Elvis Hank And Me

In 1948, Horace "Hoss" Logan, a young radio producer in Shreveport, Louisiana, started booking talent for a new weekly music show called the Louisiana Hayride. Performed for a live audience and broadcast nationally over the CBS Radio network, the show became known as the "Cradle of the Stars." In this affectionate memoir, Hoss Logan recalls the Hayride's heyday with behind-the-scenes anecdotes about the dozens of musicians he knew and nurtured, including Johnny Cash, Johnny Horton, George Jones, Willie Nelson, Elvis Presley, Jim Reeves, Kitty Wells, Slim Whitman, Hank Williams, Faron Young, and many more. As producer, emcee, and friend to the Hayride performers, Logan gives us a personal look into musical history - from Hank Williams's ups and downs to the teenage Elvis's first performance on national radio to the ways the Hayride's many emerging stars expanded our idea about what country music could be.

In 1948, Horace Logan, a young radio producer in Shreveport, LA, started booking talent for a new weekly music show called the Louisiana Hayride. The show became known as the Cradle of the StarsÓ; over the next decade the Hayride launched or built the careers of many performers who grew to become country music's greatest legends. The show brought what was once known as hillbilly musicÓ into the mainstream. Logan recalls the Hayride's heyday with anecdotes about the musicians he knew & nurtured, including Johnny Cash, George Jones, Willie Nelson, Elvis Presley, Kitty Wells, Hank Williams, & many more. 16 pages of rare photos.

Provides an examination of northwest Louisiana's unique musical milieu, home to the Louisiana Hayride, a radio barn dance between 1948 and 1960. The region's history, geography, race relations, media, and other forces set the stage for the Hayride's critical role in both country music and rock-and-roll.

Who on the planet doesn't know that Elvis Presley gave electrifying performances and enthralled millions? Who doesn't know that he was the King of Rock 'n' Roll? But who knows that the King himself lived in the thrall of one dominant person? This was Gladys Smith Presley, his protective, indulgent, beloved mother. Elvis and Gladys, one of the best researched and most acclaimed books on Elvis's early life, reconstructs the extraordinary role Gladys played in her son's formative years. Uncovering facts not seen by other biographers, Elvis and Gladys reconstructs for the first time the history of the mother and son's devoted relationship and reveals new information about Elvis—his Cherokee ancestry, his boyhood obsession with comic books, and his early compulsion to rescue his family from poverty. Coming to life in the compelling narrative is the poignant story of a unique boy and the maternal tie that bound him. It is at once an intimate psychological portrait of a tragic relationship and a mesmerizing tale of the early years of an international idol. “For once, a legend is presented to us by the mind and heart of a literate, careful biographer who cares,” wrote Liz Smith in the New York Daily News when Elvis and Gladys was originally published in 1985. This is the book, Smith says, “for any Elvis lover who wants to know more about what made Presley the man he was and the mama's boy he became.” The Boston Globe called this thoughtful, informative biography of one of popular music's most enduring stars “nothing less than the best Elvis book yet.”

A vibrant, sympathetic portrait of the once and future king of rock 'n' roll by the award-winning author of Shiloh and In Country To this clear-eyed portrait of the first rock 'n' roll superstar, Bobbie Ann Mason brings a novelist's insight and the empathy of a fellow Southerner who, from the first time she heard his voice on the family radio, knew that Elvis was "one of us." Elvis Presley deftly braids the mythic and human aspects of his story, capturing both the charismatic, boundary-breaking singer who reveled in his celebrity and the soft-spoken, working-class Southern boy who was fatally unprepared for his success. The result is a riveting, tragic book that goes to the heart of the American dream.

When Elvis Presley first showed up at Sam Phillips's Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That's All Right, Mama.” It turned out to be Elvis's first single and the defining record of his early style, with a trilling guitar hook that swirled country and blues together and minted a sound with unforgettable appeal. Its success launched a whirlwind of touring, radio appearances, and Elvis's first break into movies. Scotty was there every step of the way as both guitarist and manager, until Elvis's new manager, Colonel Tom Parker, pushed him out. Scotty and Elvis would not perform together again until the classic 1968 “comeback” television special. Scotty never saw Elvis after that. With both Bill Black and Elvis gone, Scotty Moore is the only one left to tell the story of how Elvis and Scotty transformed popular music and how Scotty created the sound that became a prototype for so many rock guitarists to follow. Thoroughly updated, this edition delivers guitarist Scotty Moore's story as never before.

As one of the best-known honky tonkers to appear in the wake of Hank Williams’s death, Faron Young was a popular presence on Nashville’s music scene for more than four decades. The Singing Sheriff produced a string of Top Ten hits, placed over eighty songs on the country music charts, and founded the long-running country music periodical Music City News in 1963. Flamboyant, impulsive, and generous, he helped and encouraged a new generation of talented songwriter-performers that included Willie Nelson and Bill Anderson. In 2000, four years after his untimely death, Faron was inducted into the Country Music Hall of Fame. Presenting the first detailed portrayal of this lively and unpredictable country music star, Diane Diekman masterfully draws on extensive interviews with Young’s family, band members, and colleagues. Impeccably researched, Diekman’s narrative also weaves anecdotes from Louisiana Hayride and other old radio shows with ones from Young’s business associates, including Ralph Emery. Her unique insider’s look into Young’s career adds to an understanding of the burgeoning country music entertainment industry during the key years from 1950 to 1980, when the music expanded beyond its original rural roots and blossomed into a national (ultimately, international) enterprise. Echoing Young’s characteristic ability to entertain and surprise fans, Diekman combines an account of his public career with a revealing, intimate portrait of his personal life.