Feeld

FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE LONGLISTED FOR THE NATIONAL BOOK AWARD A NEW YORKER BEST POETRY BOOK OF 2018 A VULTURE BEST POETRY BOOK OF 2018 A LIBRARY JOURNAL BEST BOOK OF 2018 Selected by Fady Joudah as a winner of the 2017 National Poetry Series, Jos Charles’s revolutionary second collection of poetry, feeld, is a lyrical unraveling of the circuitry of gender and speech, defiantly making space for bodies that have been historically denied their own vocabulary. “i care so much abot the whord i cant reed.” In feeld, Charles stakes her claim on the language available to speak about trans experience, reckoning with the narratives that have come before by reclaiming the language of the past. In Charles’s electrifying transliteration of English—Chaucerian in affect, but revolutionary in effect—what is old is made new again. “gendre is not the tran organe / gendre is yes a hemorage.” “did u kno not a monthe goes bye / a tran i kno doesnt dye.” The world of feeld is our own, but off-kilter, distinctly queer—making visible what was formerly and forcefully hidden: trauma, liberation, strength, and joy. Urgent and vital, feeld composes a new narrative of what it means to live inside a marked body.

"Poetic exploration in Middle English about the body, physical space, ownership of space, gender, and transitioning genders."--

Fire Hides Everywhere is a speculative fiction novel exploring a question central to identity: do we exist beyond our subject positions? Following an apocalypse in which all except those just born or about to die disappeared, Julian Feeld's novel sets out to explore the eternal Buddhist question: "Who is born? Who dies?" As the young are left to define their 'selves' untethered, an old man begins to enlist them as placeholders for those no longer present. When he suffers a violent stroke and loses his capacities as a caregiver, he continues to operate structurally in the lives of the young people left to fend for themselves, begging the question: do structures live on beyond the lives of those inhabiting them?