Europe In Black And White

Winner of the Jhalak Prize 'A revelation' Owen Jones 'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch A Guardian, New Statesman and BBC History Magazine Best Book of 2019 'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport - still a ticket into mainland Europe at the time of writing - I set out in search of the Afropeans, on a cold October morning.' Afropean is an on-the-ground documentary of areas where Europeans of African descent are juggling their multiple allegiances and forging new identities. Here is an alternative map of the continent, taking the reader to places like Cova Da Moura, the Cape Verdean shantytown on the outskirts of Lisbon with its own underground economy, and Rinkeby, the area of Stockholm that is eighty per cent Muslim. Johny Pitts visits the former Patrice Lumumba University in Moscow, where West African students are still making the most of Cold War ties with the USSR, and Clichy Sous Bois in Paris, which gave birth to the 2005 riots, all the while presenting Afropeans as lead actors in their own story.

The essays in Europe in Black and White offer new critical perspectives on race, immigration, and identity on the Old Continent. In reconsidering the various forms of encounters with difference, such as multiculturalism and hybridity, the contributors address a number of issues, including the cartography of postcolonial Europe, its relation to the production of "difference" and "race," and national and identity politics and their dependence on linguistic practices inherited from imperial times. Featuring scholars from a wide variety of nationalities and disciplinary areas, this collection will speak to an equally wide readership.

This highly original book opens up the almost entirely neglected area of the black African presence in Western Europe during the Renaissance. Covering history, literature, art history and anthropology, it investigates a whole range of black African experience and representation across Renaissance Europe, from various types of slavery to black musicians and dancers, from real and symbolic Africans at court to the views of the Catholic Church, and from writers of African descent to Black African criminality. Their findings demonstrate the variety and complexity of black African life in fifteenth and sixteenth-century Europe, and how it was affected by firmly held preconceptions relating to the African continent and its inhabitants, reinforced by Renaissance ideas and conditions. Of enormous importance both for European and American history, this book mixes empirical material and theoretical approaches, and addresses such issues as stereotypes, changing black African identity, and cultural representation in art and literature.

Famous sites in Europe are rendered here in extreme black & white. The bold images are abstracted by the photo process, leaving much to the imagination.

Columbus Discovered America . . . But Who Discovered Europe? Were the ancient Egyptians black? Did Egyptian explorers land in Greece some 4,000 years ago? Did they plant colonies, establish royal houses, and bring civilization to Europe's savage tribes? Did the secret rites of their temple cults later resurface among the Knights Templar and the Freemasons? In "Black Spark, White Fire," Richard Poe provides startling answers to these questions and more. "Brilliant. . . . Poe has produced a classic volume . . . splendid in its conception and powerful in its execution--a major work."--Molefi Kete Asante, author of "The Afrocentric Idea" "Superb. . . . I am convinced that within 20 years Richard Poe's views will be seen as closer to the historical truth than those of the present defenders of the status quo. The book is clear, well-written, and hard to put down. While we disagree on a number of issues, "Black Spark, White Fire" is the popular book that I am incapable of writing."--Martin Bernal, author of "Black Athena" "It is refreshing to hear the Afrocentric theory of ancient Egypt argued so persuasively, from a viewpoint that is neither liberal nor conservative, black nor white."--Armstrong Williams, syndicated columnist and TV talk show host

European Football in Black and White challenges the issue of racism in European football, identifies the causes of the problem and seeks its remedy.