Farewell

This is a collection of the author's poems. It is divided into 4 sections each dealing with a different subject matter. These are Nature poems, Love poems, Poems of Reflection and Prose Poems.

This book is compiled with the goal of explaining the hidden history, significance, and meaning of the mantras used in common Hindu puja rituals performed by the Bengalis to the Bengali immigrants.

Amanda Bechtel's story is the fictionalized account of the true life experiences of a United Methodist missionary nurse to Mozambique. She learns about life under secret police surveillance as she studies Portuguese in Lisbon. Once Amanda arrives in Mozambique, she must decide about her future after being deported by the Portuguese government. After she's reassigned to Rhodesia, the district health officer quarantines the hospital during a cholera epidemic. Later news reports about conditions in a Rhodesian "protected" village prompt missionaries to visit the site. Film smuggled out of the country eventually provides evidence to defend missionary colleagues accused of subversive activity and treason. On Amanda's return to Mozambique, arrest and torture of Protestant clergy heighten safety concerns at the hospital. Renewed fighting thwarts her amorous involvement with a colleague turned freedom fighter. Jonna-Lynn K. Mandelbaum grew up in eastern Pennsylvania and went to Philadelphia's Methodist Hospital School of Nursing for a diploma in nursing. From there she went to Lebanon Valley College to earn a bachelor's degree prior to her appointment as a United Methodist missionary nurse to Mozambique. On her return from Africa she worked as a pediatric nurse practitioner in the inner city and earned a master's degree in public health from The Johns Hopkins University. She wrote THE MISSIONARY AS A CULTURAL INTERPRETER to earn a doctorate in education from Georgia State University. While she has taught nursing in the United States and held various clinical nursing positions international health was the dominant focus of her professional career. She developed and implemented educational programs for both undergraduate and continuing education programs for physicians, nurses, midwives and other health professionals in southeast Asia and central and eastern Europe. Now retired, she resides in northern New Mexico with her husband and two dogs. To find out more visit www.jonna-lynn.com

Each of the five volumes in the Stone Art Theory Institutes series brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fifth and final volume in the series focuses on the identity, nature, and future of visual studies, discussing critical questions about its history, objects, and methods. The contributors question the canon of literature of visual studies and the place of visual studies with relation to theories of vision, visuality, epistemology, politics, and art history, giving voice to a variety of inter- and transdisciplinary perspectives. Rather than dismissing visual studies, as its provocative title might suggest, this volume aims to engage a critical discussion of the state of visual studies today, how it might move forward, and what it might leave behind to evolve in productive ways. The contributors are Emmanuel Alloa, Nell Andrew, Linda Báez Rubí, Martin A. Berger, Hans Dam Christensen, Isabelle Decobecq, Bernhard J. Dotzler, Johanna Drucker, James Elkins, Michele Emmer, Yolaine Escande, Gustav Frank, Theodore Gracyk, Asbjørn Grønstad, Stephan Günzel, Charles W. Haxthausen, Miguel Á. Hernández-Navarro, Tom Holert, Kıvanç Kılınç, Charlotte Klonk, Tirza True Latimer, Mark Linder, Sunil Manghani, Anna Notaro, Julia Orell, Mark Reinhardt, Vanessa R. Schwartz, Bernd Stiegler, Øyvind Vågnes, Sjoukje van der Meulen, Terri Weissman, Lisa Zaher, and Marta Zarzycka.

This critical volume explores the life and work of Ernest Hemingway, focusing particularly on the themes of war in his novel A Farewell to Arms. Readers are presented with a series of essays which lend context and expand upon the themes of the book, including viewpoints on the reasons for, and the aftereffects of, war. Contemporary perspectives on PTSD, foreign policy, and military spending allow readers to further connect the events of the book to the issues of today's world.

When her father was diagnosed with pancreatic cancer, Jessica Cording’s family turned their lives upside down to care for him during what he coined his “Farewell Tour”—a nod to his career in the music business. But when your loved ones need you most, who’s taking care of the caregivers? Through the lens of this heartbreaking and intimate journey, Cording offers a funny, heartwarming, and unique approach to end-of-life care or caring for someone with ongoing needs. She seamlessly blends her own expertise as a dietitian and health coach with humor and personal anecdotes while featuring interviews from other wellness professionals, world-renowned musicians, and music industry professionals. The book includes a playlist based off of songs Cording and her father were each listening to during his Farewell Tour, with suggested listening for each chapter. Cording reminds you it’s okay to laugh, it’s okay to date (if you want to), and it’s imperative to take care of yourself along the way. Whether you’re feeling burned out or isolated, whether dealing with terminal illness or ongoing needs, The Farewell Tour is an invaluable guide to navigating the burdens of caregiving that often go unspoken.

Washington's Farewell Address to the People of the United States. This compact volume contains the official text of George Washington's historic Farewell Address, which he wrote in September 1796 after he decided not to seek a third term as President of the United States. Two-thirds of the Address is devoted to domestic matters and the rise of political parties, and Washington set out his vision of what would make the United States a truly great nation. He called for men to put aside party and unite for the common good, an "American character" wholly free of foreign attachments. The United States must concentrate only on American interests, and while the country ought to be friendly and open its commerce to all nations, it should avoid becoming involved in foreign wars.

“A powerful, irresistible collection” of short stories about outsiders by the bestselling author of Red Clocks (Publishers Weekly). A teenage boy discovers his blind mother making a pass at his new best friend. A woman works in a factory by day and tends to a menagerie of sick animals by night. An aspiring witch is disillusioned by her spiritual shortcomings. A girl from a town so small it doesn’t exist on any map runs away with a rock band—all the while attempting to chart her way back home. The odds stacked against them, the lovingly rendered outsiders in these stories find connectedness and redemption in the unlikeliest of circumstances. Even the most surreal and ethereal moments take on a surprising familiarity, and the darkest experiences are imbued with unexpected hope. To become engrossed in Zumas’s world is a strange and beautiful delight. “Zumas gives socially awkward, mysteriously gifted and self-destructive outcasts spellbinding, unflinching voice in her debut collection. The heroes in this collection are trapped; some are resigned to years of caregiving, many are institutionalized and nearly all haunt the fringes of normalcy (or disregard the normal altogether).” —Publishers Weekly “Attention unrequited lovers, sisters of suicidal brothers, children of the legally blind: you are not alone. Leni Zumas understands your quiet agony.” —Miranda July, author of No One Belongs Here More Than You