Entering Hades

"I was a greedy, ravenous individual, determined to rise from the bottom to the top . . . It wasn't me!"--Jack Unterweger's final words to his jury Serial killers rarely travel internationally. So in the early 1990s, when detectives from the Los Angeles Police Department began to find bodies of women strangled with their own bras, it didn't occur to them at first to make a connection with the bodies being uncovered in the woods outside of Vienna, Austria. The LAPD waited for the killer to strike again. Meanwhile, in Austria, the police followed what few clues they had. The case intrigued many reporters, but few as keenly as Jack Unterweger, a local celebrity. He cut a striking figure, this little man in expensive white suits. His expertise on Vienna's criminal underworld was hard-earned. He had been sentenced to life in jail as a young man. But while incarcerated, he began to write—and his work earned him the glowing attention of the literary elite. The intelligentsia lobbied for his release and by 1990, Jack was free again. He continued writing, nurturing his career as a journalist. But though he now traveled in the highest circles, he had a secret life. He was killing again, and in the greatest of ironies, reporting on the very crimes he had committed. With unprecedented access to Jack's diaries and letters, John Leake peels back the layers of deception to reveal the life and crimes of Jack Unterweger, and in unnerving detail, exposes the thrilling twists—both in the United States and Europe—that led to Jack's capture and Austria's "trial of the century."

This book offers a series of in-depth studies of the beliefs, attitudes, and rituals surrounding death in ancient Greece, from the Minoan and Mycenean period to the end of the classical age. Drawing on a wide range of evidence--from literary texts, to inscriptions, to images in art--Sourvinou-Inwood sheds light on many key, still problematic, aspects of Greek life, myth, and literature. She also looks at the problem of "reading" this material within the context of our own culturally-determined beliefs.

"I was a greedy, ravenous individual, determined to rise from the bottom to the top . . . It wasn't me!"--Jack Unterweger's final words to his jury Serial killers rarely travel internationally. So in the early 1990s, when detectives from the Los Angeles Police Department began to find bodies of women strangled with their own bras, it didn't occur to them at first to make a connection with the bodies being uncovered in the woods outside of Vienna, Austria. The LAPD waited for the killer to strike again. Meanwhile, in Austria, the police followed what few clues they had. The case intrigued many reporters, but few as keenly as Jack Unterweger, a local celebrity. He cut a striking figure, this little man in expensive white suits. His expertise on Vienna's criminal underworld was hard-earned. He had been sentenced to life in jail as a young man. But while incarcerated, he began to write—and his work earned him the glowing attention of the literary elite. The intelligentsia lobbied for his release and by 1990, Jack was free again. He continued writing, nurturing his career as a journalist. But though he now traveled in the highest circles, he had a secret life. He was killing again, and in the greatest of ironies, reporting on the very crimes he had committed. With unprecedented access to Jack's diaries and letters, John Leake peels back the layers of deception to reveal the life and crimes of Jack Unterweger, and in unnerving detail, exposes the thrilling twists—both in the United States and Europe—that led to Jack's capture and Austria's "trial of the century."

What does God want you to know, be, and do as an individual family, church and nation? This question occupies the Bible from Genesis to Revelation. Indeed, you could divide all the verses in the Bible into four groups. These are verses that address Individual Families Churches Nations.

The book rediscovers two of the main seeds of Western Culture – the Exodus and the Odyssey, which are entwined within the book by both a common link with Egypt and a review of ancient chronology. They were both antecedents to the rise of Christianity, which is at the heart of Western Culture. It was inspired by a desire to understand the spiritual message of the Odyssey, which required both geographical and spiritual interpretations of the poem. Linked to this was a desire to understand the political context of the Trojan story, which required resolving the false hiatus in the archaeology of Troy. This resulted in a new paradigm for understanding ancient chronology, which revealed the stories behind the Exodus and the location of the Garden of Eden. Writing the book has been a long and eventful journey, longer than Odysseus’ 19 years away from home. The book is written in five parts: • Low Chronology - Based on the identification of Menophres with Thutmose III and of the Bubastite Portal’s reference to Shoshenq’s participation in the Battle of Qarqar, the Egyptian Third Intermediate Period is shortened by 120 years, with a pharaoh ruling from Tanis and subordinate kings at Bubastis and Thebes. • The Exodus - Using the Low Chronology and genealogical information and dates provided by the Bible, it is demonstrated that the story of the Exodus is a combination of two events, being the exodus of the Hyksos led by Abraham in 1406 BC following the eruption of Thera, and the exodus of the Atenist (Levite) priests led by Moses in about the first year of Tutankhamun - 1204 BC. The story of Abraham also reveals the location of the Garden of Eden in the heartland of the Levant. • Radiocarbon Dating – The process that created the dendrochronology-based radiocarbon calibration curve is demonstrated to be a flawed non-scientific process that relied upon circular arguments. • The Odyssey – By comparing the life and work of Archilochus to both the Odyssey and the Iliad, it is shown that Archilochus must have been the author of the Odyssey. The allegory within the Odyssey is also discussed to provide both geographical and spiritual interpretations of the poem. • Western Culture - The two main streams of Western Culture (Ancient Greece and Christianity) are shown to have had their foundations in the stories surrounding the Trojan War, the spiritual message of the Odyssey and the influences of Egypt on Greece and Judaism. It is shown how Greek and Jewish religions were fused to create the Gospels and contributed towards modern astrology.

This book presents a new analysis of Aristotle's concept of narrative in the Poetics. Arguing that the term muthos in the Poetics cannot be understood as equivalent to "plot," Marsh shows that the muthos concept is instead a useful tool for grouping larger sets of narratives based on specific criteria. The results of this muthos analysis indicate that in the classical period, neither formal structure nor the structure of events was determined by theatrical genre, but by the specific combination of tone and plot type. Marsh concludes that the category of genre itself may be less helpful for classifying these plays than is typically assumed.