Fantasy Voices

Jeffrey M. Elliot interviews four writers of fantasy: Manly Wade Wellman, John Norman, Hugh B. Cave, and Katherine Kurtz. With an introduction by William F. Nolan.

This book offers a new approach to comparative religion suggested by science fantasy interpretations of traditional religious teachings. Each chapter focuses on a basic religious theme, (God, Mediators, Ideal Community, and Human Destiny), that becomes part of a projected future theology that has been shaped by ideas from many religions and the "extraterrestrial imperative." Contents: Religious Pluralism and the Extraterrestrial Imperative; Science Fantasy Visions of God; Extraterrestrial Messiahs from Inner Space; Interplanetary Kingdoms for God; Human Destiny and Sacred Science; The Emerging Shape of Cosmic Religion; Bibiography.

What would you do if a tornado wanted you to be its Valentine? Or if a haunted spacesuit banged on your door? When is the ideal time to turn into a tiger? Would you post a supernatural portal on Craigslist? In these nineteen stories, the enfants terribles of fantasy have arrived. The New Voices of Fantasy captures some of the fastest-rising talents of the last five years, including Sofia Samatar, Maria Dahvana Headley, Max Gladstone, Alyssa Wong, Usman T. Malik, Brooke Bolander, E. Lily Yu, Ben Loory, Ursula Vernon, and more. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic). So go ahead and join the Communist revolution of the honeybees. The new kids got your back.

New voices bring new ideas and new worlds to you in these six short stories of Science Fiction/Fantasy. That's what they are good at. Figuring out things that are completely different from the same old repeating plots and characters. Finding new ""what if's"" that have never been asked before. Whether you like dystopian stories of what happens after the world ends, or the sudden appearance of fairy tale creatures in our current worlds, you'll find a lot to keep you fascinated by these new authors. As well, you may find a bit of fine satire and hidden social commentary, something both genres have always been good at. Regardless, these short reads will fit into your busy schedule - about a week of good entertainment for the odd hours and minutes. Get Your Copy Now.

Young people who feel marginalized due to physical differences or disabilities may benefit from discovering fictional characters who face similar difficulties. This unique bibliography surveys the field of children's and young adult literature published since 1990, identifying 200 quality books that deal with a wide range of contemporary health and self-image topics. Coverage includes physical handicaps, Autism, burns, scars, and disfigurement, obesity and anorexia, speech disorders, skin color, and basic issues of popularity and fitting in. The literature covered here includes picture books, chapter books for middle school readers, and young adult novels spanning different genres, such as mysteries, historical fiction, and poetry. Annotations provide brief plot synopses, full bibliographic information, publishers' age-level suggestions, and subject key words. This resource is perfect for obtaining information about authors, titles, and age levels of books on particular subjects, or to determine the subject of a particular book. Four indexes-Title, Author, Subject, and Age Level-facilitate easy reference for all users and readers.

The fourth volume in this series of interviews with the top science fiction writers of today.

John Keir Cross was a popular mystery author of the mid-20th century. Originally published in The Other Passenger: Eighteen Strange Stories, 'Music When Soft Voices Die' is one of his best-regarded tales. Many of the earliest occult stories, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.