Fabrics Of Discourse

Honors the great range and penetrating insights of Vernon Robbins' work.

This volume explores the rhetorical role that miracle discourse plays in the argumentation of the New Testament and early Christianity. The investigation includes both the rhetoric within miracle discourse and the rhetorical role of miracle discourse as it was incorporated into the larger works in which it is now a part. The volume also examines the social, cultural, religious, political, and ideological associations that miracle discourse had in the first-century Mediterranean world, bringing these insights to bear on the broader questions of early Christian origins. The contributors are L. Gregory Bloomquist, Wendy Cotter, David A. deSilva, Davina C. Lopez, Gail O'Day, Todd Penner, Vernon K. Robbins, and Duane F. Watson.

The Fabric of Affect in the Psychoanalytic Discourse is a seminal work on one of the most neglected topics in psychoanalysis, that of affect. Originally published in French as Le Discours Vivant, and by one of the most distinguished living analysts, the book is structured in three parts: Affect within psychoanalytic literature Clinical practice of psychoanalysis: structure and process Theoretical study: affect, language and discourse; negative hallucination Written in a clear, lucid style, connecting theory to both culture and clinical practice, this book will appeal to psychoanalysts and psychotherapists, and also to those involved in cultural studies.

A multi-faceted commentary that breathes fresh insight into Paul's letter In Second Corinthians, Paul responds to reports of the Corinthian congregation questioning his competency as a divinely sent messenger. Through apologetic demegoria and the use of graphic imagery related to triumphal processions, siege warfare, and emissary travels and negotiation, Paul defends his constancy, persona, and speaking abilities as he extends the offer of clemency and reconciliation to his auditors. Oropeza combines rhetorical pictures (rhetography) with interpretative layers (literary features, intertextuality, socio-cultural, ideological, and sacred textures) to arrive at the rhetorical impact of Paul's message for ancient Mediterranean discourse. Features: A visual, sensory, and imaginative interpretation of the scripture A comprehensive commentary An avant-garde approach to biblical interpretation

Varying degrees of attention are paid to Jesus' four speeches in the Galilean ministry of the Gospel of Luke. Despite increasing interest in ancient Graeco-Roman rhetoric in biblical studies, few scholars examine the speeches from the lens of ancient rhetorical argument. In addition, with the exception of the inaugural speech in Luke 4.14-30, little attention is afforded to the relevance of the speeches for understanding larger nuances of the narrative discourse and how this affects the hermeneutical appropriation of authorial readers. In contrast, Spencer examines each speech from the context of ancient rhetorical argument and pinpoints various narrative trajectories-as associated with theme, plot, characterization, and topoi-that emerge from the rhetorical texture. In doing so, he shows that the four speeches function as "sign posts" that are integral to guiding the Lukan narrative from the "backwaters" of Galilee to the center of the Roman Empire.

Argues that 1 John was written to affirm Jesus' resurrection, in light of Jewish denials that he was the Christ.

Hiramatsu Kei examines the literary structure of 2 Corinthians and how it can illuminate understanding of this Pauline letter and its theological message. He explores the theoretical foundations of Inductive Bible Study as an approach, which focuses on the meaning of biblical texts in their final form by incorporating insights from multifarious methodologies. Based on the final form of the letter and its compositional unity, he prioritizes the literary context as consequential evidence for interpretation. Hiramatsu argues that there are two major components of the literary structure: the division of the letter and the identification of major structural relationships within and between the divided parts. Thus, he proposes that 2 Corinthians consists of seven major segments which coherently develop Paul's discourse pertaining to ministry, and discusses the implications regarding his theology of theocentric ministry and that of weakness that arise from a literary investigation. Hiramatsu demonstrates that an inductive and integrative approach not only presents a more suitable and helpful literary structure for 2 Corinthians, but also illustrates the relevance of such study when seeking to gain understanding of the theological implications of the letter.

Critical Discourse Studies (CDS) aims to enhance our understanding of how discourse figures in social processes, social structures, and social change. This book is in response to specific changes in mediation technologies of discourse, brought about by the significant concentration of discursive practices within the paradigm of social media communication. This book addresses this participatory media context against a broadly defined tradition in CDS, its aspirations, assumptions, and critique. It views discourse as forms of structured representations across a range of modalities of communication including the emerging meaning‐making artefacts and practices across social media. It aspires to provide an overview of the key considerations in doing CDS on social media spaces. The book firstly provides a set of aspiration signposting the parameters of doing social media CDS followed by critical explorations of a number of contemporary case studies of digital discourses around identity, politics and representation. It includes various social media communication including YouTube, Instagram, Wikipedia, and Twitter. The book will be of interest to researchers and advanced students of linguistics, politics, sociology, communication studies, media and cultural studies, and science and technology studies. It was originally published as a special issue of the journal Critical Discourse Studies.