Femdom Whips The White Slavers

The year is 1952. Vanessa, the kinky headmistress, and Edith, the kinky matron, from the Spanking Mistress Trilogy, are aged 18. Both have run away from home. They meet in the ‘red light district’ of Paris where they fall in with the publishers of a ’kinky sex’ magazine and are then abducted by ‘white slavers’.

The year is 1952. Vanessa, the kinky headmistress, and Edith, the kinky matron, from the Spanking Mistress Trilogy, are aged 18. Both have run away from home. They meet in the 'red light district' of Paris where they fall in with the publishers of a 'kinky sex' magazine and then fall prey to 'white slavers'. This full-length femdom story is for lovers of dominant women who beat and humiliate men, and is a prequel to The Spanking Mistress Trilogy.

Femdom Fascist: Rupert Houndsditch, crime novelist, is kidnapped in a fascist country by the Archduchess Zsa Zsa and by Princess Flavia her daughter. Incarcerated in a gothic castle, he is subjected to brutal treatment by the archduchess and the princess and by his female guards and by a sadistic female doctor. Femdom Mistress: The evening before his wedding, Gus gets drunk with Adam, his best man. On a dare, they visit a dungeon for submissive males run by a mother and her daughter. The mother sees Adam as a prospective son in law. Features a cameo appearance by Vanessa, the kinky headmistress from The Spanking Mistress Trilogy. Femdom Whips the White Slavers: Vanessa, the kinky headmistress, and Edith, the kinky matron, from The Spanking Mistress Trilogy, are aged 18. Both have run away from home. They meet in the 'red light district' of Paris where they fall in with the publishers of a spanking magazine and then fall prey to 'white slavers'. Enjoy BDSM, bondage, sadism, masochism, nooseplay and romance, with some humour.

Violet-Elizabeth receives private lessons in spanking literature from a male Professor.

Spanking Aunts, a novel, and BDSM Pupil and BDSM Friends, two novellas, published together in one spanking trilogy. Previously published as Flagellation Trilogy by Catherine de Bourg. A schoolgirl arrives at the home of a professor for private lessons in English literature to help her get into university. But she discovers that he has a cabinet full of ‘spanking’ literature and that he wears female underwear.She humiliates and spanks him, and is spanked by him. And then her mother arrives. Angela is worried that her son, Jack, is not interested in girls, so she asks her best friend, Julia, to seduce him. But Jack is a sadist and spanks Julia. As a punishment, Julia take Jack to a strict governess (‘dominatrix’ was not in the dictionary in 1950), to be taught how to respect women. Bertha and Judith, two college students, are caught shoplifting in a shop owned by Doris, a dominant BBW and George, her submissive son. Instead of calling the police, Doris decides that she and George will punish the girls.

SPANKING, HUMOUR AND ROMANCE. ANGELA IS WORRIED THAT HER SON, JACK, IS NOT INTERESTED IN GIRLS, SO SHE ASKS HER BEST FRIEND, JULIA, TO SEDUCE HIM. BUT JACK IS A SADIST AND SPANKS JULIA. AS A PUNISHMENT, HIS MOTHER AND JULIA TAKE JACK TO A STRICT GOVERNESS (‘DOMINATRIX’ WAS NOT IN THE DICTIONARY IN 1950), TO BE TAUGHT HOW TO RESPECT WOMEN.

Winner of the Los Angeles Times Book Prize in History A bold and searing investigation into the role of white women in the American slave economy “Compelling.”—Renee Graham, Boston Globe “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

A new slave is added to Mistress Lucy's stable. Abducted, he awakes in darkness, chained in a cell. Soon, he is stripped naked and paraded before his new owner. Then his first flogging brings home to him the full horror of his new life. His training begins: hour after hour, day after day of back-breaking tedious physical training, interpersed with vicious punishments. But this is his life now -- just another slave on Mistress Lucy's Estate!