Esquire S Big Book Of Fiction

An anthology of short fiction from the pages of "Esquire" magazine from the early 1930s to the late 1990s showcases contributions by such authors as Ernest Hemingway, Albert Camus, Jack Kerouac, Flannery O'Connor, and Saul Bellow.

For seventy years, Esquire has established a reputation for publishing the most innovative nonfiction in the country, and this remarkable anthology of more than fifty articles is a testament to that quality. "This collection is an inspiration," writes Esquire editor in chief David Granger, "as much for the stories contained within, as for the belief that the written word can change and enlighten the world, one story at a time." Book jacket.

With rights sold around the world, this irreverent comic adventure spanning three continents is poised to be one of the most talked about fiction débuts of the year. A Fraction of the Whole marks the arrival of an ambitious new writer who deftly mixes humour, surprise, and astute observations of the human condition to create a novel that entertains, scandalizes, and enlightens. Martin Dean spent his entire life analyzing absolutely everything – from the benefits of suicide to the virtues of strip clubs versus brothels. Now that he’s dead, his son Jasper can fully reflect on the man who raised him in intellectual captivity. As he recollects the extraordinary events that led to his father’s demise, Jasper recounts a boyhood of outrageous schemes and shocking discoveries – about his infamous and long dead criminal uncle, his tortured and mysteriously absent European mother, and Martin’s constant losing battle to make a lasting impression on the world. It’s a story that takes them from the Australian bush to the cafés of bohemian Paris, from the Thai jungle to labyrinths, mental hospitals, and criminal lairs, from the highs of first love to the lows of rejection and failed ambition. The result is an uproarious indictment of the ridiculousness of the modern world and its mores, and the moving, memorable story of a father and son whose spiritual symmetry transcends all their many shortcomings. I spent the next day staring into empty space. I get a lot of joy out of air, and if sunlight hits the floating specs of dust so you see the whirling dance of atoms, so much the better. During the day, Dad breezed in and out of my room and clicked his tongue, which in our family meant: ‘You’re an idiot.’ In the afternoon, he came back in with a loaded grin. He had a brilliant idea, and couldn’t wait to tell me about it. It had suddenly occurred to him to throw me out of the house, and what did I think of his brainwave? I told him I was concerned about him eating all his meals alone because the clinking of cutlery on a plate echoing through an empty house is one of the top five depressing noises of all time. --from A Fraction of the Whole

"This book is about instruction. It's about how one comports himself now that he is successful. It's about guidance in all the areas of life that can be mysteries to the modern man." --Esquire editor-in-chief David Granger No more second-guessing--thanks to the only guide with the power to transform a man into a complete success. Esquire's The Biggest Black Book Ever shows you how to do everything right, in every area of your life. From work and grooming to fitness and sex, it's got 1,037 tricks, techniques, and secrets so you can handle yourself with confidence and style, whether you're meeting the boss, going on a first date, or attending a black-tie event. Includes 875 photos and illustrations.

Here they are--some of the funniest tales and ruminations ever put into print, by one of the great comic minds of our time. From THE WHORE OF MENSA, to GOD (A Play), to NO KADDISH FOR WEINSTEIN, old and new Woody Allen fans will laugh themselves hysterical over these sparkling gems.

One of Vogue’s Best Books of the Year One of Esquire’s Best Books of the Year One of the Wall Street Journal’s Favorite Books of the Year One of the Most Anticipated Books of the Year: Vogue, Parade, Esquire, Bitch, and Maclean’s A New York Times and Washington Post Book to Watch A fiercely personal memoir about coming of age in the male-dominated literary world of the nineties, becoming the first female literary editor of Esquire, and Miller's personal and working relationship with David Foster Wallace A naive and idealistic twenty-two-year-old from the Midwest, Adrienne Miller got her lucky break when she was hired as an editorial assistant at GQ magazine in the mid-nineties. Even if its sensibilities were manifestly mid-century—the martinis, powerful male egos, and unquestioned authority of kings—GQ still seemed the red-hot center of the literary world. It was there that Miller began learning how to survive in a man’s world. Three years later, she forged her own path, becoming the first woman to take on the role of literary editor of Esquire, home to the male writers who had defined manhood itself— Hemingway, Mailer, and Carver. Up against this old world, she would soon discover that it wanted nothing to do with a “mere girl.” But this was also a unique moment in history that saw the rise of a new literary movement, as exemplified by McSweeney’s and the work of David Foster Wallace. A decade older than Miller, the mercurial Wallace would become the defining voice of a generation and the fiction writer she would work with most. He was her closest friend, confidant—and antagonist. Their intellectual and artistic exchange grew into a highly charged professional and personal relationship between the most prominent male writer of the era and a young woman still finding her voice. This memoir—a rich, dazzling story of power, ambition, and identity—ultimately asks the question “How does a young woman fit into this male culture and at what cost?” With great wit and deep intelligence, Miller presents an inspiring and moving portrayal of a young woman’s education in a land of men. “The memoir I’ve been waiting for: a bold, incisive, and illuminating story of a woman whose devotion to language and literature comes at a hideous cost. It’s Joanna Rakoff’s My Salinger Year updated for the age of She Said: a literary New York now long past; an intimate, fiercely realist portrait of a mythic literary figure; and now, a tender reckoning with possession, power, and what Jia Tolentino called the ‘Important, Inappropriate Literary Man.’ A poised and superbly perceptive narration of the problems of working with men, and of loving them.”— Eleanor Henderson, author of 10,000 Saints