Exhibiting Modernity And Indonesian Vernacular Architecture

In her research Yulia Nurliani Lukito analyses modernity and the construction of culture by the authorities using the images of Indonesian vernacular architecture presented at three different sites and times. She argues that modernity is not solely constructed by the authorities, rather it is an ongoing process modified by visitors of exhibitions. Pasar Gambir was a laboratory of modernity for the colony, and an important stage in modernizing and negotiating cultural and social conditions in the colony. The Dutch Pavilion at the 1931 colonial exhibition became a moment when the Indies heritages played a role in marking colonial territory. Modern ethnographic park of Taman Mini gives a way to the making of an official ‘authentic’ culture and suppresses the previous Dutch construction of the Indies culture.

This book raises the issue of the practice of patrimonial power with a focus on habitations, particularly in the urban areas of Indonesia. An assemblage of interdisciplinary studies within the framework of environmental humanities, covering the arts, architecture, urban studies, geography, cultural anthropology, and sociology, this multifaceted framework divulges the interactive connectivity between Indonesia’s patrimonial culture and the socio-culturally constructed system of habitation. The interdisciplinary study of the pertinent practices of patrimonial power that have been represented and been manifested by various political and traditional regimes in terms of the built environment and habitation in Indonesia contributes to a new understanding of Indonesian urban spatial development, from the pre-colonial era to the present. The book poses that in order to understand the politics of Indonesia, one must understand the culture and tradition of the political leadership of the country. The author presents such an understanding in exploring and unpacking the relationship between people and place that constructs, develops, sustains, and conserves Indonesian culture and traditions of habitation. This book is of interest to graduate scholars and researchers in Asian Studies in numerous disciplines, including urban studies, urban planning and design, political science, architecture, anthropology of space, public administration, and political philosophy.

This book traces the history of urban design in tropical South East Asia with a view to offering solutions to contemporary architectural and urban problems. The book examines how pre-colonial forms and patterns from South East Asian traditional cities, overlaid by centuries of change, recall present notions of ecological and organic urbanism. These may look disorganised, yet they reflect and suggest certain common patterns that inform eco-urban design paradigms for the development of future cities. Taking a thematic approach, the book examines how such historical findings, debates and discussions can assist designers and policy makers to interpret and then instil identities in urban design across the Asian region. The book weaves a discourse across planning, urban design, architecture and ornamentation dimensions to reconstruct forgotten forms that align with the climate of place and resynchronise with the natural world, unearthing an ecologically benign urbanism that can inform the future. Written in an accessible style, this book will be an invaluable reference for researchers and students within the fields of cultural geography, urban studies and architecture.

"This book provides an introduction (from the perspective of Chan/Zen Studies) to the teachings of the key figure of Yuan-dynasty Chan: Zhongfeng Mingben. Zhongfeng was a leading student of Gaofeng Yuanmiao. At Gaofeng's death, Zhongfeng left the mountain and for many years resided in various small mountain hermitages (often called "Dwelling-in-the-Phantasmal Hermitages"). On occasion, he chose to live on a houseboat. He drew students from all over East Asia: Yunnan, Turfan, Mongol officials; Koreans, Japanese, and so forth. The primary focus is on illustrating Zhongfeng's Chan style via translation of selected works in his Chan records. The texts selected from his Chan records include the standard genres instructions to the assembly and dharma talks; the miscellany Night Conversations in a Mountain Hermitage (which covers such topics as the nature of the huatou; the relationship between the bodhisattva stages and Chan; numinous knowing versus false knowing, and so forth); one-hundred poems in imitation of the well-known collection Hanshan's Poems (Poems of Cold Mountain); admonitions on cross-legged sitting Chan, and so forth. Zhongfeng's wider social world, cultural context, and idiosyncratic calligraphy are addressed only in passing"--

This collection aims to attract attention to the admirable achievements of indigenous builders in Indonesia and to contribute to a broader sense of commitment to the endangered architectural heritage in the region. It presents the second part of the results of a research project on vernacular architecture in western Indonesia, sponsored by the Royal Netherlands Academy of Sciences. The volume is intended to provide an introduction to all relevant vernacular architectural traditions and developments in western Indonesia.

The traditional houses and settlements of the several hundred ethnic groups of Indonesia are extremely varied and all have their own unique history. Underlying this rich diversity are fundamental similarities rooted in the ancient heritage that is shared by all the peoples in the Indonesian field of study. The multiplicity of ways in which this heritage is given shape in each local situation bears witness to an amazing creativity in adapting to regional circumstances and social changes. Inter-ethnic comparison of the architectural structures is a way to arrive at a better understanding of both the shared traditions and the diverging developments. In many cases, the variety of house forms will reflect successful attempts at one group's making distinct its buildings from those of neighbouring groups in an ongoing ethnic process of what could be called mutual contrasting, although sometimes by means of pseudo-traditions which have little to do with indigenous customs of the past. The contributions to this volume are grouped into four sections. The first consists of essays describing approaches to the transformation and variation of houses. The second set presents applications of these approaches in case studies of specific Sumatran cultures. The third group widens the perspective through the inclusion of a number of cultures from outside Sumatra, namely from Flores, Sulawesi, Kalimantan, Palu'e, and Roti. The final set deals not so much with houses as with settlements. In their pursuit of the cultural dimension of houses, the contributions focus on villages and towns, exploring their cosmological and symbolic organization.

This collection aims to attract attention to the admirable achievements of indigenous builders in Indonesia and to contribute to a broader sense of commitment to the endangered architectural heritage in the region. It presents the second part of the results of a research project on vernacular architecture in western Indonesia, sponsored by the Royal Netherlands Academy of Sciences. The volume is intended to provide an introduction to all relevant vernacular architectural traditions and developments in western Indonesia. The 21 contributions, all written by researchers with long first-hand experience in the area they are dealing with, are arranged according to the location of the ethnic groups from west to east--from Aceh to Western Java. Each contributor was asked to enrich the architectural description with a self-chosen particular topic illustrating social, ideological and environmental peculiarities of the field situation. The book takes account of the rich diversity of the various contexts and artistic elaborations that developed in the region. The first collection of essays, Indonesian houses, Volume 1: Tradition and transformation in vernacular architecture , was published as nr. 207 of the Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde (Leiden, 2003). It focussed on case studies demonstrating how a common architectural heritage has been affected by historical changes, giving shape to a multiplicity of local developments and adaptations both in their material aspects and in their functions as objects of social value and meaning.

The concepts of "Indonesian architecture" and "architecture in Indonesia" are both quite difficult to pin down. For the architecture of this small country incorporates influences from many important cultures--from India, China and the Middle East to countries in the West--and is therefore extremely multifaceted. In fact, one might reasonably ask whether a "real" Indonesian architecture actually exists, even with reference to the country's vernacular work, which is highly diverse from an ethnic perspective in and of itself. The quest for an authentic Indonesian architecture has in fact been the subject of debate among architects there for many years, especially in regards to the work has been exported to other countries--in particular, its former colonizer, the Netherlands. (In fact, there is even a name for the hybrid style that originated during that era: Indische).This very nicely designed collection of illustrated essays, which features a special section of pictures and drawings of colonial architecture, provides a real sense of the diversity of building in modern-day Indonesia--while at the same time recognizing that such a perspective cannot be productive without taking history into account. With chapters on Modern Indonesian architecture, vernacular traditions, mosques, the effect of the Chinese diaspora, hybrid historic/contemporary Balinese architecture, the colonial period, Indische architecture and Art Deco and more, this publication provides an amazing overview and a long-overdue investigation of Indische work. Preface by Aaron Betsky.