Europe A Prophecy

Blake's illuminated books, produced from 1783-1795, are remarkable examples of complex syntheses: of form - poetry and painting; and of subject - the real with the mythical. Blake created his own mythological creations to populate his poems and paintings: concepts and ideas became personified into universal representations. He used these mythological characters to explain and act out his singular view of history. Blake divided the nature of man into four personified elements: "Los, the imagination and eventual source of redemption; Urizen, the reason and vengeful Jehovah of the Old Testament as opposed to the merciful Christ of the New; Luvah, the senses; and Tharmas, the emotions". Each of these characters has an emanation, or female "offshoot", who is commonly a negative character attempting to dominate her male counterpart. "William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.

35 plates in full color. Facsimile edition based on rare, priceless originals engraved and hand-colored by Blake himself.

The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.

Although nearly forgotten today, the prophetic writing of Wilhelm Friess was the most popular work of its kind in Germany in the second half of the sixteenth century. While the author “Wilhelm Friess” was a convenient fiction, his text had a long and remarkable history as it moved from the papal court in fourteenth-century Avignon, to Antwerp under Habsburg oppression, to Nuremberg as it was still reeling from Lutheran failures in the Schmalkaldic War, and then back to Antwerp at the outbreak of the Dutch revolt. Dutch scholars have recognized that Frans Fraet was executed for printing a prognostication by Willem de Vriese, but this prognostication was thought to be lost. A few scholars of sixteenth-century German apocalypticism have briefly noted the prophecies of Wilhelm Friess but have not studied them in depth. The Strange and Terrible Visions of Wilhelm Friess is the first to connect de Vriese and Friess, as well as recognize the prophecy of Wilhelm Friess as an adaptation of a French version of theVademecum of Johannes de Rupescissa, making these pamphlets by far the most widespread source for Rupescissa’s apocalyptic thought in Reformation Germany. The book explains the connection between the first and second prophecies of Wilhelm Friess and discovers the Calvinist context of the second prophecy and its connection to Johann Fischart, one of the most important German writers of the time. Jonathan Green provides a study of how textual history interacts with print history in early modern pamphlets and proposes a model of how early modern prophecies were created and transmitted. The Strange and Terrible Visions of Wilhelm Friess makes important contributions to the study of early modern German and Dutch literature, apocalypticism and confessionalization during the Reformation, and the history of printing in the sixteenth century.

In Bible Prophecy the book of Daniel predicts a revived roman empire that will rule the world during the Tribulation and launch the Antichrist. The Revived Roman Empire: Europe In Bible Prophecy provides a historical overview of the Roman Empire to the present European Union. The European Union is the Revived Roman Empire foretold by the prophet Daniel and John in the Revelation that would reemerge in the latter days and launch the Antichrist. The Revived Roman Empire: Europe in Bible Prophecy shows the reader the institutions and structures of the European Union that are described in the prophetic books written two to three thousand years ago. It also reveals the Catholic Church’s influence of the evolving European Union and how the evidence proves that it fits the biblical description for the revived Roman Empire. In addition, the reader discovers the relationship between the ancient prophetic writings, the European Union and today's current affairs.

The Seat of The Antichrist: Bible Prophecy and The European Union identifies the European Union as the final world empire and explains what Bible Prophecy predicts will occur in the end times.The reader discovers the relationship between Bible Prophecy, the European Union and today's current affairs. The Seat of the Antichrist details the European Union's history and institutional structure and shows how it aligns with Bible Prophecy. Bible Prophecy comprises one third of the Bible. The Bible's last book, The Revelation, predicts the events leading to the end of the world. It provides the details for the Tribulation, which occur during a seven year period of wars, plagues, earthquakes and calamities, which end in the battle of Armageddon. Part of the earth's judgments happen through a leader who rises to power from the final world empire predicted in Bible Prophecy. Evangelical Christians customarily refer to this leader as The Antichrist. The Seat of the Antichrist is the first book dealing with Bible Prophecy, which shows prophecy's relation in the present geopolitical framework and in doing so dismisses end-time conspiracy theories, which Bible Prophecy works often rely on. No book dealing with Bible Prophecy provides such in-depth analysis and extensive research as The Seat of the Antichrist: Bible Prophecy and The European Union, which presents the reader with a gripping, riveting expose.

In Lay prophets in Lutheran Europe (c. 1550–1700), Jürgen Beyer provides the first study to investigate angelic apparitions in all Lutheran countries.

Blake's illuminated books, produced from 1783-1795, are remarkable examples of complex syntheses: of form - poetry and painting; and of subject - the real with the mythical. Blake created his own mythological creations to populate his poems and paintings: concepts and ideas became personified into universal representations. He used these mythological characters to explain and act out his singular view of history. Blake divided the nature of man into four personified elements: "Los, the imagination and eventual source of redemption; Urizen, the reason and vengeful Jehovah of the Old Testament as opposed to the merciful Christ of the New; Luvah, the senses; and Tharmas, the emotions". Each of these characters has an emanation, or female "offshoot", who is commonly a negative character attempting to dominate her male counterpart. "William Blake (1757 – 1827) was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age.