to the cut-throat world of show business in Los Angeles, Mr Toppit is a riveting tale of the unexpected effects of sudden fame and fortune. Not since Jonathan Coe's What a Carve Up! has a novel managed to capture a family and a society to such wonderfully funny and painful effect.

Why are we all so hostile? So quick to take offence? Truly we are living in the age of outrage. A series of apparently random murders draws amiable, old-school Detective Mick Matlock into a world of sex, politics, reality TV and a bewildering kaleidoscope of opposing identity groups. Lost in a blizzard of hashtags, his already complex investigation is further impeded by the fact that he simply doesn’t ‘get’ a single thing about anything anymore. Meanwhile, each day another public figure confesses to having ‘misspoken’ and prostrates themselves before the judgement of Twitter. Begging for forgiveness, assuring the public “that is not who I am”. But if nobody is who they are anymore - then who the f##k are we? Ben Elton returns with a blistering satire of the world as it fractures around us. Get ready for a roller-coaster thriller, where nothing - and no one - is off limits.

Stark is a secret consortium with more money than God, and the social conscience of a dog on a croquet lawn. What's more, it knows the Earth is dying. Deep in Western Australia where the Aboriginals used to milk the trees, a planet-sized plot is taking shape. Some green freaks pick up the scent: a pommie poseur; a brain-fried Vietnam vet; Aboriginals who have lost their land...not much against a conspiracy that controls society. But EcoAction isn't in society: it just lives in the same place, along with the cockroaches. If you're facing the richest and most disgusting scheme in history, you have to do more than stick up two fingers and say 'peace'.

'The best I've read of Elton's many bestsellers' The Times Imagine a world where no one you have ever known or loved has been born yet. Perhaps they never will be. 1st June 1914: this is Hugh Stanton's reality. Ex-soldier and celebrated adventurer, he is is quite literally the loneliest man on earth. Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history. Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But can a single bullet truly corrupt an entire century? And, if so, could another single bullet save it?

From its creation by Charles Elton in 1932 to its demise when he retired in 1967, the Bureau of Animal Population at Oxford was a mecca for ecologists from around the world. Crowcroft provides an anecdotal history of this small research institute that so strongly influenced the development of modern animal ecology. "[This] is a very good account of the work and personal interactions of a group that played an important part in the development of animal ecology in the period 1930-60."—John Krebs, TREE

One of music’s true global superstars and most admired figures, Elton John has sold an estimated 200 million albums worldwide to date, and continues to appear regularly in the singles charts, thanks largely to a series of high-profile collaborations with new faces. But he is loved as much for his outrageous personality and witty outspokenness as for his music: recent memorable outbursts have included a public comment that "people who charge �75 and lip-sync should be shot” and calling some pushy photographers "rude, vile pigs.” He has even admitted that, in one of his more comedic cocaine-fueled moments, he phoned one of his management team "to tell him to do something about the wind outside my hotel room.” Such shamelessness and sheer silliness rivals anything uttered by punk rockers, yet it is so typically Elton: honest and wittily intemperate. Tragedy and heartbreak have played a large part in his life too. Behind the parties, the hedonism, the lavish stage costumes and silly glasses lies a more somber story. There have been disputes with managers, legal wranglings, splits with partners, and a divorce. Added to that there have been serious health problems, a very public battle with his expanding waistline and receding hairline, drug addictions, and spells when he wanted to quit the music business altogether. But now, at 60 years old, Elton enjoys a stable relationship with his husband David Furnish. His demons have been overcome. His commercial and critical stock is rising. With popular acts like the Scissor Sisters sounding more like Elton than Elton himself, Elton John is finally cool again. Drawing on many firsthand interviews with his associates and musical collaborators, this page-turning story of high drama and prodigious talent traces Elton’s astonishing journey through life as the colossus of camp, while also offering a critical history of his work and analyzing afresh his contribution to popular music.