Epic Of The Dispossessed

Hamner describes Omeros as an epic of the dispossessed because each of its protagonists is a castaway in one sense or another. Regardless of whether their ancestry is traced to the classical Mediterranean, Europe, Africa, or confined to the Americas, they are transplanted individuals whose separate quests all center on the fundamental human need to strike roots in a place where one belongs.

A brilliant physicist attempts to salvage his planet of anarchy.

“One of the greats….Not just a science fiction writer; a literary icon.” – Stephen King From the brilliant and award-winning author Ursula K. Le Guin comes a classic tale of two planets torn apart by conflict and mistrust — and the man who risks everything to reunite them. A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras—a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart. To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.

The Dispossessed has been described by political thinker Andre Gorz as 'The most striking description I know of the seductions—and snares—of self-managed communist or, in other words, anarchist society.' To date, however, the radical social, cultural, and political ramifications of Le Guin's multiple award-winning novel remain woefully under explored. Editors Laurence Davis and Peter Stillman right this state of affairs in the first ever collection of original essays devoted to Le Guin's novel. Among the topics covered in this wide-ranging, international and interdisciplinary collection are the anarchist, ecological, post-consumerist, temporal, revolutionary, and open-ended utopian politics of The Dispossessed. The book concludes with an essay by Le Guin written specially for this volume, in which she reassesses the novel in light of the development of her own thinking over the past 30 years.

'A superb book ... Anybody interested in Scottish history needs to read it' Andrew Marr, Sunday Times Eighteenth-century Scotland is famed for generating many of the enlightened ideas which helped to shape the modern world. But there was in the same period another side to the history of the nation. Many of Scotland's people were subjected to coercive and sometimes violent change, as traditional ways of life were overturned by the 'rational' exploitation of land use. The Scottish Clearances is a superb and highly original account of this sometimes terrible process, which changed the Lowland countryside forever, as it also did, more infamously, the old society of the Highlands. Based on a vast array of original sources, this pioneering book is the first to chart this tumultuous saga in one volume, with due attention to evictions and loss of land in both north and south of the Highland line. In the process, old myths are exploded and familiar assumptions undermined. With many fascinating details and the sense of an epic human story, The Scottish Clearances is an evocative memorial to all whose lives were irreparably changed in the interests of economic efficiency. This is a story of forced clearance, of the destruction of entire communities and of large-scale emigration. Some winners were able to adapt and exploit the new opportunities, but there were also others who lost everything. The clearances created the landscape of Scotland today, but it came at a huge price.

Fans of Cassandra Clare's Mortal Instruments series and Lauren Kate's Fallen novels will devour The Beautiful and the Cursed, a wholly original interpretation of gargoyle lore. After a bizarre accident, Ingrid Waverly is forced to leave London with her mother and her younger sister, Gabby, trading a world full of fancy dresses and society events for the unfamiliar city of Paris. In Paris there are no grand balls or glittering parties for Ingrid, and, disturbingly, the house her twin brother, Grayson, was sent ahead to secure for the family isn't a house at all. It's an abandoned abbey, its roof lined with stone gargoyles that could almost be mistaken for living, breathing creatures. And Grayson is missing. Yet no one seems worried about his whereabouts save for Luc, a devastatingly handsome servant at their new home. Ingrid is sure her twin isn't dead--she can feel it deep in her soul--but she knows he's in grave danger, and that it's up to her and Gabby to find him before all hope is lost. The path to Grayson will be twisted, leading Ingrid to discover dark secrets and otherworldly truths that, once uncovered, can never again be buried. Praise for the Dispossessed Trilogy: “A deliciously satisfying mix of historical fiction, mystery, and supernatural romance.”—The Bulletin “Morgan combines fantasy with gothic romance in this well-crafted standout.”—Booklist “Forbidden romance and hot kissing abound.”—Kirkus Reviews “Morgan keeps the plot moving with constant action…dark adventure and romance.”—School Library Journal “Morgan's fluid descriptions, inventive otherworldly elements, and characters with convincing motivations result in an immersive first installment.”—Publishers Weekly

A darkly compelling fantasy about a world in which each person has a magical, dangerous gift.

Sutty, an Observer from Earth for the interstellar Ekumen, has been assigned to a new world—a world in the grips of a stern monolithic state, the Corporation. Embracing the sophisticated technology brought by other worlds and desiring to advance even faster into the future, the Akans recently outlawed the past, the old calligraphy, certain words, all ancient beliefs and ways; every citizen must now be a producer-consumer. Their state, not unlike the China of the Cultural Revolution, is one of secular terrorism. Traveling from city to small town, from loudspeakers to bleating cattle, Sutty discovers the remnants of a banned religion, a hidden culture. As she moves deeper into the countryside and the desolate mountains, she learns more about the Telling—the old faith of the Akans—and more about herself. With her intricate creation of an alien world, Ursula K. Le Guin compels us to reflect on our own recent history.