Farewell

Frontier Farewell has been deemed "gracefully written" and "fully and meticulously researched," by Sharon Butala, whileCanadian History Magazine called it "a great read that shatters the mythology surrounding the 'taming' of the West." A book every history buff should own,Frontier Farewell "ends with the gruesome unwinding of a two-hundred year experiment," statesPrairies North magazine. "Frontier Farewell offers new perspectives on everything from the transfer of Rupert's Land to Canada, the Manitoba Resistance of 1869-70, and the Numbered Treaties of the 1870s, to the surveys of the Canadian Prairies, the coming of the North-West Mounted Police, and the fallout from the Battle of the Little Big Horn...You just might want to buy two copies--one for yourself, and one for a friend." -Ted Binnema, Department of History, University of Northern British Columbia

The life of Aaron Tucker -- freelance writer and stay-at-home dad -- is anything but boring. In fact, Aaron manages to find himself in way more danger than your typical mild-mannered Jewish guy. He lands in a murder investigation when a leading conservative politician is found dead in his DC hotel room, discovered by his mistress after her long post-coital shower. She (a former object of Aaron's affection) asks Aaron to find the killer. Aaron doesn't see himself as an investigating genius but he takes the assignment, which doesn't sit well with his family.

Advance praise for Farewell, My Subaru “Fine is Bryson Funny.” ——Santa Cruz Sentinel “Fine is an amiable and self-deprecating storyteller in the mold of Douglas Adams. If you're a fan of Hitchhiker's Guide to the Galaxy-style humor -- and also looking to find out how to raise your own livestock to feed your ice-cream fetish -- Farewell may prove a vital tool.” —— The Washington Post “Fine is an eco-hero for our time..” —— Miami Herald “An afterward offers solid advice and sources for learning more.” —— On Earth Magazine, Natural Resources Defense Fund “This is Green Acres for the smart set—: a witty and educational look at sustainable living. Buy it, read it, compost it.” –A. J. Jacobs, author of The Year of Living Biblically “The details of Doug Fine’s experiment in green living are great fun——but more important is the spirit, the dawning understanding that living in connection to something more tangible than a computer mouse is what we were built for. It’ll make you want to move!” –Bill McKibben, author of Deep Economy: The Wealth of Communities and the Durable Future Like many Americans, Doug Fine enjoys his creature comforts, but he also knows full well they keep him addicted to oil. So he wonders: Is it possible to keep his Netflix and his car, his Wi-Fi and his subwoofers, and still reduce his carbon footprint? In an attempt to find out, Fine up and moves to a remote ranch in New Mexico, where he brazenly vows to grow his own food, use sunlight to power his world, and drive on restaurant grease. Never mind that he’s never raised so much as a chicken or a bean. Or that he has no mechanical or electrical skills. Whether installing Japanese solar panels, defending the goats he found on Craigslist against coyotes, or co-opting waste oil from the local Chinese restaurant to try and fill the new “veggie oil” tank in his ROAT (short for Ridiculously Oversized American Truck), Fine’s extraordinary undertaking makes one thing clear: It ain’t easy being green. In fact, his journey uncovers a slew of surprising facts about alternative energy, organic and locally grown food, and climate change. Both a hilarious romp and an inspiring call to action, Farewell, My Subaru makes a profound statement about trading today’s instant gratifications for a deeper, more enduring kind of satisfaction.

This is a collection of the author's poems. It is divided into 4 sections each dealing with a different subject matter. These are Nature poems, Love poems, Poems of Reflection and Prose Poems.

This book is compiled with the goal of explaining the hidden history, significance, and meaning of the mantras used in common Hindu puja rituals performed by the Bengalis to the Bengali immigrants.

Amanda Bechtel's story is the fictionalized account of the true life experiences of a United Methodist missionary nurse to Mozambique. She learns about life under secret police surveillance as she studies Portuguese in Lisbon. Once Amanda arrives in Mozambique, she must decide about her future after being deported by the Portuguese government. After she's reassigned to Rhodesia, the district health officer quarantines the hospital during a cholera epidemic. Later news reports about conditions in a Rhodesian "protected" village prompt missionaries to visit the site. Film smuggled out of the country eventually provides evidence to defend missionary colleagues accused of subversive activity and treason. On Amanda's return to Mozambique, arrest and torture of Protestant clergy heighten safety concerns at the hospital. Renewed fighting thwarts her amorous involvement with a colleague turned freedom fighter. Jonna-Lynn K. Mandelbaum grew up in eastern Pennsylvania and went to Philadelphia's Methodist Hospital School of Nursing for a diploma in nursing. From there she went to Lebanon Valley College to earn a bachelor's degree prior to her appointment as a United Methodist missionary nurse to Mozambique. On her return from Africa she worked as a pediatric nurse practitioner in the inner city and earned a master's degree in public health from The Johns Hopkins University. She wrote THE MISSIONARY AS A CULTURAL INTERPRETER to earn a doctorate in education from Georgia State University. While she has taught nursing in the United States and held various clinical nursing positions international health was the dominant focus of her professional career. She developed and implemented educational programs for both undergraduate and continuing education programs for physicians, nurses, midwives and other health professionals in southeast Asia and central and eastern Europe. Now retired, she resides in northern New Mexico with her husband and two dogs. To find out more visit www.jonna-lynn.com

Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways. The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.