European Nightmares

Essays focusing on European horror cinema from 1945 to the present. Features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema.

This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).

Addressing the appeal of the journey narrative from pre-cinema to new media and through documentary, fiction and the spaces between, this collection reveals the journey to be a persistent presence across cinema and in cultural modernity.

This book tells the story of the history of popular culture in Europe since 1800, providing a framework which challenges traditional associations that have formulated popular culture firmly in relation to the post-1945 period and the economic power of the USA. Focusing on key themes associated with modernity – secularisation, industrialisation, social cohesion and control, globalisation and technological change – this synthesis of research across a very wide field fills a gap that has long been felt by students and educators working in the field of popular culture. While it is organised as a history of cultural forms, it can also be used across a wide range of social science and humanities programmes, including media and cultural studies, literary studies, sociology and European studies. Covering the subject with a broad number of themes, this book discusses popular culture through visual culture and performance, games, music, film, television and video games. Popular Culture in Europe since 1800 will be of interest to anyone looking for an engaged but concise overview of how book production and reading practices, visual cultures, music, performance and sports and games developed across Europe in the modern period.

When World War II erupted in Europe, Konrad Charmatz was a prospering businessman in Sosnowiec, Poland, a loving son, and an aspiring poet. For the next seven years he witnessed the Holocaust as it destroyed his family, his country, and his culture. In this astonishing story of suffering and survival, he gives his own personal account of the Warsaw ghetto, the death chambers at Auschwitz, the transport trains, the slave labor camps of Dachau, and the liberation. And from the perspective of the renowned journalist he later became, he also describes how the Holocaust was carried out, not only at the level of governments and their armies, but at the level of the individuals who took its orders. Few people survived the Holocaust from such close range or for so long, and few remembered it with the eye of a practiced journalist.

The pursuit of the American Dream, supposedly shaped by the edenic promises of the American land, has engaged our writers from the beginning, and much of our literature has come out of the national literary experience thus expressed. This collection of nineteen original, unpublished essays written for this book is particularly relevant today, when our collective field of vision seems obscured, and when the American Dream seems to have become a cliche, symbolic of the Dream defunct.The nineteen critics here presented include, among others, Leslie Fiedler, Oscar Cargill, Maxwell Geismar, Jules Chametzky, Louis Filler, and Ihab Hassan. Most of them seem to agree with the view expressed by the majority of our best creative writers: that in pursuing the American Dream, America has created a nightmare.Taken together, the nineteen essays provide a comprehensive view of American literature, past and present, as it has dealt with the Dream; but the emphasis is on modern works and present social, cultural, and political problemspoverty, war, and racism. Ten of the essays focus on such key works as Herman Melville s The Two Temples, F. Scott Fitzgerald s "The Great Gatsby," William Faulkner s The Bear, Thomas Wolfe s "You Can t Go Home Again," " "Ralph Ellison s "Invisible Man," " "Arthur Miller s "Death of a Salesman, "and Norman Mailer s "Why Are We in Vietnam?""

Jonas Anderson and his older brother Alan are Lucid Dreamers. But after a car accident lands Alan in a coma, Jonas sets out into the Dream World in an attempt to find his brother and wake him up. What he discovers instead is an entire shared consciousness where fear comes to life as a snarling beast called a Night Terror, and a creature named REM is bent on destruction and misery, devouring the souls of the strongest dreamers. With the help of a Dream Walker—a guardian of the dreamscape, Jonas must face his fears, save his brother, and become who he was always meant to be: Poet Anderson.

Gender Warriors: Reading Contemporary Urban Fantasy offers classroom-ready original essays demonstrating how representations of gender and the kick-ass female urban fantasy warrior have unraveled and reinforced gender and genre expectations and tropes, making it a valuable text for any course.