Fashion And Jazz

Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion's dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history.

Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion's dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history.

This lavish volume invites the reader into the glamorous fashions of the 1920s. Virginia, a renowned antique clothing shop in London, has been a go-to for fashion designers, models, stylists, and fashionistas for years. With its carefully curated selection of perfectly preserved heirloom dresses, coats, lingerie, and accessories, Virginia’s rare clothing is collected by designers for inspiration and by serious clothing collectors (both museum curators as well as celebrities). This stunning volume highlights the best of the collection, scaling the heights of Jazz Age fashion with chapters on sequined dresses, cocktail wear, bridge coats, opera coats, evening jackets, and house coats. Through sumptuous still-life photographs of the clothes and opulent film-set interiors, Dressed to Kill invites readers into a magical world. The rare and precious beaded dresses, feathered capes, and silky kimonos are beautifully documented, highlighting the craftsmanship and ornamentation of the pieces. Historical information is accompanied by guidelines for the care of antique clothing. With essays by leading fashion authorities, this is a must-have book for collectors, connoisseurs, and those who believe in evening style.

Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion's dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history.

Vintage images and photos of existing garments display clothing and accessories for men, women, and children worn from 1925 to 1929. Includes evening wear, day wear, coats and jackets, loungewear, lingerie, and more. Fascinating timelines describe the latest trends and how they influenced clothing styles. A visual treat for fashion enthusiasts and history buffs!

1920s Jazz Age Fashion celebrates haute couture, ready-to-wear and mass market fashion in America, Britain and France from 1919 to 1929, with an in-depth focus on women's clothing. Illustrated with specially commissioned photography, the book brings together leading experts to examine the social, political and cultural influences of the period, setting into context the role fashion played in it. This book accompanies the exhibition 1920s Jazz Age Fashion and Photo at the Fashion and Textile Museum, London, 23 September 2016-15 January 2017.Characterised by exuberance and optimism, the jazz age was a symptom of the end of the First World War and the birth of America as a new world power. It was a period of unprecedented social change for women who were, for the first time in history, given the vote on a par with men (1920 USA, 1928 Britain). The birth of Modernity in the 1920s established women's lives as 'active' and fashion reflected and celebrated these new social roles. A new 'boyish' silhouette, la garçonne, became the look for women of the twenties with a gradual acceptance of trousers as fashionable dress. The passive sun bathing became the active swimming, and companies such as Jantzen recognised these changes creating the 'speed suit' for women. The 1920s saw technology and innovative textiles, with the introduction of the artificial silk Rayon and the zip, contributing to an easier approach to fashionable dress.

MILESSTYLE examines the fashion of Miles Davis, one of the best dressed men of the 20th century (GQ & Esquire) through biography, photos and exclusive interviews with friends, bandmates, designers, photographers ex-wives and fashionistas like Quincy Jones, Lenny Kravitz, Bryan Ferry, Ron Carter and many more.