Evil Sisters

This examination of the lives and poetic works of Emily Dickinson, Marianne Moore, Elizabeth Bishop, Adrienne Rich and Gwendolyn Brooks focuses on the historical struggles between women writers and feminists. It traces the conflict that has taken place through the generations.

Explores the historical perception of woman as the seductress whose influence undermines the power of the white male.

Throughout the Villains series, the Odd Sisters have meddled in the lives of the Wicked Queen, The Beast, Ursula, Maleficent, and Mother Gothel, changing the course of fate for the greatest villains ever known. Now, it's time for their reckoning. This latest novel by the author of the wildly popular Villains series goes deeper into the lives of the twisted, diabolical Odd Sisters, finally revealing the dark truth about who they are and where they're from . The Odd Sisters will appeal to fans who can't get enough of the mischievous sisters, as well as draw new readers to Serena Valentino's darkly fascinating take on the Disney Villains.

Have you ever heard of a person who left you wondering, "How could someone be so twisted? So evil?" Prompted by clues in her sister’s diary after her mysterious death, author Barbara Oakley takes the reader inside the head of the kinds of malevolent people you know, perhaps all too well, but could never understand. Starting with psychology as a frame of reference, Oakley uses cutting-edge images of the working brain to provide startling support for the idea that "evil" people act the way they do mainly as the result of a dysfunction. In fact, some deceitful, manipulative, and even sadistic behavior appears to be programmed genetically—suggesting that some people really are born to be bad. Oakley links the latest findings of molecular research to a wide array of seemingly unrelated historical and current phenomena, from the harems of the Ottomans and the chummy jokes of "Uncle Joe" Stalin, to the remarkable memory of investor Warren Buffet. Throughout, she never loses sight of the personal cost of evil genes as she unravels the mystery surrounding her sister’s enigmatic life—and death. Evil Genes is a tour-de-force of popular science writing that brilliantly melds scientific research with intriguing family history and puts both a human and scientific face to evil.

All Annabelle and Lucy have in the world is each other. Twin sisters who share everything. They depend on each other in ways no one else could understand. But when something threatens their connection, how far will they go to protect each other? Only they knew how far they're willing to go. After all, blood is thicker than water right?

Meet Charise. She’s energetic, helpful, a model pet owner and full of inventions. But she’s also a bad sister. When she goes too far and breaks little brother Daniel’s tooth, can she redeem herself? Is an accident really an accident if you could have stopped it? But most importantly... What does it mean to be a good sister?

From the author of the Judy Moody books, this exciting novel captures the warmth, humor, and squabbles of three spunky sisters. Meet the Sisters Club: twelve-year-old Alex, aspiring actress and born drama queen; eight-year-old Joey, homework lover and pioneer wannabe; and smack in the middle, ten-year-old Stevie, the glue that holds them together -- through dinner disasters, disputes over stolen lucky sweaters, and Alex’s going gaga over her leading man. Playfully weaving Stevie’s narration with Alex’s scripts, Joey’s notebook entries, and hilarious elements such as "How to Swear in Shakespeare" and "Dear Sock Monkey" letters, this hugely engaging novel showcases Megan McDonald’s ear for dialogue, comic timing, and insight into the ever-changing dynamics of sisterhood.

Perhaps the most vital, emotionally complex, and lasting attachments between women occur between sisters. Whether as best friends or antagonists, "sisters remain entangled in a common tapestry of mutual experience and remembrance, family and history," according to author Eva Rueschmann. Although many of the women-centered films in the last three decades depict the relationship between sisters as a pivotal aspect of a character's psychological development, the now substantial body of feminist film criticism has not taken up this theme in any sustained way. InSisters on Screen, Eva Rueschmann explores the sister bond in a wide range of modernist feature films that depart from the conventional cinematic rendering of women's lives. Drawing on the psychoanalytic concept of intersubjectivity, this book emphasizes the role of a woman's relationship and inner world in her continual quest for self-knowledge. Offering an original and absorbing perspective on women's filmic images,Sisters on Screenreveals how post-1960s cinema has articulated the ways in which biological sisters negotiate mutuality and difference, co-author family histories, and profoundly shape each other's political and personal identities. The films in focus question standards of femininity as they probe into memory, fantasy, and desire, bringing women's realities into view in the process. Structuring her discussion in terms of life-cycle stages—adolescence and adulthood—Rueschmann offers an in-depth discussion of such films asAn Angel at My Table,Double Happiness,Eve's Bayou,Gas Food Lodging,Heavenly Creatures,Little Women,Marianne and Julianne,Paura e amore,Peppermint Soda,The Silence,Sweetie, andWelcome to the Dollhouse. Rueschmann draws upon the works of filmmakers from the 1970s to the 1990s. Some of the directors included in her study are Allison Anders, Gillian Armstrong, Ingmar Bergman, Jane Campion, Peter Jackson, Mina Shum, Diane Kurys, Kasi Lemmons, Todd Solondz, and Margarethe von Trotta.Sisters on Screenwill appeal to anyone interested in women's studies, film studies, psychology, psychoanalytic readings of cinema, women directors, and international modern film. Author note:Eva Rueschmannis Assistant Professor of Cultural Studies at Hampshire College.