Everybody Dies

Nobody likes to think about death, but the world would be awfully crowded without it. From YouTube sensation Ken Tanaka and actor David Ury, who was crushed by an ATM on AMC's Breaking Bad, comes Everybody Dies, a colorful story and delightful assemblage of games that makes it easy-even fun- to come to grips with mortality.

A blistering Matt Scudder novel. Matt Scudder is well and truly off the booze, but he still spends time with some of his old drinking pals including Mick Ballou - an Irish American who operates more often than not on the wrong side of the law. Mick is worried - a garage full of bourbon has been ripped off and two of his henchman killed in cold blood. Somebody is muscling in on Micks patch and he wants Scudder to look into it. Matt reluctantly agrees to take a look but won't promise a result. On the way home he is attacked by somebody wants him off Mick's case. The following weekend Matt's mentor from AA is shot dead at point blank range when Scudder is in the men's room of the restaurant where the 2 had met for dinner - Matt knows it should have been him. Now the case is personal and no matter that he's warned off by his ex-colleagues in the NYPD and his wife Elaine, this is one he is going to see out to the end.

A lyrical and heartfelt collection by an award-winning writer that connects the lives of young people from small towns in Alaska and the American west. Each story is unique, yet universal. In this book, the impact of wildfire, a wayward priest, or a mysterious disappearance ricochet across communities, threading through stories. Here, ordinary actions such as ice skating or going to church reveal hidden truths. One choice threatens a lifelong friendship. Siblings save each other. Rescue and second chances are possible, and so is revenge. On the surface, it seems that nothing ever happens in these towns. But Bonnie-Sue Hitchcock shows that underneath that surface, teenagers' lives blaze with fury, with secrets, and with love so strong it burns a path to the future.

With "a cunning mind for crime fiction" (New York Times Book Review), Anthony Award-nominated Michael McGarrity ratchets up the stakes in his novel of a vengeful killer with an unspeakable agenda: offing people with ties to the criminal justice system. Next on the list: Santa Fe Police Chief Kevin Kerney, his wife, Lieutenant Colonel Sara Brannon, and their unborn son.

Revised edition of the best-selling memoir that has been read by over a million people worldwide with translations in 29 languages. After too many years of unfulfilling work, Bronnie Ware began searching for a job with heart. Despite having no formal qualifications or previous experience in the field, she found herself working in palliative care. During the time she spent tending to those who were dying, Bronnie's life was transformed. Later, she wrote an Internet blog post, outlining the most common regrets that the people she had cared for had expressed. The post gained so much momentum that it was viewed by more than three million readers worldwide in its first year. At the request of many, Bronnie subsequently wrote a book, The Top Five Regrets of the Dying, to share her story. Bronnie has had a colourful and diverse life. By applying the lessons of those nearing their death to her own life, she developed an understanding that it is possible for everyone, if we make the right choices, to die with peace of mind. In this revised edition of the best-selling memoir that has been read by over a million people worldwide, with translations in 29 languages, Bronnie expresses how significant these regrets are and how we can positively address these issues while we still have the time. The Top Five Regrets of the Dying gives hope for a better world. It is a courageous, life-changing book that will leave you feeling more compassionate and inspired to live the life you are truly here to live.

Everyone Dies (And Yes, It is Normal) is a story about a young boy named Jax who finds something special on the beach where he and his grandpa Pops are enjoying a wonderful day. Pops helps Jax understand that death is a normal part of life. This book provides an age appropriate, non-scary, comfortable way to introduce the important topic of mortality to a preschool child. Its simple explanation will last a lifetime. If you have children in your lives, they may have asked you about dying and death. Your first thought may have been, "Wouldn't you rather know where babies come from?" because that could be a much easier conversation. Understanding that everyone dies-and why-is a gift we can give the children in our lives so they learn that death is normal. In the past, children saw birth and death on an almost daily basis because they lived in close proximity to these events. That is no longer the case. I have a friend who just turned 70 and both of his parents are still alive; it wasn't until his mid-sixties when he experienced the death of a loved one. Just as everyone is born, everyone dies. Dying is a normal part of life, and we will witness it before our own deaths. Normalizing death, as is done in this story, helps to lessen the fear of mortality. This book can help a child develop a simple and true understanding of dying and death. -Marianne Matzo, PhD, FAAN When I was about five years old, I was taken from home and shuffled between neighbors and family for over a year. I overheard adults say that my mother was dying and I found that idea frightening and confusing. No one explained what was happening-probably because they just didn't know how. I hope this book gives parents the words they need to open this discussion, and to help their children understand this "fact of life." They will be better prepared to cope when the inevitable occurs. [Ironically, Mom recovered and lived until age 86.] -Darlene Domanik

"We are awash in time, savoring a few moments of it; we project ourselves into it, reinvent it, play with it; we take our time or let it slip away: it is the raw material of our imagination. Age, on the other hand, is the detailed account of the days that pass, the one-way view of the years whose total sum when set forth can stupefy us. Age wedges each of us between a date of birth that, at least in the West, we know for certain and an expiration date that, as a general rule, we would like to defer. Time is a freedom, age a constraint." Marc Augé remembers his beloved childhood cat, who seemed to grow wise with age, though her essential nature remained unchanged. He considers our belief that objects mature, when it is our perception of them that evolves over time. He wonders why public demonstrations of affection between the elderly make the young so uncomfortable and why we torture ourselves with regret at what might have been. Time can be liberating, he finds; it is a resource we can squander or relish. Yet age is a burden, bound by our personal and cultural neuroses. With an ethnologist's understanding of construct and practice, Augé isolates age from the development of consciousness, desire, and representations of the self. In bold, eye-opening strokes, he casts age as a physical marker and treats one's youthful approach to the world as the true measure of life's value.