Evolo Skyscrapers 3

The future of architecture and urban design unveiled by 150 innovative projects submitted to the world-renowned eVolo Skyscraper Competition. The third book in the Skyscraper Competition series showcases visionary designs that utilize the latest technological advances, offer sustainable architectural solutions, explore new territories, propose social change, and examine radical urban strategies. Since 2006 the annual Skyscraper Competition receives thousands of entries from more than 80 different countries. The projects presented in this edition represent the top entries selected by an expert international jury.

This publication is the follow-up to the highly acclaimed book eVolo Skyscrapers. 150 new skyscrapers submitted to the eVolo Skyscraper Competition are categorized and examined. These super-tall structures take into consideration the advances in technology, the exploration of sustainable systems, and the establishment of new urban and architectural methods to solve economic, social, and cultural problems of the contemporary city; including the scarcity of natural resources and infrastructure and the exponential increase of inhabitants, pollution, economic division, and unplanned urban sprawl.

This book presents the best 60 projects of the 2006, 2007, and 2008 Skyscraper Competition. An investigation by architects, students, and designers on the future of the skyscraper. What is the skyscraper in the beginning of the XXI Century? What is the historical and social context of these mega-structures? What is their response towards the urban fabric? Is the modern skyscraper a city in and of itself? Is the human scale lost? Talented architects have entered these competitions to explore, re-think, and speculate on this fascinating architectural genre. Each project includes a full description by the author as well as several illustrations and drawings. In addition, reknown architects were invited to present their thoughts on this fascinating architectural genre.

The evolution of contemporary environmental architecture has outstripped simple labels. A deeper pattern is emerging where the world's most innovative buildings are a response to place. They resolve the complex intertwining of the site, people and environment, providing a provocative observation of the future of architecture. By starting with the site these projects maximize the natural and cultural resources available and are humancentric. The book explores firsthand how Spain Wraps commercial buildings, Japan Condenses micro homes, and Australia Unfolds aggressive design solutions in a climate of extremes. Germany, Cascadia, Denmark, and Mexico are also featured. 30 selected projects provide the antidote to the legacy of the modernist movement of generic, technology-driven built environments. Illuminating and often surprising conversations with renowned architects on their work reveal the process and promise of hyperlocalized design which folds bold visions into low impact and unexpected buildings. Their contemporary wisdom of site responsive design offers an unprecedented insight into architecture's new place in a changing climate. [ours] Hyperlocalization of Architecture includes: Groundbreaking architecture theory Extensive interviews with world's thought leaders of environmental architecture 264 Pages 350 full-color photographs Online project index with details and multimedia at hyperlocalarch.com Interviews and Projects by: Studio 505 | PHOOEY Architects | William Mcdonough + Partners | KUD Architects | Berta Barrio Arquitectos | Francis-Jones Morehen Thorp. | Unemori Architects | Andrew Maynard Architects | Edward Mazria | Peter Busby Perkins+Will | Sean Godsell | Canvas Arquitectos | Dr. Wolfgang Feist | DesignInc | Hassell Studios | Kavellaris Urban Design | Lederer + Ragnarsdottir + Oei | Casey Brown Architecture | A.L.X. Architects | BIG | Yasuhiro Yamashita | Miller Hull | KMD Architects | MPR Design Group | Schemata Architecture | Coll-Barreu Arquitectos | Voluar Arquitecture | Durbach Block Jagger | Ramón Fernández-Alonso Arquitect "This is all based on human creativity, and the ability for us to advance and continuously improve with freedom from the remote tyranny of bad design. That's why the cultural question becomes interesting because at that point the culture can express itself in a creative way. It still has integrity because you're expressing yourself creatively within a context. Your solving for rich, local problems. All sustainability, like politics is local. It has to be." - William McDonough in [ours]

Temporal Architecture documents the latest architectural works designed for temporary use. The list includes pavilions, installations, and pop-up structures with a novel use of materials and cutting-edge design and fabrication processes. The book analyzes the role of these structures in the development of new ideas in architectural design. The relative small scale of the projects allow for forward-thinking concepts to be developed and materialized. Featured architects/designers in Temporal Architecture includes; John Frane, Aaron Neubert, Dora Epstein Jones, Monika Grzymala, Selgascano Architects, Judith Vrancken, Alisa Andrasek, José Sanchez, Zaha Hadid Architects, Directed Research Studio, Loom Studio, Baumgartner + Uriu, Andrew Saunders, Ramiro Díaz Granados, AFJD Studio, Yale School of Architecture, Sus&Hi Office, Dean McMurry, Qastic, Alvin Kung, MDLAB, and SOMA among others.

Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet one that realizes a productive expanding of our métier’s definition and boundaries. It is a compilation that purposefully promotes architecture’s disciplinary reach and incorporations beyond the design and construction of buildings and cities. The book offers a glimpse into the wide range of positions and experiences that are shaping practice and discourse today. The work included in Paradigms in Computing is evidence that models for enquiry are many and proliferating. As digitalization and computation continue to infuse our processes with new tools and new design environments, some of the trends collected in this book will continue to be central to the production and speculation of architecture, and others will, in retrospect, be recognized as the seeds of new, or perhaps multiple, paradigms. Included are essays and projects, from; Alisa Andrasek, Rachel Armstrong, Philip Beesley, Tom Bessai, Shajay Bhooshan, Brad Cantrel, Matias Del Campo, Pablo Eiroa, Marc Fornes, David Jason Gerber, Maria Paz Gutierrez, Alvin Huang, Jason Kelly Johnson, Simon Kim, Neil Leach, Greg Lynn, Elena and Anna Maria Manferdini, Alex McDowell, Phillippe Morel, Nick Puckett, Casey Reas, Alex Robinson, Jenny Sabin, Jose Sanchez, Patrik Schumacher, Kyle Steinfeld, Satoru Sugihara, Orkan Telhan, Kathy Velikov and Geoffrey Thun, Tom Verebes, Leire Asensio Villoria and David Mah, Jenny Wu, Eric Howeler and Meejin Yoon, and Zaha Hadid Architects.

The Blindspot Initiative: Design Resistance and Alternative Modes of Practice documents the professional work of twenty-one design practices that are expanding their respective fields and hybridizing traditional design outputs through the intersection of other disciplines. The expansion of architectural and design practices toward the domain of robotics, material science, film, simulation, or software, redefine the skillsets required to engage with creative output that challenges the conventions of established domains. All practices curated in this volume, propose an autonomous approach towards design research, resisting the pervasive design competition model that requires free labor and speculative remuneration. The critique of such a model is present throughout this volume, rejecting the wasteful discarding of immaterial labor that is commonplace in the 'winner takes all' paradigm that currently dominates the design marketplace. The hybridization of practice has, in many cases, aided a creative business proposition, one that seeks to engage not only through its final output but also through reconsidering the means of production. By blurring the boundaries between fields, design innovation can become more aware of the systemic interdependencies that often live in our current disciplinary blind spots. The Blindspot Initiative, in its first incarnation as an exhibition in Los Angeles, was the result of a collaboration between Jason King, Biayna Bogosian, Sacha Baumann, and Jose Sanchez, to explore the space of self-financing and self-commissioning of new creative work. From the critique of competitions, The Blindspot Initiative attempts to create an alternative loop between design and resources, one in which the propagation and documentation of new knowledge developed in design research can economically sustain its production, generating a positive feedback loop between innovation and knowledge propagation. Texts by Jenny Wu, Jason Kelly Johnson, David Gerber, Mustafa El-Sayed, and Kate Davies, introduce the designers by offering alternative perspectives on the contributions of the field of robotics, software, film, product design and prototype thinking, to the practice of architecture. Each chapter presents work at the edge of the architectural discipline either coming from inside the discipline or approaching it from the outside. In purposefully attempting to expand the boundary of architectural practice, this volume aims to offer new avenues for students and young designers to expand the imagination of architecture and reject unethical practices that have become commonplace during the first years of practice.

Xenoculture is a term coined by Iranian writer and philosopher Reza Negarestani that describes the need for embracing and exploring the unexpected, the alien. In this issue we borrow the idea and explore the realm of Architecture Xenoculture — the work of architects and designers who detach from everything that architecture is supposed to be and look like, including preconceived forms and aesthetics, to look into new architectural and design possibilities. An architectural form that emerges from mathematical processes and new material explorations and proposes something never before seen — an aesthetic yet to be determined. Some of the work showcased has been produced by leading architecture practitioners and academics worldwide including: Hernan Diaz Alonso, Servo, Francois Roche, Marc Fornes, Kokkugia, Zaha Hadid, Volkan Alkanoglu, and Rafael Lozano among others. Architecture Xenoculture is the problematization of work produced by embracing the proliferation of this mist of fear. It argues for the harnessing of this aesthetic of fear towards a yet-to-be determined end – intensifying its practice towards new thresholds, those that unleash the potential of the alien in the world beyond the limited imaginary we have become anesthetized to, conjuring insecure material and behavioral manifestations of the xeno-gene and its ability to adapt, mutate, survive and fight.