Enlightenment And The Shadows Of Chance

While Montesquieu was praising indifference to financial gain, Louis XV regularly presided over dizzying gambling games at Versailles. While Descartes was advancing a strategy for escaping from chance by appealing to the protocols of certainty, clandestine gambling operations in Paris numbered in the hundreds. Despite efforts by the major figures of the French Enlightenment to suppress the period's fascination with chance, high-stakes gambling was an integral part of the social rituals of the most influential groups within the ancien regime. In Enlightenment and the Shadows of Chance, Thomas Kavanagh explores this important paradox to shed light on the genesis, development, and function of the eighteenth-century French novel. First considering the roles of chance and gambling in the epistemological, social, and economic histories of the period, Kavanagh shows that doctrines of chance played a denied yet operative role in important aspects of what the French Enlightenment proclaimed itself to be. He then looks at representations of chance in the novels of Prechac, Prevost, Voltaire, Denon, Crebillon, and Diderot, and shows how they tell two stories: that of a deterministic and ordered universe, and that of a world of fortuitous events determined only by chance. It was the tension and interplay between these two poles, Kavanagh argues, that contributed in an important way to the development of the Enlightenment's ideal of the rational man.

By examining the rise of life insurance institutions in 18th-century England, this book offers fresh insight into the history of a commercial society learning to apply speculative techniques to the management of risk.

Casino gambling is central to understanding the cultural, social, and intellectual history of nineteenth-century Europe. Tracing the development of casino gambling across this period, this book connects that story to ideas about chance, luck, emotions, and psychology, and reveals how Europeans used gambling to understand their changing world.

A study of the relationship between realism, probability and chance in eighteenth-century fiction.

A synthesis of eighteenth-century intellectual and cultural developments that offers an original explanation of how Enlightenment thought grappled with the problem of divine agency. Why is the world orderly, and how does this order come to be? Human beings inhabit a multitude of apparently ordered systems—natural, social, political, economic, cognitive, and others—whose origins and purposes are often obscure. In the eighteenth century, older certainties about such orders, rooted in either divine providence or the mechanical operations of nature, began to fall away. In their place arose a new appreciation for the complexity of things, a new recognition of the world’s disorder and randomness, new doubts about simple relations of cause and effect—but with them also a new ability to imagine the world’s orders, whether natural or manmade, as self-organizing. If large systems are left to their own devices, eighteenth-century Europeans increasingly came to believe, order will emerge on its own without any need for external design or direction. In Invisible Hands, Jonathan Sheehan and Dror Wahrman trace the many appearances of the language of self-organization in the eighteenth-century West. Across an array of domains, including religion, society, philosophy, science, politics, economy, and law, they show how and why this way of thinking came into the public view, then grew in prominence and arrived at the threshold of the nineteenth century in versatile, multifarious, and often surprising forms. Offering a new synthesis of intellectual and cultural developments, Invisible Hands is a landmark contribution to the history of the Enlightenment and eighteenth-century culture.

At a time when the world is facing the depletion of nonrenewable natural resources, consumer society is increasingly being called into question. Nowhere is this more evident than in France, where the consumer revolution has long been perceived as a challenge to artisanal crafts, local business, and other key elements of French culture. David H. Walker here charts the portrayal of consumer behavior in the works of Gide, Zola, Jean Valmy-Basse, and Elsa Triolet and analyzes these testimonies in relation to their social, cultural and historical milieu. Consumer Chronicles offers an imaginative look at the impact of affluence on French consumers, shopkeepers, and society and provides valuable insight into the history of the consumer mentality in the twentieth century.

Drawing largely on the etymological meaning of the word 'confusion' as the action of mixing or blending, John C. O'Neal traces the development of a progressive poetics of confusion in the French Enlightenment. This project, he claims, aimed to reject dogmatic thinking in all of its forms and to recognize the need to embrace complexity. Eighteenth-century thinkers used the notion of confusion in a progressive way to reorganize social classes, literary forms, metaphysical substances, scientific methods, and cultural categories such as taste and gender.