Evolo Skyscrapers 3

The future of architecture and urban design unveiled by 150 innovative projects submitted to the world-renowned eVolo Skyscraper Competition. The third book in the Skyscraper Competition series showcases visionary designs that utilize the latest technological advances, offer sustainable architectural solutions, explore new territories, propose social change, and examine radical urban strategies. Since 2006 the annual Skyscraper Competition receives thousands of entries from more than 80 different countries. The projects presented in this edition represent the top entries selected by an expert international jury.

This publication is the follow-up to the highly acclaimed book eVolo Skyscrapers. 150 new skyscrapers submitted to the eVolo Skyscraper Competition are categorized and examined. These super-tall structures take into consideration the advances in technology, the exploration of sustainable systems, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city; including the scarcity of natural resources and infrastructure and the exponential increase of inhabitants, pollution, economic division, and unplanned urban sprawl.

This book presents the best 60 projects of the 2006, 2007, and 2008 Skyscraper Competition. An investigation by architects, students, and designers on the future of the skyscraper. What is the skyscraper in the beginning of the XXI Century? What is the historical and social context of these mega-structures? What is their response towards the urban fabric? Is the modern skyscraper a city in and of itself? Is the human scale lost? Talented architects have entered these competitions to explore, re-think, and speculate on this fascinating architectural genre. Each project includes a full description by the author as well as several illustrations and drawings. In addition, reknown architects were invited to present their thoughts on this fascinating architectural genre.

The Blindspot Initiative: Design Resistance and Alternative Modes of Practice documents the professional work of twenty-one design practices that are expanding their respective fields and hybridizing traditional design outputs through the intersection of other disciplines. The expansion of architectural and design practices toward the domain of robotics, material science, film, simulation, or software, redefine the skillsets required to engage with creative output that challenges the conventions of established domains. All practices curated in this volume, propose an autonomous approach towards design research, resisting the pervasive design competition model that requires free labor and speculative remuneration. The critique of such a model is present throughout this volume, rejecting the wasteful discarding of immaterial labor that is commonplace in the 'winner takes all' paradigm that currently dominates the design marketplace. The hybridization of practice has, in many cases, aided a creative business proposition, one that seeks to engage not only through its final output but also through reconsidering the means of production. By blurring the boundaries between fields, design innovation can become more aware of the systemic interdependencies that often live in our current disciplinary blind spots. The Blindspot Initiative, in its first incarnation as an exhibition in Los Angeles, was the result of a collaboration between Jason King, Biayna Bogosian, Sacha Baumann, and Jose Sanchez, to explore the space of self-financing and self-commissioning of new creative work. From the critique of competitions, The Blindspot Initiative attempts to create an alternative loop between design and resources, one in which the propagation and documentation of new knowledge developed in design research can economically sustain its production, generating a positive feedback loop between innovation and knowledge propagation. Texts by Jenny Wu, Jason Kelly Johnson, David Gerber, Mustafa El-Sayed, and Kate Davies, introduce the designers by offering alternative perspectives on the contributions of the field of robotics, software, film, product design and prototype thinking, to the practice of architecture. Each chapter presents work at the edge of the architectural discipline either coming from inside the discipline or approaching it from the outside. In purposefully attempting to expand the boundary of architectural practice, this volume aims to offer new avenues for students and young designers to expand the imagination of architecture and reject unethical practices that have become commonplace during the first years of practice.

Digital And Parametric Architecture explores the development of the latest digital tools including advance modeling software and computer aided design in the production of architecture. It is a journey through the most fascinating projects, digitally designed and fabricated, during the second decade of the 21st century. The book highlights the use of these technologies to explore tectonic operations such as sectioning, folding, contouring, and tessellating. A wide variety of projects that range in scale and location offer an insight into the architecture of the future.

This book, via introductions to the 17 projects of Vincent Callebaut Architectures and its research theories, conveys the exploring ideas of Vincent Callebaut, a practitioner of sustainable architecture, who militates continuously for the ecosystemic development of new fertile cities of tomorrow by means of an investigation process mixing the biomorphism, the bionic and the biomimicry to information andc ommunication technologies in order to create new-ecoresponsible lifestyles.

Xenoculture is a term coined by Iranian writer and philosopher Reza Negarestani that describes the need for embracing and exploring the unexpected, the alien. In this issue we borrow the idea and explore the realm of Architecture Xenoculture — the work of architects and designers who detach from everything that architecture is supposed to be and look like, including preconceived forms and aesthetics, to look into new architectural and design possibilities. An architectural form that emerges from mathematical processes and new material explorations and proposes something never before seen — an aesthetic yet to be determined. Some of the work showcased has been produced by leading architecture practitioners and academics worldwide including: Hernan Diaz Alonso, Servo, Francois Roche, Marc Fornes, Kokkugia, Zaha Hadid, Volkan Alkanoglu, and Rafael Lozano among others. Architecture Xenoculture is the problematization of work produced by embracing the proliferation of this mist of fear. It argues for the harnessing of this aesthetic of fear towards a yet-to-be determined end – intensifying its practice towards new thresholds, those that unleash the potential of the alien in the world beyond the limited imaginary we have become anesthetized to, conjuring insecure material and behavioral manifestations of the xeno-gene and its ability to adapt, mutate, survive and fight.

It has been a tremendous satisfaction to compile this book about the past, present, and future of the skyscraper. No other architectural genre captures our imagination and reflects our cultural and technological achievements like these towers that pierce the sky. We start off with the history and evolution of building high, from the Egyptian pyramids, Gothic cathedrals, and first American skyscrapers to the contemporary reality in Asia and the Middle East. We present two fascinating interviews, the first one with Carol Willis, the founder and director of the Skyscraper Museum in New York City, who explains the true genetics and economics behind the birth and future of the skyscraper. The second one with Italian artist, Giacomo Costa, who shares his vision about the relationship between the natural environment, human activity, and supernatural reality with provocative images of an apocalyptic urban future. Javier Quintana exposes the time gap between new architectural concepts and their built reality like Arne Hosek s City of the Future designed in 1928 and materialized in 1998 by CÃÂ(c)sar Pelli as the Petronas Towers in Kuala Lumpur or Sergei Lopatin s 1925 idea for the Veshenka Tower in Moscow, later observed as the Willis Tower (former Sears Tower) in Chicago in 1974. Another group of essays explore the global influence of Manhattan as a contemporary Babylon to be replicated across the world, or the role of the Italian Futurists, Japanese Metabolists, and Archigram, who influenced generations of architects and designers to push forward the concept of vertical living. In the Opinion section you will find critiques on some of the latest ideas for skyscraper design by some of the most forward-looking architects like the concept of pixilated tectonics in Le Project Triangle in Paris by Herzog & de Meuron and RodÃÂ, vere s Sky Village by MVRDV. On the other hand, Jean Nouvel redefined the Italian loggia towers of the seventeenth century with the Tour Signal in La DÃÂ(c)fense, Paris; while Morphosis Architects explores new programs for vertical density with The Phare Tower. Lastly, Studio SHIFT masterfully integrates their Miyi Tower in Sichuan, China, with the existing landscape. Central to this book are thirty projects from eVolo s 2009 Skyscraper Competition which look into the future of the skyscraper with the use of new technologies, programs, and aesthetic expression. Sustainability, globalization, flexibility, and adaptability are just some of the multi-layered elements explored by some the entries. You will find examples of cities in the sky, horizontal skyscrapers that link various cities, or emergency architecture for disaster zones. Finally, we present the work of Aranda / Lasch, a young New York-based design studio which develops their research on the observation of the patterns of organization in the natural world and its implementation in architecture and design. Their Quasi-Series furniture is designed following the assemblage logic of Quasi-crystals, where a structural pattern does not repeat itself.