Exemplary Bodies

Russian anthropological and biological sciences and Jewish 'race, ' 1860s-1930 -- Stereotypes of pathology : the medicalization of the Jewish body by Anton Chekhov, 1880s -- Carnal Jews of the fin-de-siècle : Vasily Rozanov, the Jewish body, and incest -- Ilya Ehrenburg and his picaresque Jewish bodies of the 1920s -- Criminal bodies and love of the yellow metal : the Jewish male and Stalinist culture, 1930s-1950s -- Sadists' bodies of the anti-Zionist campaign era : 1960s-1970s -- Glasnost and the uncensored sexed body of the Jew -- The repatriated body : a Russian Jewish woman writer in Israel or the corporeal fantasy of Dina Rubina, 1990s to the present -- The Jewish patient : Alexander Goldstein and the postmodern Russian Jewish body in Israel, 2000s -- The 'real' Jewish bodies of oligarchs : important Jewish personalities and post-Soviet corporophobia -- The post-Soviet assault on the Jew's body : the new racial science.

Posthuman theory asks in various ways what it means to be human in a time when philosophy has become suspicious of claims about human subjectivity. Those subjects who were historically considered aberrant, and our future lives becoming increasingly hybrid show we have always been and are continuously transforming into posthumans. What are the ethical considerations of thinking the posthuman? Posthuman Ethics asks not what the posthuman is, but how posthuman theory creates new, imaginative ways of understanding relations between lives. Ethics is a practice of activist, adaptive and creative interaction which avoids claims of overarching moral structures. Inherent in thinking posthuman ethics is the status of bodies as the site of lives inextricable from philosophy, thought, experiments in being and fantasies of the future. Posthuman Ethics explores certain kinds of bodies to think new relations that offer liberty and a contemplation of the practices of power which have been exerted upon bodies. The tattooed and modified body, the body made ecstatic through art, the body of the animal as a strategy for abolitionist animal rights, the monstrous body from teratology to fabulations, queer bodies becoming angelic, the bodies of the nation of the dead and the radical ways in which we might contemplate human extinction are the bodies which populate this book creating joyous political tactics toward posthuman ethics.

Michael Jordan, Inc. seeks to make sense of a celebrated figure whose public existence illuminates a late capitalist order defined by the convergence of corporate and media interests. Using Michael Jordan as a vehicle for viewing the broader social, economic, political, and technological concerns that frame contemporary culture, the contributors focus on celebrity economy, corporate culture, identity politics, and the global marketplace—foundational pillars of contemporary cultural existence. They provide an introduction to late capitalism's pervasive and invasive cult of celebrity, examine the innovative corporate connections (particularly Jordan's association with Nike) largely responsible for Jordan's aggressively commodified being, excavate the cultural politics imbued within the racialized and sexualized nature of Jordan's identity, and demonstrate the global reach and influence that has accompanied the concerted commodification of Jordan by transnational corporations. This anthology represents both an intellectual expression of, and a political commitment to, the fact that Michael Jordan matters.

Material religion is a rapidly growing field, and this volume offers an accessible, critical entry into these new areas of research. Each "key term" uses case studies and is accompanied by a color image – an object, practice, space, or site. The entries cut across geographies, histories, and traditions, offering a versatile and engaging text for the classroom. Key topics covered include: - Icon, ritual, magic, gender, race - Sacred, spirit, technology, - Space, belief, body, brain - Taste, touch, smell, sound, vision Each entry demonstrates in clear and jargon-free prose how the key term figures prominently in understanding the materiality of religion. Written by leading international scholars, all entries are linked by the ways materiality stands at the forefront of the understanding of religion, whether that comes from humanistic, social scientific, artistic, curatorial, or other perspectives. Brent Plate brings his expertise and extensive teaching experience to the comprehensive introduction which introduces students to the themes and methods of the material cultural study of religion. Key Terms in Material Religion provides a much-needed resource for courses on theory and method in religious studies, the anthropology of religion, and the ever-increasing number of courses focused on material religion.

Paul Youngquist reveals the cultural politics of embodiment in Britain in the late 18th & early 19th centuries. Drawing on the histories of medicine, economics, liberalism & nationalism, his work shows that bodies are not simply born, but rather built bycultural practices directed toward particular social ends.

What meaning does the past hold for the present? History writing often prioritizes the ethos and actions of the "great men" of the past, those connected to formal expressions of power, as models worthy of imitation. The problem with such exemplars is that they craft a limited view of national identity, drawn from political, economic, religious, and social institutional superstructures. Inherently exclusionary, narratives of exemplary men inadequately represent the complexities of a metropolitan and diverse society. In Exemplary England, Sarabeth Grant explores three canonical texts of 1740s England that critique the class, geography, and gender assumptions of the exemplar model. Through original readings of Alexander Pope, Thomas Gray, and Samuel Richardson, she locates practices of constituting history and registering national identity in eighteenth-century England beyond that tradition. Her book argues that these literary texts offer recompense for the national injustices endured by the disenfranchised, charting the development of inward historical consciousness as necessary to civic stability.

"As attuned to the spatial as it is to the temporal, and as theoretically sophisticated as it is politically relevant, this is a powerful and intriguing meditation on cities of the page, the screen and the moment." Stuart Elden, Professor of Political Geography, Durham University, UK.