Encyclopedia Of Color Science And Technology

This fully revised and expanded 2nd edition provides a single authoritative resource describing the concepts of color and the application of color science across research and industry. Significant changes for the 2nd edition include: New and expanded sections on color engineering More entries on fundamental concepts of color science and color terms Many additional entries on specific materials Further material on optical concepts and human visual perception Additional articles on organisations, tools and systems relevant to color A new set of entries on 3D presentation of color In addition, many of the existing entries have been revised and updated to ensure that the content of the encyclopedia is current and represents the state of the art. The work covers the full gamut of color: the fundamentals of color science; the physics and chemistry; color as it relates to optical phenomena and the human visual system; and colorants and materials. The measurement of color is described through entries on colorimetry, color spaces, color difference metrics, color appearance models, color order systems and cognitive color. The encyclopedia also has extensive coverage of applications throughout industry, including color imaging, color capture, display and printing, and descriptions of color encodings, color management, processing color and applications relating to color synthesis for computer graphics are included. The broad scope of the work is illustrated through entries on color in art conservation, color and architecture, color and education, color and culture, and biographies of some of the key figures involved in color research throughout history. With over 250 entries from color science researchers across academia and industry, this expanded 2nd edition of the Encyclopedia of Color Science and Technology remains the most important single resource in color science.

This book offers detailed coverage of color, colorants, the coloring of materials, and reproducing the color of materials through imaging. It combines the clarity and ease of earlier editions with significant updates about the advancement in color theory and technology. Provides guidance for how to use color measurement instrumentation, make a visual assessment, set a visual tolerance, and select a formulation Supplements material with numerical examples, graphs, and illustrations that clarify and explain complex subjects Expands coverage of topics including spatial vision, solid-state lighting, cameras and spectrophotometers, and translucent materials

This volume constitutes the refereed proceedings of the Third International Conference on The Future of Heritage Science and Technologies, Florence Heri-Tech 2022, held in Florence, Italy, in May 2022. The 32 papers presented in this volume were thoroughly reviewed and selected from 101 submissions. They are organized in the topical sections on ​3D reconstruction of tangible cultural heritage and monitoring devices; IA and AR/VR based methods and applications for CH; methods and systems for enhancing heritage fruition and storytelling; virtual museums and virtual tours.

Presents the science of colour from new perspectives and outlines results obtained from the authors’ work in the mathematical theory of colour This innovative volume summarizes existing knowledge in the field, attempting to present as much data as possible about colour, accumulated in various branches of science (physics, phychophysics, colorimetry, physiology) from a unified theoretical position. Written by a colour specialist and a professional mathematician, the book offers a new theoretical framework based on functional analysis and convex analysis. Employing these branches of mathematics, instead of more conventional linear algebra, allows them to provide the knowledge required for developing techniques to measure colour appearance to the standards adopted in colorimetric measurements. The authors describe the mathematics in a language that is understandable for colour specialists and include a detailed overview of all chapters to help readers not familiar with colour science. Divided into two parts, the book first covers various key aspects of light colour, such as colour stimulus space, colour mechanisms, colour detection and discrimination, light-colour perception typology, and light metamerism. The second part focuses on object colour, featuring detailed coverage of object-colour perception in single- and multiple-illuminant scenes, object-colour solid, colour constancy, metamer mismatching, object-colour indeterminacy and more. Throughout the book, the authors combine differential geometry and topology with the scientific principles on which colour measurement and specification are currently based and applied in industrial applications. Presents a unique compilation of the author’s substantial contributions to colour science Offers a new approach to colour perception and measurement, developing the theoretical framework used in colorimetry Bridges the gap between colour engineering and a coherent mathematical theory of colour Outlines mathematical foundations applicable to the colour vision of humans and animals as well as technologies equipped with artificial photosensors Contains algorithms for solving various problems in colour science, such as the mathematical problem of describing metameric lights Formulates all results to be accessible to non-mathematicians and colour specialists Foundations of Colour Science: From Colorimetry to Perception is an invaluable resource for academics, researchers, industry professionals and undergraduate and graduate students with interest in a mathematical approach to the science of colour.

The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: • the measurement of color still has unresolved complexities (Chapter 2) • many of the fine details of color vision remain unknown (Chapter 3) • every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5) • the philosophical approach to color has not yet crystallized (Chapter 7) • new pigments and dyes continue to be discovered (Chapters 10 and 11) • the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.

Handbook of Categorization in Cognitive Science, Second Edition presents the study of categories and the process of categorization as viewed through the lens of the founding disciplines of the cognitive sciences, and how the study of categorization has long been at the core of each of these disciplines. The literature on categorization reveals there is a plethora of definitions, theories, models and methods to apprehend this central object of study. The contributions in this handbook reflect this diversity. For example, the notion of category is not uniform across these contributions, and there are multiple definitions of the notion of concept. Furthermore, the study of category and categorization is approached differently within each discipline. For some authors, the categories themselves constitute the object of study, whereas for others, it is the process of categorization, and for others still, it is the technical manipulation of large chunks of information. Finally, yet another contrast has to do with the biological versus artificial nature of agents or categorizers. Defines notions of category and categorization Discusses the nature of categories: discrete, vague, or other Explores the modality effects on categories Bridges the category divide - calling attention to the bridges that have already been built, and avenues for further cross-fertilization between disciplines