Female Fortitude Exemplify D In An Impartial Narrative Of The Seizure Escape And Marriage Of The Princess Clementina Sobiesky

The story of Central Europe is anything but simple. As the region located between East and West, it has always been endowed with a rich variety of migrants, and has repeatedly been the scene of nomadic invasions, mixed settlements and military conquests. In order to present a portrait of Central Europe, Norman Davies and Roger Moorhouse have made a case study of one of its most colourful cities, the former German Breslau, which became the Polish Wroclaw after the Second World War. The traditional capital of the province of Silesia rose to prominence a thousand years ago as a trading centre and bishopric in Piast Poland. It became the second city of the kingdom of Bohemia, a major municipality of the Habsburg lands, and then a Residenzstadt of the kingdom of Prussia. The third largest city of nineteenth-century Germany, its population reached one million before the bitter siege by the Soviet Army in 1945 wrought almost total destruction. Since then Wroclaw has risen from the ruins of war and is once again a thriving regional centre. The history of Silesia's main city is more than a fascinating tale in its own right. It embodies all the experiences which have made Central Europe what it is - a rich mixture of nationalities and cultures; the scene of German settlement and of the reflux of the Slavs; a Jewish presence of exceptional distinction; a turbulent succession of imperial rulers; and the shattering exposure to both Nazis and Stalinists. In short, it is a Central European microcosm.

This is the first scholarly edition of the Memoirs of Laetitia Van Lewen Pilkington (1709?-1750), a poet, ghostwriter, and protégée of Jonathan Swift and the playwright/stage manager Colley Cibber. Swift's first biographer by virtue of her lively portrayals of him, Pilkington remains the best chronicler of the great satirist's private life while he was at the height of his influence and creativity. Offering as well an account of Pilkington's own tumultuous and unconventional life, the Memoirs caused a scandal when they first appeared, owing to their details about her divorce and the many would-be Lotharios (most of them married) who subsequently pestered her with their attentions. Originally appearing in three volumes between 1748 and 1754, the Memoirs have been periodically reprinted and are often quoted by scholars in different disciplines. Until now, however, the work has not received serious editorial attention. In this edition, A. C. Elias Jr. has established for the first time a critical text based on the earliest and most definitive printings, which Pilkington and her son oversaw. For the first time there are explanatory notes that identify the many veiled or anonymous figures in the text and establish the reliability of each anecdote about them. Other new features include an index, a census of early editions, a full bibliography, and a chronology. This edition is produced in a two-volume format, the first comprising the actual Memoirs, and the second the commentary. Readers are at last in a position to understand exactly what Pilkington is saying in her Memoirs--and what she may be suppressing in the process. They can now approach Pilkington's Swift with confidence at each step, and appreciate her rendering of the many other real-life personages who populate her disarmingly breezy narrative: bishops, scientists, and statesmen; authors, artists, and printers; and assorted rogues, wits, bawds, and eccentrics. More than any other early-eighteenth-century woman writing in English, says Elias, Pilkington remains accessible to readers today. As a portrayal of Swift, as the recollections of a woman making her way in the male-dominated world of letters, as a source of Irish and English cultural and historical minutiae, and as a delightfully gossipy poke at social pretense, Pilkington's Memoirs are a classic of her era.

Reprint of the original, first published in 1871.