Extreme Warm Ups And Chops Builders For Guitar

In this comprehensive book jazz guitarist Michael Anthony addresses the need to build flexibility and technical proficiency in a way consistent with the melodicmotifs of contemporary music. Though the warm-ups are numbered, there is no order that must be followed. The guitarist may approach them according to his orher interest and inspiration. They include: arpeggios, scale patterns, melodic minor forms, chord-melody groups, stretching and contrary motion, double-stops, octavedisplacement, walking bass with comping, two line phrases, 'out of the box'geometric shapes, overlapping rhythms, long arpeggios and diminished scale patterns. The finish line exemplifies arpeggios outlining I-VI-II-V7 progressions in major and minor. In the words of Michael Anthony, I find that isolation of the rightand left hand is useful, but ultimately it is the timing and coordination of the two that is necessary. The benefits of these warm-ups are threefold: 1. Technical improvement. 2. Fingerboard knowledge. 3. Ear training. Written in notation andtablature

These 30 warm-ups are challenging for the intermediate to advance player (even professional) and intended to improve both right and left hand facility. They are jazz oriented making use of arpeggios, scales and patterns applicable for improvisation.

This book includes a multitude of beginning to intermediate studies, designed to build right-hand picking technique and coordination between both hands. The material includes vertical picking exercises across various string combinations, linear picking studies, tremolo studies, warm-ups, picking etudes, triplet exercises and picking solos–essential material that will supplement any guitar method. Written in standard notation and tablature.

This collection of 36 solos, etudes and technique studies was written especially for the developing intermediate guitarist. A variety of musical styles and genres are presented, along with a colorful assortment of flatpicking techniques and melodies. In addition to their appealing sound and being fun to play, many of these pieces are suitable for performance in recitals or concerts. Every effort has been made to be sure that these musical selections “lie well under the fingers,” and are very guitaristic or idiomatic in nature. Guitar Solos for Improving Technique is ideal as a standalone solo collection or as a technique-building text. The collection also works well as a supplement to any intermediate guitar method. Includes access to an online audio recording of each piece.

This collection of original, contemporary, concert-style compositions for plectrum or flatpicked guitar includes 15 preludes, 4 sonatas with multiple movements, and 12 nocturnes. The solos present a colorful spectrum of tonality, harmony, rhythms and moods ideal for concert or recital performance. All solos are written in standard notation only with appropriate fingering and string markings.

This is a collection of 48 original jazz tunes in different styles, with fun melodies ideal for jamming. The pieces are in a variety of keys and are presented in standard notation and tablature. Includes access to online audio.

Presents hundreds of improvised melodic lines played by Joe Pass. Each of the melodic lines are grouped in the harmonic situation in which they were originally played (i.e. all minor lines are presented together and all dominant seventh lines are presented together, etc). the companion play along CD has a live rhythm section playing single chord vamps as well as vamps covering all twelve keys for each harmonic situation. an etude over the changes to Satin Doll shows how to apply the various lines and create improvised solos.Also available in Japanese from ATN, Inc.

In Street Knowledge Michael Anthony shares the stories and lessons learned in his career as a top Los Angeles recording studio guitarist. The insights shared into the world of jazz guitar and studio playing will be valuable to any guitarist. Lessons include explorations of rhythm changes, “quoting” while improvising, ear training, reharmonization, warm-ups, original etudes, and frequently asked questions. A must for any guitarist on the journey toward a career in music.