Everybody Come Alive

A dazzling memoir that explores what it means to become fully alive and holy when we embrace the silenced stories we’ve inherited—from the creator of Black Coffee with White Friends. “Marcie Alvis Walker writes with an honesty that is both dauntless and compassionate.”—Cole Arthur Riley, author of This Here Flesh In her debut book, Everybody Come Alive, Marcie Alvis Walker invites readers into a deeply intimate and illuminating memoir comprising lyrical essays and remembrances of being a curious child of the seventies and eighties, raised under the critical and watchful eye of Jim Crow matriarchs who struggled to integrate their lives and remain whole. While swimming in rivers of racial trauma and racial reckoning, Alvis Walker explores her earliest memories—of abandonment and erasure, of her mother’s mental illness and incarceration, and of her ongoing struggles with perfectionism and body dysmorphia—in hopes of leaving a healed and whole legacy for her own child. Nostalgic but unflinching, candid yet tender, Everybody Come Alive is an invitation to be vulnerable along with the author as she unravels all the beauty and terror of God, race, and gender’s imprint on her life. This is a coming-of-age journey touching on the bittersweet pain and joy of what it takes to become a person who embraces being Black, a woman, and holy in America. Alvis Walker’s unforgettable writing challenges readers to not only see and hold her story as being fully human, but also to see and hold their own stories too.

Bob Dylan, Jimi Hendrix, and David Bowie are among three of the most influential figures in twentieth-century popular music and culture, and innumerable scholars and biographers have explored the history of their influence. However, critical historiography reminds us that such scholarship is responsible not just for documenting history but also for producing it. In brief, there is always some kind of logic underwriting these historiographies, drawing boundaries through and around our thinking. In Philosophizing Rock Performance: Dylan, Hendrix, Bowie, Wade Hollingshaus capitalizes on this notion by embracing a set of historiographical logics that re-imagine these three artists. Noting how Dylan, Hendrix, and Bowie first established their reputations amid the anti-establishment sentiments that emerged in Western counties during the 1960s and early 1970s, he connects them with the concurrent formative phase of Continental philosophy in the work of Giorgio Agamben, Jean-François Lyotard, Michel de Certeau, Jacques Rancière, Guy Debord, and Michel Foucault. In Philosophizing Rock Performance, Hollingshaus draws on the work of these latter Continental thinkers to explore how we might otherwise think about Dylan, Hendrix, and Bowie. This work is ideal for those in the fields of music history, performance studies, philosophy, American and European cultural and intellectual history, and critical theory.

'Essential reading, not just for anyone struggling with mental illness, but for anyone who knows someone who needs support. That's all of us' Daisy Buchanan, author of *How to Be a Grown-Up 'An essential, wondrous WOW of a book' Sarah Knight, New York Times bestselling author of The Life-Changing Magic of Not Giving a F**k It doesn't matter that you've lived in the shadows, that you've slept through years of your life, that you've done things you're shamed to admit even to yourself. It doesn't matter that you're an anxious mess with a shouty monster brain that keeps you from conforming to society's definition of normal. How to Come Alive Again is a relatable, honest, joyous and above all practical guide for anyone who has a mental illness – or anyone who knows and loves someone who does. Beth McColl shares what's worked for her and what hasn't, and what she wishes she'd known from the start: from advice on how get through a bad day to the truth about medication and what to expect from a partner. Here are the basics for mending your life, accepting yourself, and learning to live again.

While Being Mortal (Atul Gawande) helped us understand disease and death, and Successful Aging (Daniel J. Levitin) showed us older years can be a time of joy and resilience, Happily Ever Older reveals how the right living arrangements can create a vibrancy that defies age or ability. Reporter Moira Welsh has spent years investigating retirement homes and long-term care facilities and wants to tell the dangerous stories. Not the accounts of falls or bedsores or overmedication, but of seniors living with purpose and energy and love. Stories that could change the status quo. Welsh takes readers across North America and into Europe on a whirlwind tour of facilities with novel approaches to community living, including a day program in a fake town out of the 1950s, a residence where seniors school their student roommates in beer pong, and an aging-in-place community in a forest where everyone seems to have a pet or a garden or both. The COVID-19 pandemic cruelly showed us that social isolation is debilitating, and Welsh tells stories of elders living with friendship, new and old, in their later years. Happily Ever Older is a warm, inspiring blueprint for change, proof that instead of warehousing seniors, we can create a future with strong social connections and a reason to go on living.

Change Is Everybody's Business challenges readers to realize the power they have to make things happen-to support, stymie, or redirect change. Pat McLagan draws on her thirty years of experience consulting on change projects worldwide to outline the beliefs, character traits, and actions that will enable anyone to welcome change and take advantage of it rather than fear and resist it. Taking a conversational approach to a serious subject, she uses stories, examples, and illustrations to drive home the message that everybody in an organization has the power to make changes for the better. And she includes questionnaires throughout the book that enable readers to evaluate how ready they are to make the most of change. Change is happening all around us, both planned and unplanned. How we react to change determines personal success and self-esteem, and ultimately the success of the entire organization. Change Is Everybody's Business will show readers precisely what they need to know to become more conscious participants in determining their own destiny at work-and in life.

What has brought about the transformation of the British film industry over the last few decades, to the beginnings of what is arguably a new golden era? In the mid-1980s the industry was in a parlous state. The number of films produced in the UK was tiny. Cinema attendance had dipped to an all-time low, cinema buildings were in a state of disrepair and home video had yet to flourish. Since then, while many business challenges - especially for independent producers and distributors - remain, the industry overall has developed beyond recognition. In recent years, as British films have won Oscars, Cannes Palms and Venice Golden Lions, releases such as Love Actually, Billy Elliot, Skyfall, Paddington and the Harry Potter series have found enormous commercial as well as critical success. The UK industry has encouraged, and benefitted from, a huge amount of inward investment, much of it from the Hollywood studios, but also from the National Lottery via the UK Film Council and BFI. This book portrays the visionaries and officials who were at the helm as a digital media revolution began to reshape the industry. Through vivid accounts based on first-hand interviews of what was happening behind the scenes, film commentator and critic Geoffrey Macnab provides in-depth analysis of how and why the British film industry has risen like a phoenix from the ashes.

Naskaristan contains all five books of Abhijit Naskar's Vicdansaadet Poetry Series. Book 1: Amor Apocalypse: Canım Sana İhtiyacım Book 2: Yarasistan: My Wounds, My Crown Book 3: Aşk Mafia: Armor of The World Book 4: Visvavictor: Kanima Akiyor Kainat Book 5: Insan Himalayanoğlu: It's Time to Defect

Insan Himalayanoğlu is a himalayan triumph of reform over rigidity. Thus speaks Himalayanoğlu: “All the world's an asylum, All the people are lunatics. Some are but loonies of love, Some loonies run by prejudice. Some die running in love of currency, Some die sharing the currency of love. Beyond the grasp of dollar and euro, Love is the only nonvolatile currency in the world. It's good to be a loonie, If the reason is justly humane. When human welfare is at stake, It's only logical to be insane. Sane, insane - be as the need arises, To hell with the judgment of nitwits! In an organic world no sanity is absolute, Boldly walk the spectrum as the purpose fits.”