Erotic Innocence

Explores the current preoccupation with child molesting and children's sexuality and the ways that this degree of fascination is itself suspect.

Taking as its focus the erotic child in decadent aesthetics, this book explores the sexual and political stakes of an aestheticistexperience of rapture. Ohi examines the power of the work of art to transport, to disorient, to move, to extort the equivocal pleasuresof self-loss. He also explores how the beautiful child offers partisans of 'art for art's sake' an emblem for the ecstatic and erotic, even the queer possibilities of art. Aestheticism's erotic child is thus in stark contrast to the innocent child of today's ideology, who secures the claims of identity against the very disorientations celebrated by aestheticism. Articulating aesthetic transport through the desiring and desired child, aestheticism interrogates the ideology underpinning sexual oppression.

The question "What is a child?" is at the heart of the world the Victorians made. In Child-Loving, James Kincaid writes a fresh chapter in the history of the Victorian era. Dealing with one of the most intimate and troubling notions of the modern period - how the Victorians (and we, their descendants) - imagine children within the continuum of human sexuality, Kincaid's work compels us to consider just how we love the children we love. Throughout the nineteenth century, the child developed as a symbol of purity, innocence, asexuality - the angelic child perhaps not wholly real. Yet the child could also be a figure of fantasy, obsession, suppressed desires. Think of Lewis Carroll's Alice (or, a few years later, James Barrie's Peter Pan). The image of the child as both pure and strangely erotic is part of the mythology of Victorian culture. And so, Kincaid argues, the Victorians viewed children in ways that seem to us now complex and perhaps bizarre. But do we fare much better today? Contemporary society sees children at risk, in need of protection from pedophiles. Yet as our culture recoils from the horror of child molestation, we offer children's bodies as spectacle in the media and advertising, giving children the erotic attention we wish to deny. Built on a decade of research into literary, medical, cultural, and legal materials, Child-Loving traces for the first time the growth of our conceptions of the body, the child, and sexuality, and the stories we tell about them.

Emma Holly turns up the heat in this sinfully sensuous story of a family plagued by scandal—and a shy young woman who discovers a passion beyond her wildest dreams… When her beloved father passes away, Florence Fairleigh finds herself alone in the world. All she wants is a man who will treat her kindly and support her financially—and she’s come to London to find him… Edward Burbrooke thinks marriage is the only way to save his brother Freddie—and their family—from scandalous ruin. As head of the family, Edward has vowed to find Freddie a bride—and fast… Thrown together by Edward, Florence and Freddie make a perfect pair—until Edward realizes he has feelings for his brother’s betrothed. The sight of her nubile young body makes his blood burn with lust. The sound of her voice makes his heart warm with love. And the sweet taste of her kiss makes him wonder if he isn’t making a terrible mistake….

Innocence, Heterosexuality, and the Queerness of Children’s Literature examines distinguished classics of children’s literature both old and new—including L. Frank Baum’s Oz books, Laura Ingalls Wilder’s Little House series, J. K. Rowling’s Harry Potter novels, Lemony Snicket’s A Series of Unfortunate Events, and Stephenie Meyer’s Twilight series—to explore the queer tensions between innocence and heterosexuality within their pages. Pugh argues that children cannot retain their innocence of sexuality while learning about normative heterosexuality, yet this inherent paradox runs throughout many classic narratives of literature for young readers. Children’s literature typically endorses heterosexuality through its invisible presence as the de facto sexual identity of countless protagonists and their families, yet heterosexuality’s ubiquity is counterbalanced by its occlusion when authors shield their readers from forthright considerations of one of humanity’s most basic and primal instincts. The book demonstrates that tensions between innocence and sexuality render much of children’s literature queer, especially when these texts disavow sexuality through celebrations of innocence. In this original study, Pugh develops interpretations of sexuality that few critics have yet ventured, paving the way for future scholarly engagement with larger questions about the ideological role of children's literature and representations of children's sexuality. Tison Pugh is Associate Professor in the Department of English at the University of Central Florida. He is the author of Queering Medieval Genres and Sexuality and Its Queer Discontents in Middle English Literature and has published on children’s literature in such journals as Children’s Literature, The Lion and the Unicorn, and Marvels and Tales.

A young woman’s affair with her seductive boss leads to dangerous places in this sexy and suspenseful romance by the author of Blindfolded Innocence. The man was sinful. It wasn’t just the looks that made him dangerous, it was the cocky confidence that dominated every move, every touch. And the frustrating yet ecstatic fact about the whole package was that he could back it all up . . . Julia Campbell never knows what to expect with win-at-all-costs Brad De Luca. And she’s starting to like it that way. She gave up safe, conventional relationships when she let the elite divorce attorney seduce her into his world. Now that he’s determined to strip her naked of every inhibition, she’s in danger of falling too deep and too fast. But their affair begins to feel even more dangerous when a murder leaves a trail of suspicion that points straight to the mob . . . and Brad. Trusting a man with a bad reputation and a past full of secrets seems like a mistake. But when she’s forced to make a choice, the consequences will take her further than she could ever have imagined.

For years, Jared has existed on the fringes of both Eden society and Dallas O'Kane's Sector Four gang. He travels between these worlds, protected by his money and power--money he earned selling his body, and power that comes from knowing secrets. He's untouchable—until he starts a new life gathering intelligence for the O'Kanes. Lili Fleming walked out of Sector Five with a gun, the bloodstained clothes on her back, and an icy determination to survive. She finds herself in a world where people live hard and love harder, and nothing's more terrifying than how much the O'Kanes wake her up, make her feel—especially Jared. Emotion is a risk he can't afford, and a complication she doesn't need. But neither can resist the lust simmering between them, and the sparks that could either melt the ice around both their hearts…or get them killed. Because the only thing more dangerous than loving an O'Kane is loving a spy.

Continued public outcries over such issues as young models in sexually suggestive ads and intimate relationships between teachers and students speak to one of the most controversial fears of our time: the entanglement of children and sexuality. In this book, Steven Angelides confronts that fear, exploring how emotional vocabularies of anxiety, shame, and even contempt not only dominate discussions of youth sexuality but also allow adults to avoid acknowledging the sexual agency of young people. Introducing case studies and trends from Australia, the United Kingdom, and North America, he challenges assumptions on a variety of topics, including sex education, age-of-consent laws, and sexting. Angelides contends that an unwillingness to recognize children’s sexual agency results not in the protection of young people but in their marginalization.