Fade To Lack

From the depths of a valley rises the city of Mahala It's a city built upwards, not across -- where streets are built upon streets, buildings upon buildings. A city that the Ministry rules from the sunlit summit, and where the forsaken lurk in the darkness of Under. Rojan Dizon doesn't mind staying in the shadows, because he's got things to hide. Things like being a pain-mage, with the forbidden power to draw magic from pain. But he can't hide for ever. Because when Rojan stumbles upon the secrets lurking in the depths of the Pit, the fate of Mahala will depend on him using his magic. And unlucky for Rojan -- this is going to hurt.

Three perspectives -- one truth The victim: After his windshield was shattered with a baseball bat, HIV-positive Alex Crusan ducked under the steering wheel. But he knows what he saw. Now he must decide what he wants to tell. The witness: Daria Bickell never lies. So if she told the police she saw Clinton Cole do it, she must have. But did she really? The suspect: Clinton was seen in the vicinity of the crime that morning. And sure, he has problems with Alex. But he'd never do something like this. Would he?

In Fade to Black, the thrilling sequel to Blackout from David Rosenfelt, policeman Doug Brock helps a fellow victim of amnesia untangle a murder case and discovers he may not be as distant as he thinks. After getting shot in the line of duty, New Jersey state police officer Doug Brock has been busy rebuilding his life. He’s reunited with his fiancé and started to get some of his memories back. He hopes he can continue to recover with the help of an amnesia support group and that the damage from his past isn’t permanent. It isn’t until fellow group member Sean Conner approaches him after a meeting that Doug realizes the trouble is just beginning. Sean has discovered in his attic what can only be called a scrapbook of a murder victim, but he has no recollection of the girl’s identity or why he might have gathered this information. Doug agrees to help and convinces his captain to open what had been a cold case. When he discovers that he had a personal connection to this case, suddenly he’s questioning everything he thought he knew about the case, about Sean, and about his own past. In the next page-turning thriller by David Rosenfelt, Doug Brock is back to delight readers and keep them guessing until the end.

A soda war explodes into murder for Nero Wolfe, “one of the two or three most beloved detectives in fiction” (Publishers Weekly). For the men of Madison Avenue, the battle between soft-drink giants Cherr-o-key and AmeriCherry seems heaven sent. For years now, the firm of Mills/Lake/Ryman has fought to help Cherr-o-key become the nation’s favorite fizzy cherry soda, but each time they come up with a new slogan, mascot, or jingle, AmeriCherry somehow beats them to it. There's a mole inside the agency, and only Nero Wolfe can ferret him out. Although he's as round as a cherry himself, Wolfe has no taste for soft drinks. But the question of industrial espionage is too sweet for him to resist, and so with assistant Archie Goodwin at his side, he sets out to end this vicious corporate feud. Only when the first adman dies does he realize that a marketing war can be just as dangerous as the real thing.

The towering vertical city of Mahala is on the brink of war with its neighboring countries. It might be his worst nightmare, but Rojan and the few remaining pain mages have been drafted in to help. The city needs power in whatever form they can get it -- and fast. With alchemists readying a prototype electricity generator, and factories producing guns faster than ever, the city's best advantage is still the mages. Tapping their power is a risky plan, but with food in the city running out, and a battle brimming that no one is ready for, risky is the best they've got. . . The spectacular conclusion to the adventures of Rojan Dizon, which began with the thrilling fantasy debut Fade to Black.

Fade To Black chronicles the lives and deaths of more than 1,200 movie personalities. Included are not just the big stars but a wealth of important characters from the history of film. Some achieved world fame or great power. Some were consigned to obscurity after one scandal too many. Others hid dark secrets that would only emerge after their deaths. Amongst the names featured in this updated, enlarged edition are Marlon Brando, Bob Hope, President Ronald Reagan, Gregory Peck, Janet Leigh, Christopher Reeve plus a host of stars from the golden age of Hollywood, whose work is being rediscovered on satellite television and DVDs. For better or worse they are all here, the villains and the heroes side by side, all made equal at last by the final fade to black.

The triple crown of Oscars awarded to Denzel Washington, Halle Berry, and Sidney Poitier on a single evening in 2002 seemed to mark a turning point for African Americans in cinema. Certainly it was hyped as such by the media, eager to overlook the nuances of this sudden embrace. In this new study, author David Leonard uses this event as a jumping-off point from which to discuss the current state of African-American cinema and the various genres that currently compose it. Looking at such recent films as Love and Basketball, Antwone Fisher, Training Day, and the two Barbershop films—all of which were directed by black artists, and most of which starred and were written by blacks as well—Leonard examines the issues of representation and opportunity in contemporary cinema. In many cases, these films-which walk a line between confronting racial stereotypes and trafficking in them-made a great deal of money while hardly playing to white audiences at all. By examining the ways in which they address the American Dream, racial progress, racial difference, blackness, whiteness, class, capitalism and a host of other issues, Leonard shows that while certainly there are differences between the grotesque images of years past and those that define today's era, the consistency of images across genre and time reflects the lasting power of racism, as well as the black community's response to it.